Luc Courchesne
Luc Courchesne D.F.A. (1952) is a Canadian artist and academic known for his work in interactive art.
Luc Courchesne
Simon Villeneuve · CC BY-SA 3.0
- Name
- Luc Courchesne
- Born
- 20 May 1952
- Birthplace
- Saint-Léonard-d'Aston, Quebec
- Occupation
- artist, professor
- Nationality
- Canada
- Education
- Massachusetts Institute of Technology · NSCAD University
- Honours
- Prix Paul-Émile-Borduas · Governor General's Award in Visual and Media Arts
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Documentary basis
Authority files
wikidata · Q1872920 · wikipedia · Luc Courchesne
In this article
Biography
Biography
Luc Courchesne studied at Massachusetts Institute of Technology and NSCAD University. Places of work recorded in the authority are Montreal. Employment is recorded with Université de Montréal. Work by Luc Courchesne is recorded in the collections of National Gallery of Canada, Musée national des beaux-arts du Québec, ZKM Center for Art and Media Karlsruhe, Musée de la civilisation and Agnes Etherington Art Centre. Distinctions recorded are Prix Paul-Émile-Borduas and Governor General's Award in Visual and Media Arts.

Luc Courchesne au Forum mondial de la langue française.
Simon Villeneuve

Luc Courchesne au Forum mondial de la langue française.
Simon Villeneuve
Key facts
Key facts
• Name — Luc Courchesne • Born — 20 May 1952 • Birthplace — Saint-Léonard-d'Aston, Quebec • Occupation — artist, professor • Notable Works — Portrait One, Family Portrait • Website — courchel.net
Life
Life
Luc Courchesne was born May 20, 1952, in Saint-Léonard-d'Aston, Quebec. He received a bachelor's degree in design from the Nova Scotia College of Art and Design in 1974. In the 1980s, he received a Master of Science degree in visual studies from the Massachusetts Institute of Technology. Courchesne was a member of the MIT Media Lab at its inception in 1985. Courchesne was a professor of industrial design at the Université de Montréal.
Work
Work
Courchesne is known for his interactive video installations and environments. He began working in interactive video in 1984 when he co-authored Elastic Movies, and since has produced many installation works and image series. In his early works such as Family Portrait and Portrait One (1989), the viewer interacts with the a human image programmed to engage in a lifelike conversation with the viewer. His later work Landscape One (1997) surrounds the viewer with a 360 degree immersive and interactive video projection of a park. In 1994, he exhibited his work in a solo show at the Museum of Modern Art in New York titled Project 47: Luc Courchesne. and has had numerous later solo and group shows, both nationally and internationally. In 2022, Luc Courchesne - Observateur du monde, an exhibition, was shown at the Carrefour des Arts, Université de Montréal. He is represented by Pierre-François Ouellette art contemporain (PFOAC), a contemporary art gallery in Montreal, Quebec. On September 11, 2001, while he was on assignment in New York City for a "Québec–New York" cultural event, Courchesne happened to be videotaping the smoldering North Tower of the World Trade Center as the second plane hit the South Tower. The 23-minute video of his experience was made available at CBC/Radio-Canada's archives. Courchesne has been awarded several artist-in-residence positions internationally. Since 1996, he has been a member of the Society for Arts and Technology in Montreal. He was Chairman of the Board of Directors from 1996 to 2005, then Vice-Chairman from 2005 to 2008.
Collections
Collections
Courchesne's work is included in the permanent collection of the National Gallery of Canada, Musée national des beaux-arts du Québec and elsewhere as well as in many institutions internationally such as the Zentrum für Kunst und Medientechnologie (ZKM) in Karlsruhe.
Documents and archives
Primary material
Documents and archives
authority record
- Wikidata, structured authority record Q1872920: Luc Courchesne
General reference · Wikidata
reference work
- “Luc Courchesne”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Awards
• 1997 - his installation Paysage no. 1 won the Grand Prize of the first biennale of the NTT InterCommunication Center in Tokyo. • 1999 - honorary mention in the category of "Interactive Art" of the Prix Ars Electronica in Linz. • 2010 - member of the RCA by way of their nomination process. • 2019 - received the Prix Paul-Émile Borduas, Quebec's highest award in visual arts. • 2021 - Governor General's Award in Visual and Media Arts. • 2022 - awarded an honorary doctorate from NSCAD.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Luc Courchesne, revision 1373290027 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Artist/Maker Name "Courchesne, Luc". Canadian Heritage Information Network.
- 2.Luc Courchesne (Montreal, Quebec, Canada). Daniel Langlois Foundation.
- 3.Luc Courchesne. Vitheque.
- 4.Hartmut Koenitz. Interactive Digital Narrative: History, Theory and Practice. Routledge. 41–. 10 April 2015. 978-1-317-66868-8.
- 5.PUQ. Prolife ́ration Des E ́crans. 131–. 2008. 978-2-7605-2196-4.
- 6.Vimeo. Elastic Movies. vimeo.com. 21 April 2011.
- 7.Timothy Scott Barker. Time and the Digital: Connecting Technology, Aesthetics, and a Process Philosophy of Time. UPNE. 136–. 2012. 978-1-61168-301-1.
- 8.Michael Heim. Virtual Realism. Oxford University Press. 33–. 13 April 2000. 978-0-19-535009-8.
- 9.Cambridge Scholars Publishing. Expanding Practices in Audiovisual Narrative. 129–. 16 October 2014. 978-1-4438-6906-5.
- 10.Harrison, Dew. Handbook of Research on Digital Media and Creative Technologies. IGI Global. 6–. 31 March 2015. 978-1-4666-8206-1.
- 11.Stephen Wilson. Information Arts: Intersections of Art, Science, and Technology. MIT Press. 826–. 2002. 978-0-262-73158-4.
- 12.Margot Lovejoy. Digital Currents: Art in the Electronic Age. Routledge. 172–. 2 August 2004. 978-1-134-39729-7.
- 13.Steve Dixon. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. MIT Press. 2007. 978-0-262-04235-2.
- 14.MOMA. Exhibition Archive. www.moma.org.
- 15.Université de Montréal. Luc Courchesne: Observer of the World. www.google.com.
- 16.Luc Courchesne - Overview. Pierre-François Ouellette.
- 17.Attentats au World Trade Center. CBC/Radio-Canada.
- 18.Langlois Foundation. Luc Courchesne. www.fondation-langlois.org.
- 19.National Gallery of Canada. Luc Courchesne. www.gallery.ca.
- 20.BFI Pub. New Screen Media: Cinema/art/narrative. 2002. 978-0-85170-865-2.
- 21.MNBAQ. Luc Courchesne. collections.mnbaq.org.
- 22.centre for art and media, Karlruhe. Collection. zkm.de.
- 23.NTT Inter Communications Centre, Tokyo. Examination result. ICC Biennale 1997.
- 24.1992 Prix Winners: Interactive Art. Ars Electronica.
- 25.Government of Quebec. Luc Courchesne. prixduquebec.gouv.qc.ca.
- 26.Governor General of Canada. Luc Courchesne. www.youtube.com.
- 27.NSCAD. NSCAD UNIVERSITY ANNOUNCES ITS 2022 HONORARY DEGREE RECIPIENTS. nscad.ca. 11 April 2022.
References
Citations
References
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Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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