Kristofer Uppdal

Here listed are the separate volumes in the order that Uppdal himself later designated and explained in the preface to Herdsla, along with year of publication: • (1919) Stigeren (The Foreman of the Miners) • (1912/1922) Trolldom i lufta (Witchcraft in the Air) • (1923) Vandringa (The Wander) [a revision of Ved Akerselva] • (1920) Kongen (The King) • (1911/1921) Dansen gjenom skuggeheimen (The Dance through the Shadow Land) • (1921) Domkyrkjebyggaren (The Cathedral Builder) • (1922) I skiftet (In the change) • (1914/1923) Røysingfolket (The Røysing People) • (1924) Fjelskjeringa (The Mountain Trench) • (1924) Herdsla (The Toughening) Uppdal seems to have decided to link the stories together in hindsight, as he outlined the plan in the last volume, Herdsla, and thus revised and republish the three volumes first published so they'd fit the puzzle. His intent, by his own statements, was to describe the dawn of the working class, its severance from its origins (the peasantry), the proletarization, and finally the modern worker and the worker movement. At the same time, Uppdal claimed he was not a "proletarian poet;" his main purpose was to describe the human being. Two of the volumes were republished in revised editions in the 1950s, in which Uppdal (in addition to expanding the narrative considerably, and emphasizing the political agenda) had changed the language used into a more archaic and dialectal form. These editions didn't win any acclaim, and later editions of the series in the 1970s and 1985-91 were made from the 1919-24 editions. Uppdal was also an important lyric poet. He gathered his finest poetry of youth and adulthood in Elskhug (Love) in 1919, and Altarelden (The Altar Fire) in 1920. Dale has written that "It has a primitive strength and a masculine self-assertion, and is marked by suffering and conflict of the soul." Uppdal was finally granted a poet's pension by the state in 1939, perhaps due to his long periods of financial hardship. When confronted with his difficult prose and asked if he had plans to make his novels more audience-friendly, he is said to have responded: "I don't give a damn about the audience! Don't give a hoot about what anyone else says, be yourself even if it should take you straight to the pits of Hell."

• Name — Kristofer Uppdal • Born — 19 February 1878 • Birthplace — Beitstad, Steinkjer, Norway • Died — 26 December 1961 • Place of death — Oppdal, Norway • Occupation — Poet and author

Kristofer Uppdal is recorded as poet and writer.