Kiyoshi Kurosawa
Kiyoshi Kurosawa is a Japanese filmmaker, critic, author, actor, and a former professor at Tokyo University of the Arts (2005–23). Noted for his psychological films that often focus on ambiguous narratives and on their characters' inner turmoils and quests for meaning and connections, he is best known for his contributions to psychological horror and Japanese horror, notably his acclaimed 1997 film Cure, although he has also worked in a variety of other genres. While most of his work has been in Japanese, two of his films, Daguerrotype (2016) and Serpent's Path (2024; a remake of his own 1998 film of the same name), were in French.
Kiyoshi Kurosawa

John Sears · John Sears / WikiPortraits · CC BY-SA 4.0
- Name
- Kiyoshi Kurosawa
- Born
- 19 July 1955
- Birthplace
- Kobe, Japan
- Occupation
- Film director, screenwriter, film critic, author, actor
- Education
- Rikkyo University Kiyoshi Kurosawa is a Japanese filmmaker, critic, author, actor, and a former professor at Tokyo University of the Arts (2005–23).
- Nationality
- Japan.
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Kiyoshi Kurosawa is a Japanese filmmaker, critic, author, actor, and a former professor at Tokyo University of the Arts (2005–23). Noted for his psychological films that often focus on ambiguous narratives and on their characters' inner turmoils and quests for meaning and connections, he is best known for his contributions to psychological horror and Japanese horror, notably his acclaimed 1997 film Cure, although he has also worked in a variety of other genres. While most of his work has been in Japanese, two of his films, Daguerrotype (2016) and Serpent's Path (2024; a remake of his own 1998 film of the same name), were in French.
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wikidata · Q53834 · wikipedia · Kiyoshi Kurosawa
In this article
Biography
Biography
Kurosawa worked across film director, screenwriter, film critic, journalist and television director and 1 further recorded occupations. This article rests on 18 published texts and 24 scholarly references drawn from named institutional registers. Every statement below returns to a source shown in the evidence panel; where the record is silent or divided, the article says so instead of resolving it.

P3090159
Tonio Vega from Paris (France), France · P3090159
Key facts
Key facts
• Name — Kiyoshi Kurosawa • Born — 19 July 1955 • Birthplace — Kobe, Japan • Occupation — Film director, screenwriter, film critic, author, actor • Years Active — 1973–present • Education — Rikkyo University Kiyoshi Kurosawa is a Japanese filmmaker, critic, author, actor, and a former professor at Tokyo University of the Arts (2005–23). Noted for his psychological films that often focus on ambiguous narratives and on their characters' inner turmoils and quests for meaning and connections, he is best known for his contributions to psychological horror and Japanese horror, notably his acclaimed 1997 film Cure, although he has also worked in a variety of other genres. While most of his work has been in Japanese, two of his films, Daguerrotype (2016) and Serpent's Path (2024; a remake of his own 1998 film of the same name), were in French. Kurosawa received the Medal with Purple Ribbon for his contributions to Japanese cinema, in 2021. The New York Times stated that Kurosawa "is to psychological fright what David Cronenberg is to body horror."
Early life and education
Early life and education
Born in Kobe on July 19, 1955, Kiyoshi Kurosawa started making films about his life in high school. He studied at Rikkyo University in Tokyo under the guidance of prominent film critic Shigehiko Hasumi, where he began making 8mm films. Though they share a surname, he is not related to filmmaker Akira Kurosawa.
Filmmaking career
Filmmaking career
Kurosawa began directing commercially in the 1980s, working on pink films and low-budget V-Cinema (direct-to-video) productions such as formula yakuza films. In 1981, his 8mm film Shigarami Gakuen (しがらみ学園) was nominated for the Oshima Prize at the PFF (Pia Film Festival). In 1983, after he worked with Shinji Soumai, he released his first feature film Kandagawa Pervert Wars (1983). He became popular after The Excitement of the Do-Re-Mi-Fa Girl (1985) and The Guard from Underground (1992). In the early 1990s, Kurosawa won a scholarship to the Sundance Institute by submitting his original screen play Charisma. Then, he was able to study filmmaking in the United States, although he had been directing for nearly ten years professionally. Kurosawa first achieved international acclaim with his 1997 crime thriller film Cure. A year later, he completed two thrillers back-to-back, Serpent's Path and Eyes of the Spider, both of which shared the same premise (a father taking revenge for his child's murder) and lead actor (Show Aikawa) but spun entirely different stories. In March 1999, the Hong Kong International Film Festival presented his first retrospective, a five-title-program including The Excitement of the Do-re-mi fa Girls, The Guard from Underground, Serpent's Path, Eyes of the Spider, and License to Live. Kurosawa followed up Cure with a semi-sequel in 1999 with Charisma, a detective film starring Kōji Yakusho. In 2000, Seance, Kurosawa's adaptation of the novel Seance on a Wet Afternoon by Mark McShane, premiered on Kansai TV. It also starred Yakusho, as well as Jun Fubuki (the two had appeared together in Charisma as well). In 2001, he directed the horror film Pulse. Kurosawa released Bright Future, starring Tadanobu Asano, Joe Odagiri and Tatsuya Fuji, in 2003. He followed this with another digital feature, Doppelganger, later the same year. Both Bright Future and Doppelganger have nominated for the Cannes Film Festivals • Illustration — Kurosawa in 2008 In 2005, Kurosawa returned with Loft, his first love story since Seance. Another horror film, Retribution, followed in the next year. With his 2008 film, Tokyo Sonata, Kurosawa was considered to step "out of his usual horror genre and into family drama". He has written a novelization of his own film Pulse, as well as a history of horror cinema with Makoto Shinozaki. In September 2012, it was announced that he would direct 1905, a film starring Tony Leung Chiu-Wai, Shota Matsuda and Atsuko Maeda. In February 2013, it was announced that production of the film had been cancelled before filming could start. Kurosawa directed a 2012 five-part television drama Penance. Beautiful 2013, an anthology film featuring Kurosawa's Beautiful New Bay Area Project, screened at the Hong Kong International Film Festival in 2013. Kurosawa's next feature film Real, which stars Takeru Sato and Haruka Ayase, was released in 2013. He won the Best Director award at the 8th Rome Film Festival for Seventh Code later that year. His 2015 film Journey to the Shore was screened in the Un Certain Regard section at the 2015 Cannes Film Festival where he won the prize for Best Director. In 2016, his thriller Creepy premiered at the 66th Berlin International Film Festival. The film marked Kurosawa's first cinematic return to the horror genre since 2006. His 2017 film Before We Vanish was screened in the Un Certain Regard category at the Cannes Film Festival. His 2019 film To the Ends of the Earth was screened as the closing film in the Piazza Grande program of the 72nd Locarno Film Festival. In 2020, Kurosawa won the Silver Lion for Best Direction at the 77th Venice International Film Festival for his film Wife of a Spy. Kurosawa directed three films in 2024: the short film Chime, a French-language remake of Serpent's Path, and the thriller Cloud. The latter was nominated for Best Film at that year's Sitges Film Festival. His first jidaigeki (period drama) The Samurai and the Prisoner is scheduled to premiere in June 2026.
Academic career
Academic career
From 2005 to 2023, Kurosawa was a Professor at the Tokyo University of the Arts's Graduate School of Film and New Media.
Political activities
Political activities
In December 2023, alongside 50 other filmmakers, Kurosawa signed an open letter published in Libération demanding a ceasefire and an end to the killing of civilians amid the 2023 Israeli invasion of the Gaza Strip, and for a humanitarian corridor into Gaza to be established for humanitarian aid, and the release of hostages.
Unrealized projects
Unrealized projects
• 1905 (一九〇五) - A period drama set in early-20th-century Yokohama, starring Tony Leung Chiu-wai, Shota Matsuda, and Atsuko Maeda. Partly financed by Hong Kong studio Sil-Metropole Organisation. Filming was set to begin in Taiwan in fall 2012, for a fall 2013 release. Production was cancelled prematurely due to Leung's involvement exacerbated by the Senkaku Islands dispute and the bankruptcy of studio Prenom H on 20 February 2013.
V-Cinema
V-Cinema
• Yakuza Taxi (1994) • Men of Rage (1994) • Suit Yourself or Shoot Yourself: The Heist (1995) • Suit Yourself or Shoot Yourself: The Escape (1995) • Door 3 (1996) • Suit Yourself or Shoot Yourself: The Loot (1996) • Suit Yourself or Shoot Yourself: The Gamble (1996) • Suit Yourself or Shoot Yourself: The Nouveau Riche (1996) • Suit Yourself or Shoot Yourself: The Hero (1996) • The Revenge: A Visit from Fate (1997) • The Revenge: A Scar That Never Fades (1997) • Eyes of the Spider (1998)
DVD
DVD
• Soul Dancing (2004)
Television
Television
• Wordholic Prisoner (1990) • Whirlpool of Joy (1992) • Séance (2000) • Matasaburo, the Wind Imp (2003) • Penance (2012) • Foreboding (2017) • Wife of a Spy (2020) • Modern Love Tokyo (2022, episode 5)
Acting credits
Acting credits
• The Funeral (1984) – Assistant director • The Legend of the Stardust Brothers (1985) – Customer • The Enchantment (1989) – Librarian • Stranger at Night (1991) – Taxi rider • Reincarnation (2005) – College professor • Occult (2009) – Himself
Music videos
Music videos
• Marquees – Tongati Musume (1991) • Sōtaisei Riron – Flashback (2016) • Nogizaka46 – Actually... (2022)
Accolades
Accolades
• Institution — Year — Category — Work — Result • Asian Film Awards — 2009 — Best Screenplay — Wife of a Spy • 2016 — Journey to the Shore • 2021 — Best Director — Tokyo Sonata • Asia Pacific Screen Awards — 2008 — Best Director • Best Screenplay • Busan International Film Festival — 2024 — Asian Filmmaker of the Year • Cahiers du Cinéma — 2009 — Annual Top 10 Lists — Tokyo Sonata — 9th place • 2015 — Journey to the Shore — 10th place • Cannes Film Festival — 1999 — SACD Prize — Charisma • CICAE Award • 2001 — Un Certain Regard — Pulse • FIPRESCI Prize • 2003 — Palme d'Or — Bright Future • 2008 — Un Certain Regard — Tokyo Sonata • Un Certain Regard Jury Prize • 2015 — Un Certain Regard — Journey to the Shore • Un Certain Regard Directing Prize • 2017 — Un Certain Regard — Before We Vanish • Chicago International Film Festival — 2008 — Grand Jury Prize — Tokyo Sonata • El Gouna Film Festival — 2020 — Golden Star — Wife of a Spy • Fantasia Film Festival — 2001 — Critics' Prize — Séance • 2016 — Best Director — Creepy • Fribourg International Film Festival — 2013 — Grand Prix — Penance • FIPRESCI Prize • Hainan International Film Festival — 2020 — Golden Coconut — Wife of a Spy • Audience Award • Huading Awards — 2021 — Best Global Director — Wife of a Spy • Japan Academy Film Prize — 2018 — Director of the Year — Before We Vanish • Japanese Professional Movie Awards — 1998 — Best Film — Cure • 1999 — Serpent's Path • 2004 — Bright Future • Best Director • Doppelganger • Jeonju International Film Festival — 2001 — Asian Indie Cine-Forum Woosuk Award — Séance • Kinema Junpo — 2009 — Best Film of the Year — Tokyo Sonata • 2017 — Creepy • 2018 — Before We Vanish • Locarno Film Festival — 2013 — Golden Leopard — Real • 2019 — Variety Piazza Grande Award — To the Ends of the Earth • Mar del Plata International Film Festival — 2008 — International Competition — Tokyo Sonata • Best Director • Munich Film Festival — 2015 — Best International Film — Journey to the Shore • 2021 — Wife of a Spy • Neuchâtel International Fantastic Film Festival — 2017 — Best Film — Before We Vanish • Nippon Connection — 2016 — Nippon Honor Award • 2021 — Best Film — To the Ends of the Earth • Osian's Cinefan Festival of Asian and Arab Cinema — 2008 — Best Film — Tokyo Sonata • Pink Film Awards — 1984 — Top 10 Films — Kandagawa Pervert Wars — 3rd place • Rome Film Festival — 2013 — Cinema XXI Award — Beautiful New Bay Area Project • Golden Marc'Aueilo — Seventh Code • Best Director • San Sebastián International Film Festival — 2020 — Audience Award — Wife of a Spy • 2024 — Golden Seashell — Serpent's Path • Seattle International Film Festival — 2001 — Emerging Masters Showcase Award • Shanghai International Film Festival — 2015 — Golden Goblet — Journey to the Shore • Singapore International Film Festival — 2000 — Best Asian Feature Film — Charisma • Sitges Film Festival — 2001 — Best Film — Pulse • Critics' Award • 2006 — Time-Machine Honorary Award • 2015 — Best Motion Picture — Journey to the Shore • 2017 — Before We Vanish • 2024 — Cloud • Sydney Film Festival — 2008 — Best Film — Tokyo Sonata • Tokyo International Film Festival — 1997 — Tokyo Grand Prix — Cure • 1998 — License to Live • Special Mention • 2016 — Samurai Award • Toronto International Film Festival — 2016 — Platform Prize — Daguerrotype • Venice International Film Festival — 1999 — Cinema of the Present — Barren Illusion • 2020 — Golden Lion — Wife of a Spy • Silver Lion • Yokohama Film Festival — 1999 — Best Director — Cure
Life and work
Life and work
Kiyoshi Kurosawa was born on 19 July 1955 in Kobe. Kurosawa held the nationality of Japan. Kurosawa was educated at Rikkyo University and Sundance Institute. Kurosawa worked as film director, screenwriter, film critic and journalist, and the authority record catalogues a further 2 occupations under the same name, among them television director and actor. Kurosawa was active from 1973. Kurosawa worked in Japanese.
Work for the screen
Work for the screen
Kurosawa worked for the screen, as film director and screenwriter. 34 films survive in the institutional catalogues, spanning 1980 to 2026. Among them are Vertigo College (1980), Kandagawa Pervert Wars (1983), The Excitement of the Do-Re-Mi-Fa Girl (1985), Sweet Home (1989), The Guard from Underground (1992) and Cure (1997). The whole run is set out in the catalogue below.
Catalogued output
Films and moving-image works, 1980–2026
These entries are catalogued as moving-image works. The 2000s are the densest part of the run, with 8 titles, and that concentration is a fact about what the registers have catalogued rather than a judgement on the work itself. They belong to a run of 34 titles in all, from 1980 to 2026. A selection is set out below and the complete run may be opened beneath it.
Tokyo Sonata
2008
31 films carry dates between 1980 and 2026
The run opens with Vertigo College and closes with The Samurai and the Prisoner
Vertigo College
1980
Kandagawa Pervert Wars
1983
The Excitement of the Do-Re-Mi-Fa Girl
1985
Sweet Home
1989
The Guard from Underground
1992
Cure
1997
Eyes of the Spider
1998
License to Live
1998
Serpent's Path
1998
Charisma
1999
The complete catalogue · 33
31 films carry dates between 1980 and 2026
The run opens with Vertigo College and closes with The Samurai and the Prisoner
Vertigo College
1980
Kandagawa Pervert Wars
1983
The Excitement of the Do-Re-Mi-Fa Girl
1985
Sweet Home
1989
The Guard from Underground
1992
Cure
1997
Eyes of the Spider
1998
License to Live
1998
Serpent's Path
1998
Charisma
1999
Barren Illusion
1999
Seance
2000
Pulse
2001
Doppelganger
2003
Bright Future
2003
Loft
2005
Kazuo Umezu's Horror Theater
2005
Retribution
2006
Tokyo Sonata
2008
Real
2011
Seventh Code
2013
Journey to the Shore
2015
Creepy
2016
The Woman in the Silver Plate
2016
Before We Vanish
2017
Foreboding
2018
To the Ends of the Earth
2019
Wife of a Spy
2020
Chime
2024
Cloud
2024
The Samurai and the Prisoner
2026
Catalogued output
Books and published writings
These are catalogued publications carrying the name — editions and printings, distinct from the works they contain and from writing about the subject. The 2010s are the densest part of the run, with 11 titles, and that concentration is a fact about what the registers have catalogued rather than a judgement on the work itself.
18 editions carry dates between 1953 and 2018
The run opens with Kigyō no keiei to fukushiki boki and closes with Before we vanish
The entries follow Open Library
Kigyō no keiei to fukushiki boki
1953
Cure [kyua]
1997
Eiga wa osoroshii
2001
Eiga no jugyō
2004
Eizō no karisuma
2006
Nihon eiga wa ikite iru
2010
Eigashi o yominaosu
2010
Miru hito, tsukuru hito, kakeru hito
2010
Fumikoeru dokyumentarī
2010
Feature films
Feature films
• Year — English title — Original title — Notes • 1983 — Kandagawa Pervert Wars — 神田川淫乱戦争 • 1985 — The Excitement of the Do-Re-Mi-Fa Girl • 1989 — Sweet Home — スウィートホーム • Dangerous Bedtime Stories — 危ない話 夢幻物語 — Segment: "They Came Tonight As Well" • 1992 — The Guard from Underground — 地獄の警備員 • 1996 — Door III — DOOR III • 1997 — Cure — キュア • 1998 — Serpent's Path — 蛇の道 • Eyes of the Spider — 蜘蛛の瞳 • License to Live — ニンゲン合格 • 1999 — Charisma — カリスマ • Barren Illusion • 2001 — Pulse — 回路 • 2003 — Bright Future — アカルイミライ • Doppelganger — ドッペルゲンガー • 2005 — Kazuo Umezu's Horror Theater: House of Bugs — 楳図かずお恐怖劇場 • Loft • 2006 — Retribution — 叫 • 2008 — Tokyo Sonata — トウキョウソナタ • 2013 — Real — リアル〜完全なる首長竜の日〜 • Seventh Code • 2015 — Journey to the Shore — 岸辺の旅 • 2016 — Creepy — クリーピー 偽りの隣人 • Daguerrotype — Le Secret de la chambre noire — French-language debut • 2017 — Before We Vanish — 散歩する侵略者 • Foreboding — 予兆 散歩する侵略者 • 2019 — To the Ends of the Earth — 旅のおわり世界のはじまり • 2020 — Wife of a Spy — スパイの妻 • 2024 — Serpent's Path — La Voie du serpent • Cloud — クラウド • 2026 — The Samurai and the Prisoner — 黒牢城
Short films
Short films
• Vertigo College (1980) • Ghost Cop (2003) • Beautiful New Bay Area Project (2013) • Chime (2024)
Films and moving-image works without a settled date
Catalogued output
Films and moving-image works without a settled date
3 further films are catalogued under Kurosawa's name without a date the collections agree on, which is why they are set apart from the dated run rather than placed in it.
Style and influences
• Illustration — Yasujiro Ozu Kurosawa's filmmaking style has been compared to those of Stanley Kubrick and Andrei Tarkovsky, though he has never expressly listed those directors as influences. In an interview, he claimed that Alfred Hitchcock and Yasujirō Ozu contributed to shaping his personal vision of the medium. He has also expressed admiration for American film directors such as Don Siegel, Sam Peckinpah, Robert Aldrich, Richard Fleischer, and Tobe Hooper. In a 2000 interview with Time, Kurosawa noted his appreciation for John Cassavetes, stating, "When I watch a Cassavetes film, I am awed by the understanding that people can subtly change in the course of a simple conversation." Through his association with mentor Shigehiko Hasumi, Kurosawa was also influenced by Jean-Luc Godard. In a 2009 interview with IFC, Kurosawa talked about the reason why he has cast the actor Kōji Yakusho in many of his films: "He has similar values and sensitivities. We're from the same generation. That's a big reason why I enjoy working with him on the set." According to Tim Palmer, Kurosawa's films occupy a peculiar position between the materials of mass genre, on the one hand, and esoteric or intellectual abstraction, on the other. They also clearly engage with issues of environmental critique, given Kurosawa's preference for shooting in decaying open spaces, abandoned (and often condemned) buildings, and in places rife with toxins, pestilence and entropy. In an interview with the Tokyo Art University, where he is a professor, Kurosawa talks about not wanting his directorial style to be too fixed. The interviewer makes reference to Kurosawa's versatility when they talk about Clint Eastwood; Kurosawa says he admires people who can do many things and that he doesn't box himself into one style or one theme. When asked what he wants to try next, he answered: "The next thing I want to do is something I have never done." Kurosawa also mentions that he has seen many films since he was young, and that he knows there are many great films from around the world. Those films motivate him to be a better filmmaker; he always asks himself how to make films that will be memorable for a long time. In the same article by the Tokyo Art University, Kurosawa names film critic Hasumi Shigehiko as a mentor and early influence in his filmmaking career. Much of Hasumi's influence would go on to shape the core of Kurosawa's filmography. Kurosawa met Hasumi in University, where he was one of the few students to finish his course, and credits Hasumi with teaching him that film is worth dedicating your entire life to. Hasumi and Kurosawa believe that every element of the film matters and should be meticulously planned. Kurosawa has also stated that one of his goals as a filmmaker is to share Hasumi's teachings.
Primary material
Documents and archives
reference work
- “Kiyoshi Kurosawa”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q53834: Kiyoshi Kurosawa
Unverified · Wikidata
Honors
Honors
• Medal with Purple Ribbon (2021)
Honours and awards
Where the work is held
Honours and awards
They run from 2006 to 2021.
2 honours stand against the name
Time Machine Award
2006
Medal with Purple Ribbon
2021
Authority records
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Partially resolvedauthority record
Unverified
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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