Luigi Garzi

The authorities additionally record the headings Lud. Garzi, Luigi Gazzi, Luiggi Garzi Romano, Louis Garzi and Luigi Garzi Romano. His recorded language was Italian.

Work by Luigi Garzi is held by Minneapolis Institute of Art, Museo del Prado, Art Institute of Chicago and J. Paul Getty Museum.

What the record establishes about Luigi Garzi.

Myrrha, being transformed into the myrrh tree, gives birth to Adonis. Oil painting by a follower of Luigi Garzi. is catalogued and held by Wellcome Collection. Saint Philip Neri. Colour etching by the Comte de Caylus and N. Le Sueur after L. Garzi. is dated 1700-1799 and held by Wellcome Collection. Preparatory drawing for "Venus at the furnace of Vulcan" is dated 1712 and held by Palazzo Buonaccorsi Gallery of Ancient Art. Saint Francis Renouncing His Worldly Goods is dated 1696–97 and held by The Metropolitan Museum of Art (inventory 87.12.120). Sheet of Studies: Heads, Hands, and Doves is dated 1638–1721 and held by The Metropolitan Museum of Art (inventory 66.54.2). Mary Introducing St Catherine of Siena to Christ is dated 1687 and held by Statens Museum for Kunst (inventory KMSsp829).

Luigi Garzi - Le voyage de Jacob is dated 1700 and held by Musée d'art et d'histoire de Narbonne (inventory 859.3.55). The Birth of Adonis and the Transformation of Myrrha is catalogued and held by Wellcome Collection (inventory 44687i). Simeon with the Christ Child in his arms is catalogued and held by Nationalmuseum (inventory NMH 1326/1863). The Sacrifice of Marcus Curtius is dated 1717 and held by Glasgow Museums Resource Centre (inventory 900). The Finding of Moses is dated 1638–1721 and held by The Metropolitan Museum of Art (inventory 08.227.12). Portrait of Giovanni Francesco Penni is catalogued and held by Nationalmuseum (inventory NMH 2999/1863).

Reclining River God is dated 1638–1721 and held by The Metropolitan Museum of Art (inventory 61.215.1). Portrait of Michel Angelo Cerquozzi is catalogued and held by Nationalmuseum (inventory NMH 3019/1863). Portrait of Felice Ottini (Brandi) is catalogued and held by Nationalmuseum (inventory NMH 3033/1863). Portrait of Raffaaelle del Colle is catalogued and held by Nationalmuseum (inventory NMH 343/1863). Adoration of the Host is dated n.d. and held by The Art Institute of Chicago (inventory 1922.4010). Portrait of Francesco Allegrini is catalogued and held by Nationalmuseum (inventory NMH 3015/1863).

Portrait of Giuseppe Passeri is catalogued and held by Nationalmuseum (inventory NMH 3035/1863). Portrait of Rosso Fiorentino is catalogued and held by Nationalmuseum (inventory NMH 2995/1863). Portrait of Philip Peter Roos is catalogued and held by Nationalmuseum (inventory NMH 638/1863). Portrait of Moaro da Feltro is catalogued and held by Nationalmuseum (inventory NMH 2997/1863).

What Luigi Garzi produced.

The Metropolitan Museum of Art catalogues 4 works under this heading. The Art Institute of Chicago catalogues 1 work under this heading. Wikidata Query Service catalogues 28 works under this heading. Wellcome Collection catalogues 2 works under this heading.

Where material relating to Luigi Garzi is held.

Marcus Curtius Leaping into the Chasm (recto); Study of a Seated Crowned Female Figure (verso) (1638) is digitised and catalogued by Internet Archive. A Foreshortened View of a Ceiling Corner Decorated with Statues, Putti and Garlands is digitised and catalogued by Internet Archive. Saint Francis Renouncing His Worldly Goods (1638) is digitised and catalogued by Internet Archive. Sheet of Studies: Heads, Hands, and Doves (1638) is digitised and catalogued by Internet Archive. Design for a Painted Wall Decoration (1638) is digitised and catalogued by Internet Archive. The Holy Women at the Sepulchre (1585) is digitised and catalogued by Internet Archive.

The Finding of Moses (1638) is digitised and catalogued by Internet Archive. Reclining River God (1638) is digitised and catalogued by Internet Archive.

31 works under this name are catalogued by Wikidata Query Service, The Art Institute of Chicago and Wellcome Collection. Their recorded dates run from 1687 to 1717.

Hercules and Omphale, dated 1705, held by J. Paul Getty Museum, inventory 70.PA.35. Mary Introducing St Catherine of Siena to Christ, dated 1687, held by Statens Museum for Kunst, inventory KMSsp829. Luigi Garzi - Le voyage de Jacob, dated 1700, held by Musée d'art et d'histoire de Narbonne, inventory 859.3.55. Simeon with the Christ Child in his arms, held by Nationalmuseum, inventory NMH 1326/1863. Portrait of Francesco Salviati, held by Nationalmuseum, inventory NMH 157/1863. Portrait of Felice Ottini (Brandi), held by Nationalmuseum, inventory NMH 3033/1863. The judgement of Paris, held by Nationalmuseum, inventory NMH 613/1863. Portrait of Michel Angelo Cerquozzi, held by Nationalmuseum, inventory NMH 3019/1863. Portrait of Rosso Fiorentino, held by Nationalmuseum, inventory NMH 2995/1863. Portrait of Giovanni Francesco Penni, held by Nationalmuseum, inventory NMH 2999/1863. Portrait of Giuseppe Passeri, held by Nationalmuseum, inventory NMH 3035/1863. Portrait of Moaro da Feltro, held by Nationalmuseum, inventory NMH 2997/1863. Portrait of Giulio Romano, held by Nationalmuseum, inventory NMH 2998/1863. Portrait of Gaspare Dughet, held by Nationalmuseum, inventory NMH 2452/1863. Portrait of Francesco Allegrini, held by Nationalmuseum, inventory NMH 3015/1863. Portrait of Philip Peter Roos, held by Nationalmuseum, inventory NMH 638/1863. Portrait of Giacinto Brandi, held by Nationalmuseum, inventory NMH 575/1863. Portrait of Raffaaelle del Colle, held by Nationalmuseum, inventory NMH 343/1863. Portrait of Raphael, held by Nationalmuseum, inventory NMH 273/1863. Self-portrait, held by Nationalmuseum, inventory NMH 612/1863. Venus at the furnace of Vulcan, dated 1712, held by Palazzo Buonaccorsi Gallery of Ancient Art, inventory 548a. sketch for "Venus at the furnace of Vulcan", dated 1711, held by J. Paul Getty Museum. Preparatory drawing for "Venus at the furnace of Vulcan", dated 1712, held by Palazzo Buonaccorsi Gallery of Ancient Art. The Sacrifice of Marcus Curtius, dated 1717, held by Glasgow Museums Resource Centre, inventory 900. Vigilance and Love's Oblivion, held by Ashmolean Museum, inventory WA1929.8. The Birth of Adonis and the Transformation of Myrrha, held by Wellcome Collection, inventory 44687i. The Flight into Egypt, held by Walker Art Gallery, inventory WAG 151. Alpheus and Arethusa. Adoration of the Host, dated n.d., pen and brown ink, with brush and blue wash, over traces of red chalk, on cream laid paper, held by The Art Institute of Chicago, inventory 1922.4010. Myrrha, being transformed into the myrrh tree, gives birth to Adonis. Oil painting by a follower of Luigi Garzi., held by Wellcome Collection. Saint Philip Neri. Colour etching by the Comte de Caylus and N. Le Sueur after L. Garzi., dated 1700-1799, held by Wellcome Collection.

Work associated with this heading is recorded in 11 named public collections.

Nationalmuseum: 17 recorded objects, read from the institution's own published catalogue. J. Paul Getty Museum: 2 recorded objects, read from the institution's own published catalogue. Musée d'art et d'histoire de Narbonne: 2 recorded objects, read from the institution's own published catalogue. Palazzo Buonaccorsi Gallery of Ancient Art: 2 recorded objects, read from the institution's own published catalogue. Statens Museum for Kunst: 1 recorded object, read from the institution's own published catalogue. Colnaghi: 1 recorded object, read from the institution's own published catalogue. Collezione Lemme: 1 recorded object, read from the institution's own published catalogue. Glasgow Museums Resource Centre: 1 recorded object, read from the institution's own published catalogue. Ashmolean Museum: 1 recorded object, read from the institution's own published catalogue. Wellcome Collection: 2 recorded objects, read from the institution's own published catalogue. The Art Institute of Chicago: 1 recorded object, read from the institution's own published catalogue.

3 scholarly publications naming this subject were located in the registry of record.

Garzi, Luigi, Benezit Dictionary of Artists, 2011. Garzi, Luigi, Oxford Art Online, 2003. Riflessioni su "bozzetti" e "ricordi" nella pittura di Luigi Garzi, a partire da un ritrovato Martirio di Santa Caterina d’Alessandria / Some observations on ‘bozzetti’ and ‘ricordi’ in Luigi Garzi’s painting, starting with a rediscovered Martyrdom of St. Catherine of Alexandria, Il Capitale Culturale: Studies on the Value of Cultural Heritage, 2023.

Bibliographic registers publish measured figures for this heading: 10 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 6 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 6 means 6 genuinely separate publishers of record. 13 further registers were consulted and returned nothing for this heading.

the recorded working language is Italian.

The field of work recorded is painting and Baroque painting.

Places of work recorded in the authority are Rome.

Work by Luigi Garzi is recorded in the collections of Minneapolis Institute of Art, Museo del Prado, Art Institute of Chicago, J. Paul Getty Museum and Nationalmuseum.