Louis-Joseph Le Lorrain

As a teacher, Louis-Joseph Le Lorrain is recorded in connection with Jean-Michel Moreau. Each of those relationships is stated by the authority record rather than inferred from style.

Work by Louis-Joseph Le Lorrain is held by Nationalmuseum, Art Institute of Chicago, Staatliche Kunstsammlungen Dresden and Musée des Beaux-Arts de Strasbourg.

19 works under this name are catalogued by Wikidata Query Service, The Metropolitan Museum of Art, The Art Institute of Chicago and Wellcome Collection. Their recorded dates run from 1636 to 1756.

Caprice architectural, dated 1748, held by Department of Paintings of the Louvre, inventory RF 1976 19. Three Figures Dressed for a Masquerade, dated 1740, held by Q214867, inventory 1961.9.92. The Glorification of Virgil, for the "Chinea" Festival, dated 1744, held by Q214867, inventory 1996.48.3. The Temple of Minerva, for the "Chinea" Festival, dated 1746, held by Q214867, inventory 1996.48.4. Architectural Fantasy with an Obelisk and Arcade, dated 1750, held by Q214867, inventory 2001.104.1. The Seconda Macchina for the Chinea of 1745: Triumphal Arch for the Return of King Charles of Bourbon to Naples, dated 1745, held by Q214867, inventory 2016.121.11. The Prima Macchina for the Chinea of 1747: The Temple of Venus Genitrix, dated 1747, held by Q214867, inventory 2016.121.66.1. The Prima Macchina for the Chinea of 1748: The Son of Venus and Mars Presented to the Temple of Minerva, dated 1748, held by Q214867, inventory 2016.121.66.2. The Prima Macchina for the Chinea of 1744: The Glorification of Virgil, dated 1744, held by Q214867, inventory 2016.121.67.29. The Prima Macchina for the Chinea of 1746: The Temple of Minerva, dated 1746, held by Q214867, inventory 2016.121.67.32. Ezéchias fait abattre le serpent d’airain, dated 1739, held by Musée des Beaux-Arts de Strasbourg, inventory 44.2001.1.1. St. Elizabeth in Prayer, dated 1755, held by Musée Fabre, inventory 2012.19.18. Boudier d'Hercules, dated 1756, etching, held by The Metropolitan Museum of Art, inventory 63.631.13. Architectural Capriccio with an Obelisk, dated ca. 1750–59, pen and ink with wash, held by The Metropolitan Museum of Art, inventory 2019.232. Shield of Hercules, dated 1756, etching and engraving on cream laid paper, held by The Art Institute of Chicago, inventory 2013.618. King David Kneeling in Penitence, dated n.d., pen and brown ink and brush and brown wash, with graphite, on ivory laid paper, edge-mounted on buff laid paper, held by The Art Institute of Chicago, inventory 1927.535. The Cowherd, dated 1636, etching on ivory laid paper, held by The Art Institute of Chicago, inventory 1923.18. View of Delphi with a Procession, dated 1673, oil on canvas, held by The Art Institute of Chicago, inventory 1941.1020. Esther fainting before Ahasuerus. Etching by L.J. Le Lorrain after J.F. de Troy., dated [1742], held by Wellcome Collection.

Work associated with this heading is recorded in 9 named public collections.

Q214867: 12 recorded objects, read from the institution's own published catalogue. Prints in the National Gallery of Art: 11 recorded objects, read from the institution's own published catalogue. Department of Paintings of the Louvre: 2 recorded objects, read from the institution's own published catalogue. Samuel H. Kress Collection: 1 recorded object, read from the institution's own published catalogue. Musée des Beaux-Arts de Strasbourg: 1 recorded object, read from the institution's own published catalogue. Musée Fabre: 1 recorded object, read from the institution's own published catalogue. The Metropolitan Museum of Art: 24 recorded objects, read from the institution's own published catalogue. The Art Institute of Chicago: 4 recorded objects, read from the institution's own published catalogue. Wellcome Collection: 1 recorded object, read from the institution's own published catalogue.

6 scholarly publications naming this subject were located in the registry of record.

Le Lorrain, Louis Joseph, Benezit Dictionary of Artists, 2011. Le Lorrain, Louis-Joseph, Oxford Art Online, 2003. Louis-Joseph Le Lorrain (1715-1759), Revue de l'art, 1978. Om salen på Akerö og dens kunstner Louis Joseph Le Lorrain, Konsthistorisk Tidskrift/Journal of Art History, 1963. Le Lorrain, Robert, Oxford Art Online, 2003. La macchina di Monsignor de Canillac per la festa in onore del matrimonio del Delfino di Francia con l’Infanta di Spagna celebrata in Piazza Farnese nel 1745, ArcHistoR Architettura Storia Restauro: Architecture History Restoration, 2019.

4 digitised items associated with this heading are catalogued by Internet Archive.

Frontispiece for a Suite of Vase Designs — Internet Archive. La Descente D'Ulysse Aux Enfers — Internet Archive. Study for a Vase in a Suite of Vase Designs — Internet Archive. Boudier d'Hercules (1756) — Internet Archive.

Bibliographic registers publish measured figures for this heading: 6 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 7 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 7 means 7 genuinely separate publishers of record. 12 further registers were consulted and returned nothing for this heading.

Jean-Michel Moreau is recorded as having studied under Louis-Joseph Le Lorrain. the recorded working language is French.

Places of work recorded in the authority are Italy, Paris and Saint Petersburg.

Work by Louis-Joseph Le Lorrain is recorded in the collections of Nationalmuseum, Art Institute of Chicago, Staatliche Kunstsammlungen Dresden, Musée des Beaux-Arts de Strasbourg and Musée Fabre.