Laura Betti
Laura Betti (Trombetti; May 1 1934 – 31 July 2004) was an Italian actress known particularly for her work with directors Federico Fellini, Pier Paolo Pasolini, and Bernardo Bertolucci. She had a long friendship with Pasolini and made a documentary about him in 2001. Betti became famous for portraying bizarre, grotesque, eccentric, unstable or maniacal roles, such as Regina in Bernardo Bertolucci's 1900, Anna the medium in Twitch of the Death Nerve, Giovanna la pazza in Woman Buried Alive, hysterical Rita Zigai in Slap the Monster on Page One, Therese in Private Vices, Public Virtues, Emilia the servant in Pier Paolo Pasolini's Teorema, for which she won the Volpi Cup for Best Actress, and Mildred the protagonist's wife in Mario Bava's Hatchet for the Honeymoon.
Also recorded as Laura Trombetti
Laura Betti

Collezione Biblioteca Comunale G.D. Romagnosi, Salsomaggiore Terme · Public domain
- Name
- Laura Betti
- Birth Name
- Laura Trombetti
- Born
- 1 May 1934
- Birthplace
- Casalecchio di Reno, Bologna, Kingdom of Italy
- Died
- 31 July 2004
- Place of death
- Rome, Italy
- Occupation
- Actress
- Full name
- Laura Trombetti.
- Nationality
- Italy and Kingdom of Italy.
- Fields
- jazz.
- Honours
- Volpi Cup for Best Actress, Silver Shell for Best Actress, Ciak d'oro - best supporting actress and Ordre des Arts et des Lettres.
- Languages
- Italian and French.
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Documentary summary
Laura Betti (Trombetti; May 1 1934 – 31 July 2004) was an Italian actress known particularly for her work with directors Federico Fellini, Pier Paolo Pasolini, and Bernardo Bertolucci. She had a long friendship with Pasolini and made a documentary about him in 2001. Betti became famous for portraying bizarre, grotesque, eccentric, unstable or maniacal roles, such as Regina in Bernardo Bertolucci's 1900, Anna the medium in Twitch of the Death Nerve, Giovanna la pazza in Woman Buried Alive, hysterical Rita Zigai in Slap the Monster on Page One, Therese in Private Vices, Public Virtues, Emilia the servant in Pier Paolo Pasolini's Teorema, for which she won the Volpi Cup for Best Actress, and Mildred the protagonist's wife in Mario Bava's Hatchet for the Honeymoon.
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Authority files
museum · 33274d60-197b-4993-bd60-28c6f939f3f5 · wikidata · Q285431 · wikipedia · Laura Betti
In this article
Biography
Biography
The recorded working language is Italian and French. Subjects and genres recorded for the work are jazz. Distinctions recorded are Volpi Cup for Best Actress, Silver Shell for Best Actress, Ciak d'oro - best supporting actress and Ordre des Arts et des Lettres.
Key facts
Key facts
• Name — Laura Betti • Birth Name — Laura Trombetti • Born — 1 May 1934 • Birthplace — Casalecchio di Reno, Bologna, Kingdom of Italy • Died — 31 July 2004 • Place of death — Rome, Italy • Occupation — Actress
Early life
Early life
Born Laura Trombetti in Casalecchio di Reno, near Bologna, she grew up to be interested in singing. She first worked professionally in the arts as a jazz singer and moved to Rome.
Film career
Film career
Betti made her film debut in Federico Fellini's La Dolce Vita (1960). In 1963, she became a close friend of the poet and movie director Pier Paolo Pasolini. Under his direction, she proved a wonderful talent and played in seven of his films, including La ricotta (1963), Teorema (Theorem, 1968), his 1972 version of The Canterbury Tales, in which she played the Wife of Bath, and his controversial Salò, or the 120 Days of Sodom (1975). In 1976, Betti portrayed Regina, a cruel and eroto-maniacal fascist in Bernardo Bertolucci's Novecento (1900). She also played Miss Blandish in his Last Tango in Paris (1972), though her single scene was deleted. In 1973, she dubbed the voice of the Devil for the Italian version of William Friedkin's The Exorcist. • Illustration — Betti with Franco Franchi (1965) From the 1960s, Betti dedicated much of her time to literature and politics. She became the muse for a number of leading political and literary figures in Italy and came to personify the revolutionary and Marxist era of 1970s Italy. In 2001, she made a documentary about Pasolini, Pier Paolo Pasolini e la ragione di un sogno. She also donated her papers related to their long friendship along with more than 1000 volumes and many documents connected to Pasolini to the archives of the Fondazione Cineteca di Bologna, thus creating the Centro Studi Archivio Pier Paolo Pasolini. This Centro, strongly wanted by Betti, owns also thousands of photograph and all the works of Pasolini: poetry, literature, cinema and journalism. After her death in 2004, her brother Sergio Trombetti has donated all the personal documents of her career to the Centro that has absorbed them under the name Fondo Laura Betti.
Selected filmography
Selected filmography
• Illustration — Betti in Hatchet for the honeymoon, by Mario Bava
LP
LP
• Laura Betti con l'orchestra di Piero Umiliani (Jolly LPJ 5020, 1960) • Laura Betti canta Kurt Weill 1900-1933 (Ricordi SMRL 6031, 1963) • Laura Betti canta Kurt Weill 1933-1950 (Ricordi SMRL 6032, 1963)
EP
EP
• Laura Betti con Piero Umiliani e la sua orchestra. La commedia è finita/La canzone del giramondo/La canzone del tempo/Una venere ottimista (RCA Italiana A72U0220, 1958) • Quattro canzoni con Laura Betti. Amare vuol dire mentire/ I hate Rome/ Lucciola/ Satellite (Jolly EPJ 3000, 1960) • Laura Betti con l'orchestra di Piero Umiliani. Quella cosa in Lombardia/Piero/Io son' una (Jolly EPJ 3004, 1960) • Laura Betti con l'orchestra di Piero Umiliani. Macrì Teresa detta Pazzia/Valzer della toppa/Cocco di mamma (Jolly EPJ 3005, 1960) • Laura Betti con l'orchestra di Piero Umiliani. Venere tascabile/Vera signora/E invece no (Jolly EPJ 3006, 1960) • Laura Betti dal film 'Cronache del '22'. Nel '22 sognavo già l'amore/Proprio oggi/Sulla strada che va a Reggio/La prima volta (Jolly EPJ3009, 1961) • Laura Betti N.1. Je me jette/La parade du suicide/Je hais Rome/La belle Léontine (Chansons d'Orphée 150019, 1962) • Laura Betti N.2. Je sais vivre/Piero/Maria le Tatuage/Une vraie dame (Chansons d'Orphée, 150021b, 1962) • Laura Betti e Paolo Poli. Doppio EP. La bambinona/Guglielmino/La bella Leontine/Io Corpus Domini 1938/Mi butto/Donna bocca bella/Donna Lombarda/Orrenda madre/La Lisetta/La Ninetta/La Morettina/La Gigiotta (Carosello LC4001/2, 1964) • Ordine e disordine. Ai brigoli di Casalecchio/M'hai scocciata, Johnny/Monologo della buca/Solitudine/Lamento del nord (I dischi del sole DS 40, 1965)
Singles
Singles
• Les pantoufles à papa/L'attesa (Rca Italiana N0595, 1957) • Venere tascabile/Seguendo la flotta (Jolly J 20135, 1960) • Ballata dell'uomo ricco/Ballata del pover'uomo (Jolly J 20128, 1961) • E invece no/Solamente gli occhi (Jolly J 20136X45, 1961)
Identity
Identity
Laura Betti is recorded as screenwriter, actress, film director, singer and writer.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1927
Laura Betti born at Bologna.
2004
Laura Betti died at Rome.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
IT.
Country
Bologna.
Birth place
Rome.
Death place
Primary material
Documents and archives
reference work
- Wikidata, structured authority record Q285431: Laura Betti
Reputable secondary · Wikidata
- “Laura Betti”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Institutional database
- MusicBrainz artist record for Laura Betti
Scholarly · MetaBrainz Foundation
scholarly publication
- Pier Paolo Pasolini and the medium of song: texts written for Laura Betti for the <i>Giro a vuoto</i> show, Modern Italy, 2012
Scholarly · Crossref registry · 2012
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
Institutional database
MusicBrainz artist record for Laura BettiMetaBrainz Foundation
Verifiedscholarly publication
Pier Paolo Pasolini and the medium of song: texts written for Laura Betti for the <i>Giro a vuoto</i> show, Modern Italy, 2012Crossref registry
Verifiedreference work
Partially resolvedreference work
Partially resolved
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Laura Betti was recorded at birth as Laura Trombetti. She also worked under the name Laura Betti. The authorities additionally record the heading Laura Trombetti. Her recorded languages were Italian and French. Betti received Volpi Cup for Best Actress, Silver Shell for Best Actress, Ciak d'oro - best supporting actress and Ordre des Arts et des Lettres.
Identity and origins
Recognition and collections
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Film memorabilia
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