Li Yuanjia

Li Yuan-chia was born in Guangxi, China. He was educated in Taiwan from 1949. Li Yuan-chia was one of the Ton Fan group (東方畫會) that formed in Taiwan by 1956, also known as Orient Movement or Dongfang Huahui. It is credited with establishing modern abstract art in Chinese circles. Li was one of a number of students of Li Chung-sheng (李仲生, Pinyin Li Zhongsheng) in Ton Fan, who collectively became known as the "Eight Great Outlaws" (八大響馬). • Name (Pinyin) — Name (otherwise romanised) — Traditional characters — Comments • Chen Daoming — Chen Tao Ming — 陳道明 — Otherwise Tommy Chen • Huo Gang — Ho Kan — 霍剛 • Hsia Yan — 夏陽 — Real name Hsia Tsu-hsiang (Xia Zuxiang in pinyin) • Xiao Mingxian — Hsiao Ming-Hsien — 蕭明賢 — Real name Xiao Long • Xiao Qin — Hsiao Chin — 萧勤 • Li Yuanjia — Li Yuan-Chia — 李元佳 • Ouyang Wen-Yuan — 歐陽文苑 • Wu Hao — 吳昊 — Real name Wu Shilu The group exhibited in 1957 at the São Paulo Art Biennial. In Taipei in November 1957 they held a collective exhibition, including works by Spanish painters obtained by Hsiao Chin. This was the first of 15 shows to 1971, but the group became less active because of the emigration of many of its members. A 25th anniversary show took place in 1981. Li Chung-sheng later commented on Li Yuan-chia's initial development by a facile calligraphic style, but also as an early Chinese conceptual artist.

Li spent time in Italy, in Bologna and Milan; he was a founder of the Punto group, rejoining Hsiao Chin (蕭勤, Pinyin Xiao Qin), and was resident in Bologna in 1965. Li Yuan-chia moved to London in 1965 where he exhibited with David Medalla and later at the Lisson Gallery. He participated in the 1966 Signals 3 + 1 exhibition, organised by Paul Keeler and Anthony de Kedrel, with Hsiao Chin, Ho Kan, and Pia Pizzo.

In 1968 Li Yuan-chia moved to the area of Brampton (now in Cumbria) in North West England. After two years residence near Lanercost, he purchased a derelict farmhouse at Banks on Hadrian's Wall from the artist Winifred Nicholson. By his own efforts and with scant resources he converted the farmhouse into the LYC Museum and Art Gallery and opened it in 1972. A local artist friend was Audrey Barker. The Museum was described by Hunter Davies in his book A Walk along the Wall, who noted among its exhibits a piece by Takis and a painting by Alfred Wallis. The LYC exhibited artists such as Andy Goldsworthy and David Nash. Rosie Leventon, Rose Frain, Kate Nicholson and Bill Woodrow held solo shows there during the 1980s. It also encouraged the creative efforts of children, some of whom went on to successful careers in the arts. The musician Delia Derbyshire worked there as Li's assistant. Gaining increasing recognition for his enterprise, after a year or two Li was awarded funding from the Arts Council, making it possible for the Museum to continue its activities for the ten years he had originally planned.

• São Paulo Biennale 1957 • São Paulo Biennale 1959 • Stadisches Museum Leverkusen 1960 • Obelisko Gallery Rome • White - White 1965 • Signals London Soundings Two 1966 • Signals London Soundings 3 + 1 = Li Y - C etc. • Lisson Gallery • Cosmic Point 1967 • The Other Story, Hayward Gallery, 1989–90 • Camden Arts Centre, 26 January - 18 March 2001; Kendal, Cumbria: Abbot Hall Art Gallery, Kendal 28 March - 3 June; Palais des Beaux-Arts, Brussels 6 July - 9 September 2001