Louis R. Loeffler

• Name — Louis R. Loeffler • Born — February 24, 1897 • Birthplace — New York City, United States • Died — April 22, 1972 • Place of death — Hollywood, Los Angeles, California, United States • Occupation — Film editor

Editor • Year — Film — Director — Notes — Other notes • 1927 — Chain Lightning — Lambert Hillyer • 1928 — The Red Dance — Raoul Walsh — First collaboration with Raoul Walsh • Me, Gangster — Second collaboration with Raoul Walsh • In Old Arizona — * Irving Cummings * Raoul Walsh — Third collaboration with Raoul Walsh • 1929 — Thru Different Eyes — John G. Blystone — First collaboration with John G. Blystone • 1930 — One Mad Kiss — * Marcel Silver * James Tinling — First collaboration with James Tinling • Del Mismo Barro — David Howard • Lightnin — Henry King • 1932 — Amateur Daddy — John G. Blystone — Second collaboration with John G. Blystone • Week Ends Only — Alan Crosland • 1933 — Pilgrimage — John Ford — First collaboration with John Ford — Uncredited • Arizona to Broadway — James Tinling — Second collaboration with James Tinling • Doctor Bull — John Ford — Second collaboration with John Ford • 1935 — Your Uncle Dudley — Eugene Forde — First collaboration with Eugene Forde • 1936 — Here Comes Trouble — Lewis Seiler — First collaboration with Lewis Seiler • Human Cargo — Allan Dwan — First collaboration with Allan Dwan • Educating Father — James Tinling — Third collaboration with James Tinling • High Tension — Allan Dwan — Second collaboration with Allan Dwan • 36 Hours to Kill — Eugene Forde — Second collaboration with Eugene Forde • Can This Be Dixie? — George Marshall — First collaboration with George Marshall • Career Woman — Lewis Seiler — Second collaboration with Lewis Seiler • 1937 — Fair Warning — Norman Foster — First collaboration with Norman Foster • That I May Live — Allan Dwan — Third collaboration with Allan Dwan • She Had to Eat — Malcolm St. Clair • Life Begins in College — William A. Seiter • Lancer Spy — Gregory Ratoff — First collaboration with Gregory Ratoff • 1938 — Happy Landing — Roy Del Ruth — First collaboration with Roy Del Ruth • Four Men and a Prayer — John Ford — Third collaboration with John Ford • I'll Give a Million — Walter Lang — First collaboration with Walter Lang • Hold That Co-Ed — George Marshall — Second collaboration with George Marshall • 1939 — The Little Princess — Walter Lang — Second collaboration with Walter Lang • Rose of Washington Square — Gregory Ratoff — Second collaboration with Gregory Ratoff • Hotel for Women — Third collaboration with Gregory Ratoff • Here I Am a Stranger — Roy Del Ruth — Second collaboration with Roy Del Ruth • Swanee River — Sidney Lanfield • 1940 — Girl in 313 — Ricardo Cortez • Earthbound — Irving Pichel — First collaboration with Irving Pichel • Girl from Avenue A — Otto Brower • Murder Over New York — Harry Lachman • 1941 — Ride, Kelly, Ride — Norman Foster — Second collaboration with Norman Foster • Ride on Vaquero — Herbert I. Leeds — First collaboration with Herbert I. Leeds • Dance Hall — Irving Pichel — Second collaboration with Irving Pichel • Marry the Boss's Daughter — Thornton Freeland • 1942 — Right to the Heart — Eugene Forde — Third collaboration with Eugene Forde • Young America — Louis King • Who Is Hope Schuyler? — Thomas Z. Loring — First collaboration with Thomas Z. Loring • Thru Different Eyes — Second collaboration with Thomas Z. Loring • Just Off Broadway — Herbert I. Leeds — Second collaboration with Herbert I. Leeds • Quiet Please, Murder — John Larkin • 1943 — Margin for Error — Otto Preminger — First collaboration with Otto Preminger • The Moon Is Down — Irving Pichel — Third collaboration with Irving Pichel • He Hired the Boss — Thomas Z. Loring — Third collaboration with Thomas Z. Loring • Wintertime — John Brahm • 1944 — The Fighting Sullivans — Lloyd Bacon — First collaboration with Lloyd Bacon • In the Meantime, Darling — Otto Preminger — Second collaboration with Otto Preminger • Laura — Third collaboration with Otto Preminger • 1945 — Caesar and Cleopatra — Gabriel Pascal — Uncredited • 1946 — Home Sweet Homicide — Lloyd Bacon — Second collaboration with Lloyd Bacon • 1947 — I Wonder Who's Kissing Her Now — Third collaboration with Lloyd Bacon • Forever Amber — Otto Preminger — Fourth collaboration with Otto Preminger • Daisy Kenyon — Fifth collaboration with Otto Preminger • 1948 — The Iron Curtain — William A. Wellman • That Wonderful Urge — Robert B. Sinclair • 1949 — The Fan — Otto Preminger — Sixth collaboration with Otto Preminger • Oh, You Beautiful Doll — John M. Stahl • Dancing in the Dark — Irving Reis • 1950 — Whirlpool — Otto Preminger — Seventh collaboration with Otto Preminger • Where the Sidewalk Ends — Eighth collaboration with Otto Preminger • Two Flags West — Robert Wise • 1951 — The 13th Letter — Otto Preminger — Ninth collaboration with Otto Preminger • Call Me Mister — Lloyd Bacon — Fourth collaboration with Lloyd Bacon • Golden Girl — Fifth collaboration with Lloyd Bacon • 1952 — Return of the Texan — Delmer Daves • Down Among the Sheltering Palms — Edmund Goulding — First collaboration with Edmund Goulding • We're Not Married! — Second collaboration with Edmund Goulding • My Cousin Rachel — Henry Koster • 1953 — The I Don't Care Girl — Lloyd Bacon — Sixth collaboration with Lloyd Bacon • Titanic — Jean Negulesco — First collaboration with Jean Negulesco • The Farmer Takes a Wife — Henry Levin • How to Marry a Millionaire — Jean Negulesco — Second collaboration with Jean Negulesco • 1954 — River of No Return — Otto Preminger — Tenth collaboration with Otto Preminger • Woman's World — Jean Negulesco — Third collaboration with Jean Negulesco • Carmen Jones — Otto Preminger — Eleventh collaboration with Otto Preminger • 1955 — Violent Saturday — Richard Fleischer • How to Be Very, Very Popular — Nunnally Johnson — First collaboration with Nunnally Johnson • The Tall Men — Raoul Walsh — Fourth collaboration with Raoul Walsh • The Man with the Golden Arm — Otto Preminger — Twelfth collaboration with Otto Preminger • 1956 — The Revolt of Mamie Stover — Raoul Walsh — Fifth collaboration with Raoul Walsh • Bigger Than Life — Nicholas Ray • The King and Four Queens — Raoul Walsh — Sixth collaboration with Raoul Walsh • 1957 — The Wayward Bus — Victor Vicas • No Down Payment — Martin Ritt — First collaboration with Martin Ritt • 1958 — The Long, Hot Summer — Second collaboration with Martin Ritt • A Certain Smile — Jean Negulesco — Fourth collaboration with Jean Negulesco • Rally Round the Flag, Boys! — Leo McCarey • 1959 — Anatomy of a Murder — Otto Preminger — Thirteenth collaboration with Otto Preminger • Hound-Dog Man — Don Siegel • 1960 — The Angel Wore Red — Nunnally Johnson — Second collaboration with Nunnally Johnson • Exodus — Otto Preminger — Fourteenth collaboration with Otto Preminger • 1961 — Francis of Assisi — Michael Curtiz — First collaboration with Michael Curtiz • The Comancheros — Second collaboration with Michael Curtiz • 1962 — Advise & Consent — Otto Preminger — Fifteenth collaboration with Otto Preminger • 1963 — The Cardinal — Sixteenth collaboration with Otto Preminger • 1964 — Shock Treatment — Denis Sanders • The Pleasure Seekers — Jean Negulesco — Fifth collaboration with Jean Negulesco • 1967 — Hurry Sundown — Otto Preminger — Seventeenth collaboration with Otto Preminger Editorial department • Year — Film — Director — Role • 1956 — The King and Four Queens — Raoul Walsh — Supervising editor Director • Year — Film — Notes • 1930 — The Big Trail — Uncredited • 1931 — Il Grande Sentiero Special effects • Year — Film — Director — Role — Notes • 1940 — Foreign Correspondent — Alfred Hitchcock — Special effects cutter — Uncredited • TV series Editor • Year — Title — Notes • 1959 — Adventures in Paradise — 1 episode • 1964 — Daniel Boone