launeddas
The launeddas (also called Sardinian triple clarinet) are a traditional Sardinian woodwind instrument made of three pipes, each of which has an idioglot single reed. They are a polyphonic instrument, with one of the pipes functioning as a drone and the other two playing the melody in thirds and sixths. Predecessors of the launeddas are found throughout Northern Africa and the Middle East.
Also recorded as Sardinian triple clarinet · Sardinian triple pipe
launeddas
Gianni Careddu · CC BY-SA 4.0
- Name
- Launeddas
- Field
- single-reed instrument and set of reedpipes with single reeds.
- Region
- Italy.
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Documentary evidence
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gnd · 108572624X · wikidata · Q1543785 · wikipedia · Launeddas
In this article
Overview
Overview
In 2700 BCE, the Egyptian reed pipes were originally called "memet"; during the Old Kingdom of Egypt (2778–2723 BCE), memets were depicted on the reliefs of seven tombs at Saqqara, six tombs at Giza, and the pyramids of Queen Khentkaus. The Sardinian launeddas themselves are an ancient instrument, being traced back to at least the eighth century BCE, as is testified during the Nuragic civilization by an ithyphallic bronze statuette found in Ittiri. The launeddas are still played today during religious ceremonies and dances (su ballu in Sardinian language). Distinctively, they are played using extensive variations on a few melodic phrases, and a single piece can last over an hour, producing some of the "most elemental and resonant (sounds) in European music". • Illustration — Closeup of the reeds of the launeddas • Illustration — Laundedas separated for the left and right hands • Illustration — A variety of launeddas • Illustration — A Sardinian man in traditional clothing playing the launeddas • Illustration — Ancient launeddas player from Ittiri
Costume tradizionale
Gianni Careddu
Key facts
Key facts
• Name — Launeddas • Background — woodwind • Classification — Single-reed aerophone • Hornbostel Sachs — 422.211.2 • Hornbostel Sachs Desc — single reed instrument with cylindrical bore and fingerholes • Related — Arghul, bülban, clarinet, diplica, dili tuiduk, dozaleh, cifte, mijwiz, pilili, sipsi, triple pipes, zammara, zummara
Listening
Listening
• Launeddas player Luigi Lai
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Italy.
Country
launeddas is associated with Italy.
Country
Description
• Illustration — Map folk musical instruments in Italy Launeddas are used to play a complex style of music by circular breathing that has achieved some international attention, especially Efisio Melis, Antonio Lara, Dionigi Burranca, and Luigi Lai. Melis and Lara were the biggest stars of the 1930s golden age of launeddas, and each taught their style to apprentices such as Lara's Aureliu Porcu. Launeddas consist of three reed pipes, two five-holed chanters of different lengths and one drone. They are played using circular breathing.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Launeddas, revision 1280955981 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Kroll, O. The Clarinet. Taplinger Publishing Company. 1968.
- 2.Rice, A.R. The Baroque Clarinet. Oxford University Press. 1992.
- 3.Surian, Alesso. "Tenores and Tarantellas". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), World Music, Vol. 1: Africa, Europe and the Middle East, pg. 189–201. Rough Guides Ltd, Penguin Books. . Surian calls the launeddas very ancient, appearing on votive statues from the 8th century BC.
- 4.Surian, pg. 190
- 5."Franco Melis". Musical Traditions Internet Magazine. URL accessed on 26 August 2005.
Bibliography printed in the source article · 7
- F. W. Bentzon, The Launeddas. A Sardinian folk music instrument (2 voll. Acta Musicologica Danica n°1), Akademisk Forlag, Copenhagen, 1969.
- P. Mercurio, La Cultura delle Launeddas. Cabras. I Suoni del Maestro Giovanni Casu, Solinas, Nuoro, 2011.
- F. W. Bentzon, Launeddas, Cagliari, 2002. .
- F. W. Bentzon, Launeddas, et sardisk folkemusikinstrument, Dansk Musik-tidsskrift, Copenhagen, May, 1961, No. 3, pp. 97–105.
- Bernard Lortat-Jacob (1982). "Theory and 'Bricolage': Attilio Cannargiu's Temperament", Yearbook for Traditional Music, Vol. 14, pp. 45–54.
- P. Mercurio, Launeddas Patrimonio dell'Umanità. Strumento dell'Identità Musicale Sarda, collana "Ethnomusica & Istruzione", Milano, 2015. .
- Efisio Melis and Antonio Lara – Launeddas (2001), cited in Robert Andrews (2007). The Rough Guide to Sardinia, p. 335. 3rd edition. .
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Broader subject
1- single-reed instrumentTerminology
Established from a fact already recorded on a verified source.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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