Louis-Claude Daquin
Illustration — Louis-Claude Daquin Louis-Claude Daquin (lwi klod dakɛ̃; or D'Aquino, d'Aquin, d'Acquin; July 4, 1694 – June 15, 1772) was a French composer, writing in the Baroque and Galant styles. He was a virtuoso organist and harpsichordist.
Also recorded as Claude Daquin
Louis-Claude Daquin

Étienne-Jehandier Desrochers · This file comes from Gallica Digital Library and is available under the digital ID btv1b10335274k · Public domain
- Born
- 1694 · Paris.
- Died
- 1772 · Paris.
- Nationality
- France
- Occupation
- composer · organist · harpsichordist
- Fields
- music · organ performance · harpsichord performance
- Movements
- classical music · Baroque music
- Languages
- French
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wikidata · Q315708 · wikipedia · Louis-Claude Daquin
In this article
Life
Life
Louis-Claude Daquin was born in Paris to a family originating from Italy, where his great-great-grandfather took the name D'Aquino after converting from Judaism to Catholicism in the town of Aquino. Louis-Claude's parents were Claude Daquin, a painter, and Anne Tiersant, a grand-niece of Rabelais. One of Louis-Claude's grand-uncles was a professor of Hebrew at the Collège de France, and another was the principal physician of King Louis XIV. Daquin was a musical child prodigy. He performed for the court of Louis XIV at the age of six. He was for a while a pupil of Louis Marchand. At the age of 12, he became organist at the Sainte-Chapelle, and in the following year took a similar post at the Church of Petit Saint Antoine. In 1722 he married Denise-Thérèse Quirot. Louis-Claude Daquin never lacked for work as an organist. In 1727 he was appointed organist at the Church of Saint Paul in Paris, ahead of Jean-Philippe Rameau who was also a candidate. Five years later, Daquin succeeded his teacher Marchand as organist at the Church of the Cordeliers. In 1739 he became organist to Louis XV at the Chapelle Royale. In 1755 he was made titular organist at Notre-Dame Cathedral, succeeding Guillaume-Antoine Calvière. By reputation a dazzling performer at the keyboard, Daquin was courted by the aristocracy, and his great expertise at the organ drew large crowds to hear him. He was known for his "unfaltering precision and evenness" at both the harpsichord and organ.
The Noëls
The Noëls
For Daquin's twelve published Noëls, French organist Jean-Claude Duval has sourced the following old texts: • I. Noel, sur les jeux d'Anches sans tremblant: «À la venuë de Noël» • II Noel, en dialogue, Duo, Trio, sur le cornet de récit, les tierces du positif et la pédalle de Flûte: «Or nous dites Marie» • III Noel en Musette, en Dialogue, et en Duo: «Une bergère jolie» • IV Noel en Duo, sur les jeux d'Anches, sans tremblant: «Noël, cette journée» • V Noel en Duo: «Je me suis levé» or «Ô jour glorieux» • VI Noel, sur les jeux d'Anches, sans tremblant, et en Duo: «Qu'Adam fut un pauvre homme» • VII Noel, en Trio et en Dialogue, le cornet de récit de la main droitte, la Tierce du Positif de la main gauche: «Chrétiens qui suivez l'Église» • VIII Noel Étranger, sur les jeux d'anches sans tremblant et en Duo: «?» (foreign carol, perhaps Italian) • IX Noel, sur les Flûtes: «Noël pour l'amour de Marie» and «Chantons, je vous prie» • X Noel, Grand jeu et Duo: «Quand Dieu naquit à Noël» or «Bon Joseph, écoutez-moi» • XI Noel, en Récit en Taille, sur la Tierce du Positif, avec la Pédalle de Flûte, et en Duo: «Une jeune Pucelle» • XII Noel Suisse, Grand jeu, et Duo: «Il est un p'tit l'ange» or «Ô Dieu de clémence»
Life and career
Dated record
Life and career
The full dated record · 2 entries
1694
Louis-Claude Daquin born at Paris.
1772
Louis-Claude Daquin died at Paris.
Compositions
At the age of eight, he conducted his own choral work Beatus Vir. Daquin's surviving music includes four harpsichord suites, the c.1757 Nouveau livre de noëls for organ and harpsichord (settings of Christmas carols, which include some of his harpsichord improvisations), a cantata, an air à boire, and manuscripts of two Masses, a Te Deum, a Miserere, and Leçons de Ténèbres. Among the most famous of his works are the Swiss Noël (Noël Suisse, No. XII from his Nouveau livre) and The Cuckoo (Le coucou, from his 1735 harpsichord suite, Pièces de clavecin, Troisième Suite). Among technical innovations, his Trois cadences for harpsichord contains a triple trill.
Discography
• Louis Claude Daquin, l'œuvre intégrale pour orgue / Louis Claude Daquin, Complete organ works. Marina Tchebourkina at the Great Organ of the Royal Chapel of the Palace of Versailles. — Natives, 2004. (EAN 13: 3760075340049)
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Louis-Claude Daquin, revision 1324745964 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Macmillan. The New Grove Dictionary of Music and Musicians. 1980. 1561591742.
- 2.DK Publishing. Classical Music. 2005. 0756609585.
- 3.Sendrey, Alfred. The Music of the Jews in the Diaspora. Thomas Yoseloff. 1970. 0498066479.
- 4.Peumery, Jean-Jacques. The disgrace of Antoine Daquin, first physician of Louis XIV. Vesalius. 2. 79–85. 1996.
- 5.Daquin, Louis-Claude (c.1757). Nouveau Livre de Noëls pour l'orgue et le clavecin. 1st ed. Paris: Labassée. Retrieved December 19, 2014. (first half only)
- 6.Duval, Jean-Claude. Paroles des Noëls de Louis-Claude Daquin. 2012.
References
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