Kutty Kunju Thankachi

• Work — Language — Raga — Tala — Remarks • Katyayan mam palaya — Malayalam — Kambhoji — Adi tala — on Palkulangara Devi • Saamaja hara hara — Malayalam — Kalyani — Adi tala — on Thiruvattar Keshava Swami • Sooryakoti sama prabha makute — Sanskrit — Nata — Adi tala — on Mookambika • Paahi mohana krute — Sanskrit — Khamas — Adi tala — on Neyyattinkara Sree Krishna Swami • Anandaroopa hare — Malayalam — Pantuvarali — Chapu — on Malayinkeezhu Sree Krishna Swami • Shri pavanapurusha — Malayalam — Suruti — Adi tala — on Lord Krishna • Bandurangi Kintu cheyvu njan — Malayalam — Huseni — Adi tala — Padam • Balike, pokarudanetho — Malayalam — Shankarabharanam — Adi tala — Padam • Indal valarunnitayyayyo — Malayalam — Bilahari — Adi tala — Padam • Ha ramananayi maranno — Malayalam — Kambhoji — Adi tala — Padam • Kulasekhara maharaja bhupathe — Sanskrit — Darbar — Roopaka — Tillana • Dayithe thurakkoo vathil — Malayalam — Todi — Adi tala — Vathilthurapattu (Door opening songs) • Yahi yahi mohanakarte — Malayalam — Madhyamavathi — Adi tala — Vathilthurapattu (Door opening songs) • Kaama komalaakaara — Malayalam — Ragamalika — Adi tala — Vathilthurapattu (Door opening songs)

Thankachi, known to be the first woman poet and composer of Kerala, wrote eighteen books comprising three attakathas, Parvathiswayamvaram, Mithrasahamoksham and Sreemathy Swayamvaram, several poems, two kurathi songs, a thullal and a play, Ajnathavasam. Noted critic, S. Gupthan Nair, has stated that Thankachi had gained popularity as a poet during her time itself and people used to visit her to read their poems to listen to her opinions. She was known to have good knowledge of Sanskrit and she composed songs in several ragas such as Kambhoji, Kalyaani, Naatta, Khamas and Surutti.