Larry Janiak

After school, Janiak began work in advertising, where he employed these principles of design, and the experimental practices he learned at Institute of Design in his industrial filmmaking. Janiak not only made advertising films, he also created documentaries, experimental films, animations, graphic design pieces, and worked as a professor at the Institute of Design from 1968 to 1980. Much of his work was inspired by his spiritual practices with the Vivekananda Vedanta Society in Chicago, which he was a member of beginning in 1965.

• Born — 15 February 1938 • Birthplace — Chicago, Illinois, United States • Occupation — Filmmaker, animator, designer

Larry Janiak was born on February 15, 1938, and grew up in both the southwest and northwest side of Chicago. When Larry was six, his family moved to a northwest neighborhood of Chicago, close to the Indian Boundary Forest Preserve, the Che-Che-Pin-Qua Woods and the Des Plaines River. Larry attended Lane Tech High School, where he would begin filmmaking. At Lane Tech High School, Larry created cartoon animations with Wayne Boyer and Ronald Larson, which would catch the attention of the Chicago Tribune, and even Hollywood. The high school students found inspiration in nature, experimenting with stop motion photography in the nearby woods during their summers. They honed their camera skills, and then began the process of creating drawn animation. Their final project consisted of roughly 200,000 drawings. The students showed their animations at various theaters and galleries in the Chicago area; they were invited to Hollywood, where they met with Walt Disney; and Janiak received the Scholastic magazine tuition scholarship to attend the Institute of Design at the Illinois Institute of Technology. At the Institute of Design, Larry was taught printmaking by Misch Kohn, a world renowned artist whose etching and prints were displayed at the Art Institute of Chicago, as well as in Paris, Stockholm and London. While at I.D., Janiak worked for Richard Kliedon Animation studio.

Janiak worked for Richard Kliedon Animation from 1957–1959. He then began work for Mort and Millie Goldsholl of Morton Goldsholl Associates based out of Northfield, Illinois. At Goldsholl Associates, Janiak was at home with other I.D. graduates who also learned from the design principles of Laszlo Moholy-Nagy. Their common backgrounds contributed to a highly experimental design studio unlike many others in Chicago at the time, where the use of montage, collage, and light experimentation was encouraged. The studio created advertisements for companies such as Kimberly-Clark. Janiak collaborated on the industrial film Faces and Fortunes made for Kimberly-Clark Corporation. The film was intended to clarify the importance of a corporate identity and the importance of good marketing. It discusses the history of corporate identity and branding, drawing upon the use of family crests in the medieval period. This film incorporated many different methods, such as drawn animation, direct animation, collage, and stop-motion animation of objects. Faces and Fortunes won more awards than any other film previously produced by Morton Goldsholl Associates.

In 1962 Janiak was drafted into the United States Army, and served until 1964. While in the army, he continued his work in film. He worked as the director of an educational television station of the U.S. Army Signal Corps Signal School and Communications Research Center at Fort Monmouth, New Jersey. During his serving, he also created Adames Film (1963), Glasshouse (1964), and Agamemnon in New York (1964). Glasshouse (1964) is an experimental documentary of a terrarium, made by Janiak himself with color 16mm film. Agamemnon in New York (1964) produced with black and white 16mm film captures Janiak carrying out a conversation, but acting as both people, in a humorous portrait of work at Goldsholl Design & Film Associates.

2007 • Vision in Motion: Filmmaking at the Institute of Design, 1944–70, Gene Siskel Film Center 2013 • AMIA Archival Screening Night, Byrd Theatre 2014 • City to See, Museum of Contemporary Art Chicago • Kinosonik #2, Black Cinema House 2015 • LLife & Film: Larry Janiak, Anthology Film Archives • Wayne Boyer and Larry Janiak: Camera and Line, Gene Siskel Film Center 2017 • Art Basel Miami Screening: The Reflection in the Puddle is Mine, Art Basel Miami 2018 • Personal Legacies: Materiality and Abstraction, Chicago Cultural Center