Kees van Baaren

Kees van Baaren studied at Stern Conservatory. Training under Friedrich Koch is recorded. Theo Bruins is recorded as having studied under Kees van Baaren. Subjects and genres recorded for the work are classical music. Employment is recorded with Royal Conservatory of The Hague.

Van Baaren was born in Enschede. His early studies (1924–29) were in Berlin with Rudolph Breithaupt (piano) and Friedrich Koch (composition) at the Stern conservatory. After returning to the Netherlands in 1929, he studied with Willem Pijper. He adopted Pijper's "germ cell technique" in his compositions from about 1934 onward. While composing some works in an accessible, tonal style, in other pieces he developed a serial technique, which emerged fully with the Septet for five winds, violin, and double bass (1952).

In 1948 Van Baaren became director of the Conservatoire of the Amsterdam Muzieklyceum Society (later merged into the Conservatoire of Amsterdam). In 1953 he was appointed director of the Utrechts Conservatorium. In 1958 he became director of the Royal Conservatory of The Hague. His students included many of the leading composers and performers of the next generation, including Louis Andriessen, Reinbert de Leeuw, Misha Mengelberg, Peter Schat, and Jan van Vlijmen. He died in Oegstgeest.

• Concertino for piano and orchestra (1934) • Sonatina in memoriam Willem Pijper, for piano (1948) • The Hollow Men, cantata for soprano, baritone, mixed choir and orchestra, text by T. S. Eliot (1948, rev.1955-56) • Septet for flute, oboe, clarinet, bassoon, horn, violin, and contrabass (1952) • Symphony (1956) • Variations for orchestra (1959) • Music for Orchestra • Partita for wind band (1961) • String Quartet (1962) • Wind Quintet (1963) • Music for Carillon (1964) • Concerto for piano and orchestra (1964)