Kazik Radwanski
Kazik Radwanski is a Canadian film director and screenwriter. His early short films have been cited as part of the New Canadian Cinema movement. He made his feature film directorial debut in 2012 with Tower.
Kazik Radwanski

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- Name
- Kazik Radwanski
- Born
- 1985
- Birthplace
- Canada
- Occupation
- Director, writer, producer
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Biography
Biography
His second feature film, How Heavy This Hammer (2015), screened at film festivals around the world and received critical acclaim. Radwanski's third feature film, Anne at 13,000 Ft. (2019), starring Deragh Campbell, won the Toronto Film Critics Association's $100,000 Rogers Best Canadian Film Award in 2021. His fourth feature, Matt and Mara, was released in 2024. In 2009, Radwanski founded Medium Density Fibreboard Films (MDFF) with his producing partner Dan Montgomery. The company produces and distributes Canadian films, and also runs a monthly "MDFF Selects" screening series of independent international cinema, currently at TIFF Lightbox. The Globe and Mail called MDFF "one of the most influential forces in independent Canadian cinema."

Kazik Radwanski, Berlinale 2020, Filmgespräch zu Anne at 13.000 ft
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Kazik Radwanski, Deragh Campbell, Matt Johnson, Berlinale 2020, Filmgespräch zu Anne at 13.000 ft
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Key facts
Key facts
• Name — Kazik Radwanski • Born — 1985 • Birthplace — Canada • Occupation — Director, writer, producer • Years Active — 2007–present
2000s
2000s
Before transitioning into feature films with his directorial debut Tower (2012), Radwanski wrote and directed several award-winning short films, including Assault (2007), Princess Margaret Blvd. (2008), Out in That Deep Blue Sea (2009), and Green Crayons (2010), all of which screened at film festivals around the world, most notably in Edinburgh, Melbourne, and Berlin.
2010s
2010s
Radwanski's first feature film, Tower, had its world premiere at the 2012 Locarno Film Festival, followed by its North American premiere at the 2012 Toronto International Film Festival. It had a long festival run screening at many festivals, including the Viennale, the New Directors/New Films Festival hosted by Film Society of Lincoln Center, and the Museum of Modern Art. Tower was met with critical acclaim upon its release. The Wall Street Journal proclaimed it as "thoroughly compelling, juxtaposing idiosyncratic camerawork with raw insight into the sort of person everyone knows" Eric Kohn of IndieWire described the protagonist as "an awkward loner made mesmerizing", and Scott Foundas for the Village Voice described it as "a Sisyphus for the Asperger’s era". Now named Tower one of the "Top 25 Toronto Films" of all time. Following the release of Tower, Radwanski released the short film Cutaway in 2014. Told entirely without spoken dialogue, the film depicts a day in a man's life entirely through a close focus on his hands, including his performance of physical labour and text conversations with his girlfriend. The film was named to the Toronto International Film Festival's year-end Canada's Top Ten list for 2014. Radwanski's second film, How Heavy This Hammer, made its world premiere at the 2015 Toronto International Film Festival, followed by its international premiere at the 66th Berlin International Film Festival. It subsequently screened on the festival circuit for over two years. During its festival run it received generally favourable reviews from critics. Adam Cook in a dispatch to Brooklyn Magazine wrote "Radwanski’s sensitive and empathetic approach effectively brings the viewer into this mundanity and helping us understand the silent pressures and tensions of this unremarkable man and his existential woes". Angelo Muredda for Cinema Scope said "In just two features and several shorts, co-conceived with producing partner Dan Montgomery, Radwanski has proven himself a gentler, Southern Ontarian answer to Dardennes-style social realism, finding dignity and pathos in the repetitive rhythms and small pleasures of working-class lives". Mubi Notebook editor Daniel Kasman observed "Such a small story, such an average person to spend time with—this is something no television show would attempt, no mid-tier festival film dare gamble their eligibility for an audience award on. Yet here it is: quiet, a bit pensive, a bit mysterious, and never less than thoughtful. The kind of film you love to discover at a festival". However, The Hollywood Reporter deemed it "an aggressively dreary look at a man who shouldn't have had a family". During its theatrical run in Canada, the film was met with critical acclaim; it was ultimately nominated for Best Canadian Film at the Toronto Film Critics Association Awards 2016, though it did not win. The National Post named it "a must-see this week when it opens theatrically in Vancouver and Toronto", The Toronto Star praised its "unique combination of empathy and scorn", NOW Magazine said "Radwanski packs a lot of angst into his slim running time", Exclaim! stated it was "one of the very best Canadian films of the year", and The Globe and Mail called it "raw and engrossing". When the film had a theatrical run in New York in 2016, it was met with mixed reviews: The New York Times wrote that "whatever investigation it’s attempting, the movie is leaden in its pacing — the first 15 minutes feel like an hour — and its constricted shooting style, practically all hand-held almost close-ups, is transparent in its contrivance of realism". Meanwhile, The Village Voice proclaimed that it was, "Striking, clear-eyed, and very, very funny, it's been justly celebrated as one of the best Canadian films in years". Radwanski's most recent short film, Scaffold, premiered at the 70th Locarno Film Festival, had its North American premiere in the Wavelengths section of the 2017 Toronto International Film Festival, and its US premiere at the 55th New York Film Festival. The film was nominated for an award at the London Film Festival.
2020s
2020s
His next feature film, Anne at 13,000 Ft., premiered at the 2019 Toronto International Film Festival, and received an honourable mention from the Platform Prize jury. It was nominated for four Canadian Screen Awards in 2020, including Best Motion Picture. In December 2019, the film was named to TIFF's annual year-end Canada's Top Ten list. The film screened at the 70th Berlin International Film Festival in 2020. In 2021, the film won the Toronto Film Critics Association's $100,000 Rogers Best Canadian Film Award. It was also nominated for four Canadian Screen Awards, including Best Motion Picture, and five Vancouver Film Critics Circle Awards. His fourth feature film, Matt and Mara, was filmed in the summer of 2022 and premiered at the 74th Berlin International Film Festival.
Filmography
Filmography
• Year — Film — Type — Director — Writer — Producer — Notes • 2007 — Assault — Short film • 2008 — Princess Margaret Blvd. — Short film • 2009 — Out in That Deep Blue Sea — Short film • 2010 — Green Crayons — Short film • 2012 — Tower — Feature film — Feature directorial debut • 2014 — Cutaway — Short film • 2015 — How Heavy This Hammer — Feature film • 2017 — Scaffold — Short film • 2019 — Anne at 13,000 Ft. — Feature film • 2024 — Matt and Mara — Feature film
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Kazik Radwanski, revision 1368908475 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Meet the millennial filmmakers out to revolutionize Canadian content.
- 2.Bad Film Students.
- 3.'Anne at 13,000 Ft' wins $100,000 Canadian film prize from Toronto film critics.
- 4.MDFF. mdff.ca.
- 5.How the indie outfit MDFF is saving Canadian cinema, one film at a time. The Globe and Mail. 2025-02-26.
- 6.ADAMS, JAMES. Tower: Portrait of a weirdly memorable man-child. 2013-02-22.
- 7.Kazik Radwanski. IMDb.
- 8.Canadians hope to extend string of Locarno success. The Globe and Mail. July 6, 2012.
- 9."Kazik Radwanski ascends at TIFF with debut Tower". Playback, September 12, 2012.
- 10.The Viennale. Viennale Tower.
- 11.The Village Voice. The World's Riches: New Directors/New Films Is the Year's Best Local/Global Movie Celebration. March 20, 2013.
- 12.Simple Machine. Tower Reviews.
- 13.IndieWire. Locarno Review: An Awkward Loner Made Mesmerizing in the Canadian Feature 'Tower'. August 10, 2012.
- 14.Now Magazine. Top 25 Toronto Films. December 31, 2013.
- 15."Talking Shorts and Screenings with Local Filmmakers Kazik Radwanski and Dan Montgomery". Torontoist, December 5, 2014.
- 16."2014's best of Canadian film". Now, December 1, 2014.
- 17.The secret to Canadian film success? Lentils (and lots of luck). The Globe and Mail.
- 18.Toronto 2015:How Heavy This Hammer. Fandor.
- 19.'At the Toronto International Film Festival': Film Review. Brooklyn Magazine.
- 20.'How Heavy This Hammer — Contemporary World Cinema': Film Review. Cinema Scope.
- 21.'How Heavy This Hammer': Film Review. The Hollywood Reporter.
- 22.Toronto Film Critics Association names Moonlight best film of the year. The Globe and Mail.
- 23.'I want there to be some chaos': Kazik Radwanski's How Heavy This Hammer brings his 'ordinary insanity' to life. National Post.
- 24.How Heavy This Hammer. Toronto Star.
- 25.Nothing matters but the online fantasy game in How Heavy This Hammer. NOW Magazine.
- 26.How Heavy This Hammer Directed by Kazik Radwanski. Exclaim!.
- 27.Director Kazik Radwanski on creating How Heavy This Hammer. The Globe and Mail.
- 28.Kenny, Glenn. Review: In 'How Heavy This Hammer,' Life Takes a Toll on Dad. The New York Times. 2017-02-16. 0362-4331.
- 29.At MoMI's First Look Fest, Behold the Films Too Bold for Release. The Village Voice.
- 30.Scaffold. www.locarnofestival.ch.
- 31.Scaffold. www.tiff.net.
- 32.Toronto Plays Itself. TIFF. 2017-08-15.
- 33.Narrative 2. www.filmlinc.org.
- 34.Scaffold.
- 35."TIFF 2019: Platform lineup includes films by Julie Delpy, Sarah Gavron". Now, 7 August 2019.
- 36.The film Martin Eden wins TIFF's Platform Prize. Toronto Star. September 13, 2019.
- 37.Wilner, Norman. Canadian Screen Awards 2020: Prepare for a Schitt's show. Now. 18 February 2020.
- 38.Wilner, Norman. TIFF announces Canada's top 10 films of 2019. Now. December 11, 2019.
- 40.Vancouver film critics award 'The Body Remembers When the World Broke Open'. Tri-City News. January 7, 2020.
- 41.Barry Hertz, "After TIFF 2022, the future of Canadian cinema rests in MDFF’s hands". The Globe and Mail, September 15, 2022.
- 42.Roxborough, Scott. Rooney Mara, Isabelle Huppert, Gael Garcia Bernal Films Set for 2024 Berlinale. The Hollywood Reporter. 2024-01-22.
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