Luigi Baccio del Bianco

Work by Luigi Baccio del Bianco is held by Art Institute of Chicago, National Gallery of Canada, Museo dell'Opera del Duomo and Museum of Still Life.

What the record establishes about Luigi Baccio del Bianco.

Lärobok i gymnastik : avsedd för Gymnastiska Centralinstutet och Folkskoleseminarierna ... / utarbetad av Ernst Abramson [and others]. is dated [1932-] and held by Wellcome Collection. Costume Design for Pages or Squirs Tending to the Horses is dated ca. 1620–56 and held by The Metropolitan Museum of Art (inventory 48.122.2(3)). Costume Design with a Large Headdress and Long Cape is dated ca. 1620–56 and held by The Metropolitan Museum of Art (inventory 48.122.2(8a)). Design for a Headdress (front and side view) is dated ca. 1620–56 and held by The Metropolitan Museum of Art (inventory 48.122.2(7b)). Allegory of Time and Fame is dated n.d. and held by The Art Institute of Chicago (inventory 1922.3265). Knight with Lance is dated 1604–56 and held by The Metropolitan Museum of Art (inventory 63.209).

Project of the new facade of the cathedral is dated 1635 and held by Museo dell'Opera del Duomo. Carnival Figures is dated n.d. and held by The Art Institute of Chicago (inventory 1922.3088). Luigi Baccio del Bianco is recorded with the citizenship of Grand Duchy of Tuscany. The Metropolitan Museum of Art records 22 objects associated with this heading. The Art Institute of Chicago records 2 objects associated with this heading. Luigi Baccio del Bianco is recorded as painter, architect and scenographer.

Museo dell'Opera del Duomo records 1 object associated with this heading. Museum of Still Life records 1 object associated with this heading. Wellcome Collection records 1 object associated with this heading. Bacchus is dated 1650 and held by Museum of Still Life.

What Luigi Baccio del Bianco produced.

The Metropolitan Museum of Art catalogues 4 works under this heading. The Art Institute of Chicago catalogues 2 works under this heading. Wikidata Query Service catalogues 2 works under this heading. Wellcome Collection catalogues 1 work under this heading.

8 works under this name are catalogued by Wikidata Query Service, The Metropolitan Museum of Art and The Art Institute of Chicago. Their recorded dates run from 1604 to 1650.

Project of the new facade of the cathedral, dated 1635, held by Museo dell'Opera del Duomo. Bacchus, dated 1650, held by Museum of Still Life. Costume Design for Pages or Squirs Tending to the Horses, dated ca. 1620–56, brown ink over red chalk, held by The Metropolitan Museum of Art, inventory 48.122.2(3). Design for a Headdress (front and side view), dated ca. 1620–56, brown ink, held by The Metropolitan Museum of Art, inventory 48.122.2(7b). Costume Design with a Large Headdress and Long Cape, dated ca. 1620–56, brown ink, held by The Metropolitan Museum of Art, inventory 48.122.2(8a). Knight with Lance, dated 1604–56, pen and brown ink, with brush and brown wash, over traces of black chalk, held by The Metropolitan Museum of Art, inventory 63.209. Carnival Figures, dated n.d., red chalk on ivory laid paper, tipped onto tan wove paper, held by The Art Institute of Chicago, inventory 1922.3088. Allegory of Time and Fame, dated n.d., pen and brown ink, with brush and brown wash, over black chalk, on cream laid paper, laid down on green tinted wove paper, held by The Art Institute of Chicago, inventory 1922.3265.

Work associated with this heading is recorded in 4 named public collections.

Museo dell'Opera del Duomo: 1 recorded object, read from the institution's own published catalogue. Museum of Still Life: 1 recorded object, read from the institution's own published catalogue. The Metropolitan Museum of Art: 22 recorded objects, read from the institution's own published catalogue. The Art Institute of Chicago: 2 recorded objects, read from the institution's own published catalogue.

5 scholarly publications naming this subject were located in the registry of record.

Baccio del Bianco, Luigi, Oxford Art Online, 2003. Bianco, Baccio or Bartolommeo del, Benezit Dictionary of Artists, 2011. Calderón de la Barca-Baccio del Bianco: un binomio escénico, Revista de Historia Moderna, 1992. Baccio del Bianco à Livourne : de l’esquisse à l’œuvre, Le Journal de la Renaissance, 2008. Baccio del Bianco y los pintores escenógrafos de Madrid: mutaciones para Triun- fos de Amor y Fortuna (1655-1658), fiesta real de Antonio de Solís., Librosdelacorte.es, 2021.

Bibliographic registers publish measured figures for this heading: 10 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 5 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 5 means 5 genuinely separate publishers of record. 15 further registers were consulted and returned nothing for this heading.