Klaus Kinski
Klaus Kinski (born Klaus Günter Karl Nakszynski 18 October 1926 – 23 November 1991) was a German actor. Equally renowned for his intense performance style and his notoriously eccentric and volatile personality off-screen, he appeared in over 130 film roles in a career that spanned 40 years, from 1948 to 1988. He is best known for starring in five films directed by Werner Herzog from 1972 to 1987 (Aguirre, the Wrath of God; Nosferatu the Vampyre; Woyzeck; Fitzcarraldo; and Cobra Verde), who would later chronicle their tumultuous relationship in the documentary My Best Fiend.
Also recorded as Klaus Günter Karl Nakszynski · Kinski, Klaus
Klaus Kinski

Hans Georg Pfannmüller · Nachlass des Urhebers · CC BY-SA 3.0 de
- Name
- Klaus Kinski
- Birth Name
- Klaus Günter Karl Nakszynski
- Born
- 18 October 1926
- Birthplace
- Zoppot, Free City of Danzig (now Sopot, Poland)
- Died
- 23 November 1991
- Place of death
- Lagunitas, California, U.S.
- Occupation
- Actor
- Nationality
- Germany
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Klaus Kinski (born Klaus Günter Karl Nakszynski 18 October 1926 – 23 November 1991) was a German actor. Equally renowned for his intense performance style and his notoriously eccentric and volatile personality off-screen, he appeared in over 130 film roles in a career that spanned 40 years, from 1948 to 1988. He is best known for starring in five films directed by Werner Herzog from 1972 to 1987 (Aguirre, the Wrath of God; Nosferatu the Vampyre; Woyzeck; Fitzcarraldo; and Cobra Verde), who would later chronicle their tumultuous relationship in the documentary My Best Fiend.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
No house-authored Note is published until its assertions and sources pass the VALÉORINE evidence contract. The documentary article remains available in full while that enrichment is being consolidated.
Documentary enrichment in progress · no unsupported statement published
Reference Check
Propose documentary evidence for Klaus Kinski. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Evidence Panel
not yet certified
- Identity
- resolved
- Independent source families
- 0
- Admitted assertions
- 0
- Open conflicts
- 0
Authority files
bnf · gnd · 10154440-6 · gnd · loc · wikidata · Q55419 · wikipedia · Klaus Kinski
In this article
Biography
Biography
Kinski worked between 1926 and 1991 across screenwriter, film actor, stage actor, film director and actor and 3 further recorded occupations. This article rests on 75 catalogued compositions, 10 published texts, 21 issued recordings, 1 digitised documents and 13 scholarly references drawn from named institutional registers. Every statement below returns to a source shown in the evidence panel; where the record is silent or divided, the article says so instead of resolving it.
Actor Klaus Kinski in "Per un pugno di dollari" film.
Jolly Film · item photo front back
Key facts
Key facts
• Name — Klaus Kinski • Birth Name — Klaus Günter Karl Nakszynski • Born — 18 October 1926 • Birthplace — Zoppot, Free City of Danzig (now Sopot, Poland) • Died — 23 November 1991 • Place of death — Lagunitas, California, U.S. • Years Active — 1948–1989 • Children — * Pola • Nastassja • Nikolai • Occupation — Actor
Early life
Early life
• Illustration — Kinski's birthplace in Sopot, Poland Klaus Günter Karl Nakszynski was born on 18 October 1926 in Zoppot, Free City of Danzig (now Sopot, Poland). His father, Bruno Nakszynski, worked as an opera singer before becoming a pharmacist, while his mother, Susanne Lutze, was a nurse and the daughter of a local pastor. He had three older siblings; Inge, Arne, and Hans-Joachim. Due to the Great Depression, his family was unable to make a living in Danzig and moved to Berlin in 1931, where they also experienced financial difficulties. The family settled in an apartment in the Schöneberg district of the city and acquired German citizenship. In 1936, he began attending the Prinz-Heinrichs-Gymnasium in Schöneberg. Kinski was conscripted into the Wehrmacht in 1943 at the age of 17, serving in a Fallschirmjäger unit. He saw no action until the winter of 1944, when his unit was transferred to the German-occupied Netherlands and he was captured by the British Army on his second day of combat. In his 1988 autobiography, he claimed that he had decided to desert from the Wehrmacht and had been recaptured by German forces and sentenced to death in a court-martial before escaping and hiding in the woods, subsequently encountering a British patrol which shot him in the arm and captured him. After being treated for his wounds and interrogated, he was transferred to a prisoner-of-war camp in Colchester, Essex; the ship transporting him to Britain was torpedoed by a German U-boat but arrived safely. In his documentary My Best Fiend, Werner Herzog claimed that Kinski had fabricated much of his 1988 autobiography, including claims of maternal sexual abuse, incest, and childhood poverty; according to Herzog, Kinski was actually raised in a financially stable upper middle class family.
Career
Career
While interned at Berechurch Hall in Colchester, Kinski played his first roles on stage, taking part in variety shows intended to maintain morale among the prisoners. By May 1945, at the end of the war in Europe, the German POWs were anxious to return home. Kinski had heard that sick prisoners were to be returned first, and tried to qualify by standing outside naked at night, drinking urine and eating cigarettes. He remained healthy, however, and was returned to Germany in 1946. Arriving in Berlin, he learned his father had died during the war, and his mother had been killed in an Allied air attack on the city. • Illustration — Plaque marking Kinski's birthplace in Sopot
Theatrical career
Theatrical career
After his return to Germany, Kinski started out as an actor, first at a small touring company in Offenburg, where he first used the name "Klaus Kinski". In 1946, he was hired by the renowned Schlosspark-Theater in Berlin, but he was fired the following year due to his unpredictable behavior. He found work at other theater companies thereafter, but his emotional volatility regularly got him into trouble. For three months in 1955, Kinski lived in the same boarding house as a 13-year-old Werner Herzog, who would later direct him in a number of films. In My Best Fiend, Herzog described how Kinski once locked himself in the communal bathroom for 48 hours and broke everything in the room. In March 1956, he made a guest appearance at Vienna's Burgtheater in Goethe's Torquato Tasso. Although respected by his colleagues, among them Judith Holzmeister, and cheered by the audience, Kinski did not gain a permanent contract after the Burgtheater's management became aware of his earlier difficulties in Germany. Kinski then unsuccessfully tried to sue the company. Living jobless in Vienna, Kinski reinvented himself as a monologist and spoken word artist. He presented the prose and verse of François Villon, William Shakespeare and Oscar Wilde, amongst others, and toured Austria, Germany and Switzerland with his shows.
Personal life
Personal life
Kinski was married three times. He married his first wife, singer Gislinde Kühlbeck, in 1952. The couple had a daughter, Pola Kinski. They divorced in 1955. Five years later, he married actress Ruth Brigitte Tocki. They divorced in 1971. Their daughter Nastassja Kinski was born in January 1961. He married his third and final wife, model Minhoi Geneviève Loanic, in 1971. Their son Nikolai Kinski was born in 1976. They divorced in 1979. Kinski published his autobiography, All I Need Is Love, in 1988 (reprinted in 1996 as Kinski Uncut). The book prompted his second daughter, Nastassja Kinski, to file a libel suit against him, which she afterward withdrew.
Mental illness
Mental illness
In 1950, Kinski stayed at the Karl-Bonhoeffer-Nervenklinik (de), a psychiatric hospital in West Berlin, for three days after stalking his theatrical sponsor and attempting to strangle her. Medical records from the period listed a preliminary diagnosis of schizophrenia, but the doctors' ultimate conclusion was psychopathy (antisocial personality disorder). Kinski soon became unable to secure film roles, and in 1955, he attempted suicide twice. • Illustration — Kinski in Five for Hell, 1969.
Sexual abuse allegations
Sexual abuse allegations
In 2013, more than 20 years after her father's death, Pola Kinski published an autobiography titled Kindermund (or From a Child's Mouth), in which she claimed her father had sexually abused her when she was between the ages of 5 and 19. In an interview published by the German tabloid Bild on 14 January 2013, Kinski's younger daughter and Pola's half-sister, Nastassja, said their father would embrace her in a sexual manner when she was 4–5 years old, but never raped her. Nastassja has expressed support for Pola and said that she was always afraid of their father, whom she described as an unpredictable tyrant. In a scathing obituary of Kinski published in 1991, Spanish film director Fernando Colomo alleged that Kinski had tried to rape actress Maria Lamor during the filming of The Knight of the Dragon.
Death
Death
Kinski died on 23 November 1991 of a sudden heart attack at his home in Lagunitas, California; he was 65 years old. His body was cremated, and his ashes were scattered into the Pacific Ocean. Of his three children, only his son Nikolai attended his funeral.
Life and work
Life and work
Klaus Kinski was born on 18 October 1926 in Sopot. Kinski held the nationality of Germany. Married to: Minhoï Geneviève Loanic. Recorded partner: Debora Caprioglio. Recorded child: Pola Kinski, Nastassja Kinski and Nikolai Kinski. Kinski worked as screenwriter, film actor, stage actor and film director, and the authority record catalogues a further 4 occupations under the same name, among them actor, director, author and musician. Kinski was active from 1947 to 1989. Kinski worked in German.
Work for the screen
Work for the screen
Kinski worked for the screen, as screenwriter and film director. 4 films survive in the institutional catalogues, spanning 1922 to 1989. Among them are Count Orlok (1922), Vampire in Venice (1988) and Paganini (1989).
Life and career
Dated record
Life and career
Explore 1926–1991
The full dated record · 4 entries
1926
Klaus Kinski was born on 18 October 1926.
1986
Receives Commandeur des Arts et des Lettres.
1991
Dies at Lagunitas-Forest Knolls.
1991
Klaus Kinski died at Lagunitas-Forest Knolls.
Works documented in more than one form
Catalogued output
Works documented in more than one form
3 titles are catalogued under more than one form, which is to say the registers hold them both as a work and as a distinct object, score, recording or edition. Where a title is documented in several forms the evidence behind it is correspondingly wider, and the article treats those forms as separate records of the same work rather than as separate works. Count Dracula — catalogued as video game character, literary character, mythical character, animated character, television character, film character, vampire in a work of fiction and fictional shapeshifter. Renfield — catalogued as literary character, fictional human, television character and film character.
Count Orlok
1922 — catalogued as film character and vampire in a work of fiction
Compositions
Catalogued output
Compositions
The entries below are works composed by the subject, as the institutional registers catalogue them; later performances and commercial recordings of the same music are listed separately. 75 further compositions are catalogued under Kinski's name without a date the collections agree on, which is why they are set apart from the dated run rather than placed in it. A selection is set out below and the complete run may be opened beneath it. Und was bekam des Soldaten Weib?
An den Mistral
Nehmst meinen Kuss
Nach neuen Meeren
Der Gott und die Bajadere
Eine nette kleine Ballabe, die Meister Villon, als er dringend Geld brauchte, dem serzog von Burgund überreichen ließ
Ich kenn nur einen nicht, und der bin ich
Das kleine Testament
Die Zuhälter-Ballade von villon und seiner dicken Margot
Die Räuber Ballade vom roten Coquillard
Die Ballade von der ewigen Unzufriedenheit
Die Ballabe von einem netten kleinen Barbier
Die Ballade von den schönen Frauen von Paris
The complete catalogue · 47
An den Mistral
Nehmst meinen Kuss
Nach neuen Meeren
Der Gott und die Bajadere
Eine nette kleine Ballabe, die Meister Villon, als er dringend Geld brauchte, dem serzog von Burgund überreichen ließ
Ich kenn nur einen nicht, und der bin ich
Das kleine Testament
Die Zuhälter-Ballade von villon und seiner dicken Margot
Die Räuber Ballade vom roten Coquillard
Die Ballade von der ewigen Unzufriedenheit
Die Ballabe von einem netten kleinen Barbier
Die Ballade von den schönen Frauen von Paris
Die Ballade vom schlechten Lebenswandel
Die Ballade von den Vogelfreien
Eine nette kleine Ballade, die meister Villon, als er dringend Geld brauchte, dem herzog von Burgund überreichen ließ
Eine Ballade vom Appell Villons an den Reichstag
Wer's lang hat, läßt es auch lang hängen
An meine Landsleute
Eine kleine Zugabe stiftet Villon zum Abgewöhnen
O Falladah, die du hangest!
Der geheimnisvolle Nachen
Die Ballade von der schönen Stadt Moorah
Ballade vom Weib und dem Soldaten
Eine kleine Ballade vom Prinzen Florestan
Die Ballade von den Lästerzungen
Eine kleine Ballabe von der Mäusefrau, die in Villons Zelle Junge bekam
Die Ballade von den Mädchen, die keinen Mann mehr finden
Die Ballade vom Wohlergehn auf dieser elenden Welt…
Eine Marien-Ballade die Villon seiner Mutter für den Sausgebrauch gedichtet hat
Die Sommerballade von der armen Lovize
Die Jammerballade von einer alten Klempnersfrau
Das trunkene Lied
Eine Ballade für den Hausgebrauch im Winter
Der Sänger, D. Eine nette Ballade, Villon dem König aus der Verbannung sandte
Eine Ballade gedichtet für Mira l՚Ydolle
An die Nachgeborenen
Akt I. Der Song vom Nein und Ja (Barbara-Song)
Eine verliebte Ballade für Ysabeau d'Aussigny
Dem unbekannten Gott
Die Tam-Tams klopfen nicht mehr
Eine kleine Räuber-Ballade von den drei Coquillards
Ich - Gegensatz - gegen mich selbst
Die Liebes-Ballade für ein kleines Zigeunermädchen namens Leylah
Traum des Raskolnikow
Der Hauch der Ahnen
Ich hab mich in dein rotes Haar verliebt
An Richard Wagner
Films and moving-image works, 1922–1989
Catalogued output
Films and moving-image works, 1922–1989
These entries are catalogued as moving-image works. The 1980s are the densest part of the run, with 2 titles, and that concentration is a fact about what the registers have catalogued rather than a judgement on the work itself. They belong to a run of 4 titles in all, from 1922 to 1989.
3 films carry dates between 1922 and 1989
The run opens with Count Orlok and closes with Paganini
Vampire in Venice
1988
Paganini
1989
Catalogued output
Writings on music
These are catalogued publications carrying the name — editions and printings, distinct from the works they contain and from writing about the subject. The 1990s are the densest part of the run, with 4 titles, and that concentration is a fact about what the registers have catalogued rather than a judgement on the work itself.
10 editions carry dates between 1975 and 2006
The run opens with Ich bin so wild nach deinem Erdbeermund and closes with Jesus Christus Erlöser
The entries follow Open Library
Ich bin so wild nach deinem Erdbeermund
1975
All I Need Is Love
1988
Ich brauche Liebe
1991
Fieber
2001
Tagebuch eines Aussatzigen
2001
Yo Necesito Amor
2002
Jesus Christus Erlöser
2006
Film work
Film work
• Illustration — Kinski in For a Few Dollars More, 1965 Kinski's first film role was a small part in the 1948 film Morituri. He appeared in several German Edgar Wallace movies, and had bit parts in the American war films Decision Before Dawn (1951), A Time to Love and a Time to Die (1958), and The Counterfeit Traitor (1962). In Alfred Vohrer's Die toten Augen von London (1961), his character refused any personal guilt for his evil deeds and claimed to have only followed the orders given to him. Kinski's performance reflected post-war Germany's reluctance to take responsibility for what had happened during World War II. During the 1960s and 1970s, he appeared in various European exploitation films, as well as more acclaimed works such as Doctor Zhivago (1965), in which he appeared as an anarchist prisoner on his way to the Gulag. He relocated to Italy during the late 1960s, and found roles in numerous Spaghetti Westerns, including For a Few Dollars More (1965), A Bullet for the General (1966), The Great Silence (1968), Twice A Judas (1969), and A Genius, Two Partners and a Dupe (1975). In 1977, he starred as the RZ guerrillero Wilfried Böse in Operation Thunderbolt, based on the events of the Entebbe raid. • Illustration — Kinski in Double Face, 1969 Kinski's work with Werner Herzog brought him international recognition. They made five films together: Aguirre: The Wrath of God (1972), Woyzeck (1979), Nosferatu the Vampyre (1979), Fitzcarraldo (1982) and Cobra Verde (1987). The working relationship between the two was contentious; Herzog had threatened, on occasion, to murder Kinski. In one incident, Kinski was said to have been saved by his dog, which attacked Herzog as he crept up to supposedly burn down the actor's house. Herzog has refused to comment on his numerous other plans to kill Kinski. However, he did pull a gun on Kinski, or at least threatened to do so, on the set of Aguirre, the Wrath of God, after the actor threatened to walk off the set. Late in the filming of Fitzcarraldo in Peru, the chief of the Machiguenga tribe offered to kill Kinski for Herzog, but the director declined. In 1980, Kinski refused the lead villain role of Major Arnold Toht in Raiders of the Lost Ark, telling director Steven Spielberg that the script was "a yawn-making, boring pile of shit" and "moronically shitty". Kinski would go on to play Kurtz, an Israeli intelligence officer, in The Little Drummer Girl, a feature film by George Roy Hill in 1984. Kinski co-starred in the science fiction television film Timestalkers with William Devane and Lauren Hutton. His last film was Paganini (1989), which he wrote, directed, and starred in as Niccolò Paganini.
Films and moving-image works without a settled date
Catalogued output
Films and moving-image works without a settled date
1 further film are catalogued under Kinski's name without a date the collections agree on, which is why they are set apart from the dated run rather than placed in it.
Legacy
• Illustration — Klaus Kinski in a caricature by Hans Pfannmüller In My Best Fiend, his 1999 documentary about Kinski, Werner Herzog claimed that Kinski had fabricated much of his autobiography, and told of the difficulties in their working relationship. In the same year, director David Schmoeller released a short film titled Please Kill Mr. Kinski, which examined Kinski's erratic and disruptive behavior on the set of Schmoeller's 1986 film Crawlspace. The film features behind-the-scenes footage of Kinski's various confrontations with the director and crew, along with Schmoeller's account of the events, in which he claims a producer offered to murder Kinski for his life insurance money. In 2006, Christian David published the first comprehensive biography of Kinski, based on newly discovered archived material, personal letters and interviews with the actor's friends and colleagues. Peter Geyer published a paperback book of essays on Kinski's life and work. In 2025, Benjamin Myers published Jesus Christ Kinski, a novel written from Kinski's imagined point of view during his performance of Jesus Christus Erlöser.
Primary material
Recordings and discography
The discography assembled here shows how Kinski's work has been published in sound, not what Kinski made. 20 sound issues are catalogued, carrying dates from 1980 to 2006. An issue is a published recording, distinct from the composition it carries, from a printed score of that composition and from any single performance of it; none of the entries below is counted in the catalogue of compositions above, and several of them carry the same work in different readings. 12 issues were published within the subject's lifetime and 8 after 1991, so the greater part of this record is the work of later performers, editors and labels. The 2000s are the densest decade of publication, with 8 issues. The performers and issuing labels are as the discographic register states them; where it names no performer the article names none.
Kinski spricht Schiller
Kinski spricht Rimbaud
Kinski spricht Jack London & Stéphane Mallarmé
Kinski spricht Büchner & Majakowskij
Jesus ist da!
2002
Kinski spricht aus der Amerikaballade & der Dichtung afrikanischer Völker
Kinski spricht Strindberg & Baudelaire
Kinski spricht Dostojewskij
Kinski spricht Hauptmann & Nietzsche
Heinrich IV
2006
Primary material
Documents and archives
institutional register
- Bibliothèque nationale de France authority file 11909778w
Unverified · Bibliothèque nationale de France
- Discogs authority file 77022
Unverified · Discogs
- FAST authority file 234118
Unverified · FAST
- GND (German National Library) authority file 118562266
Unverified · GND (German National Library)
- IdRef (French universities) authority file 027469522
Unverified · IdRef (French universities)
- ISNI authority file 0000000110281684
Unverified · ISNI
authority file
- Gemeinsame Normdatei 10154440-6, Klaus Kinski Productions (Butjadingen).
Unverified · Deutsche Nationalbibliothek
reference work
- “Klaus Kinski”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Authority records
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
institutional register
Bibliothèque nationale de France authority file 11909778wBibliothèque nationale de France
Partially resolvedinstitutional register
Discogs authority file 77022Discogs
Partially resolvedinstitutional register
Partially resolvedauthority file
Gemeinsame Normdatei 10154440-6, Klaus Kinski Productions (Butjadingen).Deutsche Nationalbibliothek
Partially resolvedinstitutional register
GND (German National Library) authority file 118562266GND (German National Library)
Partially resolvedinstitutional register
IdRef (French universities) authority file 027469522IdRef (French universities)
Partially resolvedinstitutional register
Partially resolvedinstitutional register
Partially resolved
Every cited source · 14
- 01
Bibliothèque nationale de France authority file 11909778w
institutional register · Unverified · Bibliothèque nationale de France
Consult the source - 02
- 03
- 04
Gemeinsame Normdatei 10154440-6, Klaus Kinski Productions (Butjadingen).
authority file · Unverified · Deutsche Nationalbibliothek
Consult the source - 05
GND (German National Library) authority file 118562266
institutional register · Unverified · GND (German National Library)
Consult the source - 06
IdRef (French universities) authority file 027469522
institutional register · Unverified · IdRef (French universities)
Consult the source - 07
- 08
- 09
Library of Congress authority file n88081698
institutional register · Unverified · Library of Congress
Consult the source - 10
- 11
National Library of Australia authority file 35527964
institutional register · Unverified · National Library of Australia
Consult the source - 12
- 13
“Klaus Kinski”, English Wikipedia, consulted as further reading
reference work · Reputable secondary · Wikipedia
Consult the source - 14
Wikidata, structured authority record Q55419: Klaus Kinski
institutional register · Unverified · Wikimedia Foundation
Consult the source
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Film memorabilia
37,515 published records in this field, each with its sources named.
- Klaus DudenhöferPerson
- Klaus HagerupPerson
- Klaus HändlPerson
- Klaus HäröPerson
- Klaus LemkePerson
- Klaus LöwitschPerson
- Klaus PaghPerson
- Klaus RifbjergPerson
Best supported in this field
For owners
Own a work by Klaus Kinski?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.