Ludwig Engländer

Already by 1903 he had come in for criticism of his Teutonic sound. Perhaps for that reason he occasionally returned to Vienna near the end of his life to write musicals for that audience. At the time of his death he was living in Far Rockaway, Queens, with his sister.

• Der Prinzgemahl (1883); revised and translated into English as The Prince Consort (1883) • The Seven Ravens (1884) • 1776 (1884) • Madelaine, oder Die Rose der Champagne (1888) • The Passing Show (1894) • A Daughter of the Revolution • The Twentieth Century Girl (1895) • The Caliph (1896) • Half a King (1896) • In Gayest Manhattan, or Around New York in Ninety Minutes (1897) • A Round of Pleasure (1897) • The Little Corporal (1898) • In Gay Paree (1899) • The Man in the Moon (1899) • The Rounders (1899) • The Cadet Girl (1900) • The Casino Girl (1900) • The Monks of Malabar (1900) • The Belle of Bohemia (1900) • The New Yorkers (1901) • The Strollers (1901) • Sally in our Alley (1902) • The Wild Rose (1902) • The Girl from Dixie (1903) • The Jewel of Asia (1903) • The Office Boy (1903) • A Madcap Princess (1904) • The Two Roses (1904); written for Fritzi Scheff • The White Cat (1905) • Rich Mr. Hoggenheimer (1906) • The Gay White Way (1907) • Miss Innocence (1908) • Vielliebchen (1911) • Kittys Ehemänner (1912) • Madam Moselle (1914) Additionally he wrote many popular songs written with lyricists such as Sydney Rosenfeld, J. Cheever Goodwin, Harry B. Smith, and others.