Kevin Tent
Kevin Tent is an American film editor and director. Tent has been elected to membership in the American Cinema Editors (ACE) and serves as President of the board. He is best known for his longstanding collaboration with Alexander Payne, having edited every feature film Payne has directed As of 2023.
Kevin Tent

Runawaymo · CC BY-SA 4.0
- Born
- 2000
- Nationality
- United States
- Occupation
- film editor · film director
Reference Check
Propose documentary evidence for Kevin Tent. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q301846 · wikipedia · Kevin Tent
In this article
Early life
Early life
For his work on Payne's films, Tent has been nominated for two Academy Awards for Best Editing for his works in The Descendants and The Holdovers. Tent also won an ACE Eddie award for first film and received three other ACE Eddie Award nominations for Election, Sideways and About Schmidt. In addition to his career in editing, Tent also co-directed two films, Ultra Warrior (1990) and Blackbelt II (1993), and directed the 2017 film Crash Pad.
Tent's early life was spent near Buffalo, New York. He began his career editing educational films, then moved into the world of low-budget horror films, working on several projects with legendary producer Roger Corman. Tent has since gone on to edit many high-profile films.
Selected filmography
Selected filmography
• Year — Film — Director — Other notes • 1988 — Not of This Earth — Jim Wynorski • 1989 — Moontrap — Robert Dyke • 1990 — Basket Case 2 — Frank Henenlotter • Frankenhooker • Hollywood Boulevard II — Steve Barnett • 1991 — Guilty as Charged — Sam Irvin • Rock 'n' Roll High School Forever — Deborah Brock • 1992 — Ultraviolet — Mark Griffiths • Guncrazy — Tamra Davis • 1993 — Slaughter of the Innocents — James Glickenhaus • 1995 — Homage — Ross Kagan Marks • 1996 — Citizen Ruth — Alexander Payne • One Good Turn — Tony Randel • 1999 — Election — Alexander Payne — Nominated - American Cinema Editors Award for Best Edited Feature Film – Comedy or Musical • Girl, Interrupted — James Mangold • 2001 — Blow — Ted Demme • 2002 — About Schmidt — Alexander Payne — Nominated - American Cinema Editors Award for Best Edited Feature Film – Dramatic • 2004 — The Clearing — Pieter Jan Brugge • Sideways — Alexander Payne — Nominated - American Cinema Editors Award for Best Edited Feature Film – Comedy or Musical • 2005 — Monster-in-Law — Robert Luketic • 2006 — RV — Barry Sonnenfeld • 2007 — Mr. Woodcock — Craig Gillespie • The Golden Compass — Chris Weitz • 2009 — Hung — Alexander Payne — Pilot episode • The Goods: Live Hard, Sell Hard — Neal Brennan • 2010 — Shanghai — Mikael Håfström • 2011 — The Descendants — Alexander Payne — American Cinema Editors Award for Best Edited Feature Film – Dramatic Nominated - Academy Award for Best Film Editing • 2012 — Disconnect — Henry-Alex Rubin • 2013 — Nebraska — Alexander Payne — Nominated - American Cinema Editors Award for Best Edited Feature Film – Comedy or Musical • 2014 — Welcome to Me — Shira Piven • 2015 — Parched — Leena Yadav • 2017 — Downsizing — Alexander Payne • 2019 — The Peanut Butter Falcon — * Tyler Nilson * Michael Schwartz • Otherhood — Cindy Chupack • Semper Fi — Henry-Alex Rubin • 2023 — The Holdovers — Alexander Payne — American Cinema Editors Award for Best Edited Feature Film – Comedy or Musical Nominated - Academy Award for Best Film Editing • 2024 — Lonely Planet — Susannah Grant

Kevin Tent at 2026 Shanghai International Film Festival.
Runawaymo
Life and career
Dated record
Life and career
The full dated record · 1 entries
2000
Kevin Tent born.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Kevin Tent, revision 1289658615 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.American Cinema Editors (ACE) Official Website
- 2.Academy of Motion Picture Arts and Sciences. 'The Holdovers' Editor Kevin Tent Talks Being in the Cutting Room With Alexander Payne. A.frame. November 8, 2023.
- 3.Kevin Tent - Awards. IMDb.
- 4.Kevin Tent. IMDb.
- 5.McNary, Dave. Domhnall Gleeson, Thomas Haden Church, Christina Applegate Starring in Rom-Com 'Crash Pad' (EXCLUSIVE). Variety. October 21, 2015.
- 6.Leopold, Todd. The CNN Profile: Invisible Oscar nominee makes the cut. cnn.com.
- 7.Iofilm.co.uk. Anne Coates and Kevin Tent on Editing Movies.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 27 August 2026.
Elsewhere in Film memorabilia
38,713 published records in this field, each with its sources named.
- Kevin SpirtasPerson
- Kevin SullivanPerson
- Kevin SussmanPerson
- Kevin TancharoenPerson
- Kevin TierneyPerson
- Kevin TighePerson
- Kevin TsaiPerson
- Kevin WilliamsonPerson
Best supported in this field
For owners
Own a work by Kevin Tent?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.