Kate Crawford

She is also a member of the World Economic Forum's Global Agenda Council on Data-Driven Development. Crawford’s research focuses on social change and media technologies, particularly on the intersection of humans, mobile devices, and social networks. Her research examines how AI affects various aspects of human life, such as gender, race, and economic status. She argues that AI systems are not neutral or objective, but rather reflect and reinforce existing systems of power and inequality. She also explores the ethics and environmental impact, as well as the historical and cultural contexts of its development. She has published on cultures of technology use and the way media histories inform the present, and has exhibited creative works in music and art at museums such as the Museum of Modern Art in New York and the Victoria and Albert Museum in London.

Kate Crawford studied at University of Sydney. The recorded working language is English. The field of work recorded is algorithm, artificial intelligence and human–computer interaction. Employment is recorded with New York University, University of New South Wales and Microsoft Research. Distinctions recorded are Max Crawford Medal.

• Name — Kate Crawford • Born — 1974 • Occupation — Writer, academic, researcher

Crawford was part of the Canberra electronic music duo B(if)tek (along with Nicole Skeltys) and they released three albums between 1998 and 2003. Crawford co-founded the Sydney-based Deluxe Mood Recordings record label and is a member of the Clan Analogue music collective. Crawford has written for The Sydney Morning Herald and Foreign Policy. She was a fellow of the Centre for Policy Development and in March 2008 she was selected as one of 1000 Australians to attend the Australia 2020 Summit in Canberra on 19–20 April 2008. She is a member of the feminist collective Deep Lab. In 2017 Crawford established the AI Now Institute with Meredith Whittaker. It is associated with New York University Tandon School of Engineering. In 2019 she was the inaugural holder of the AI and Justice Visiting Chair at the École Normale Supérieure in Paris, in partnership with the Abeona Foundation.

• Illustration — Crawford at South by Southwest 2019

Crawford has a PhD from the University of Sydney. In 2006, her book based on her doctoral dissertation, Adult Themes: Rewriting the Rules of Adulthood, won the individual category of the Manning Clark National Cultural Award, and in 2008 she received the Max Crawford Medal for outstanding scholarship from the Australian Academy of the Humanities. Crawford has spoken and published academic papers on such topics as social media, mass media regulation, gender and mobile phones, young people and sexting, and big data. She has given keynote addresses at venues such as the 2013 O'Reilly Strata Conference and the 2013 DataEDGE conference hosted by the UC Berkeley School of Information. She co-authored a book with Chris Chesher and Anne Dunn titled Understanding the Internet: Language, Technology, Media, and Power in 2014. She published a book called Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence through Yale University Press in 2021. Her article "Artificial Intelligence Is Misreading Human Emotion" was shortlisted for The Bragg UNSW Press Prize for Science Writing in 2022. Crawford was an inaugural Cybernetic Imagination Resident from 2022-2023 and spoke at the launch of the program. She completed a collaborative research-art project, Calculating Empires: A Genealogy of Technology and Power since 1500, with Vladan Joler in this time.

Anatomy of an AI System is a large-scale map and essay that is intended to reveal the material, human, and ecological costs of the Amazon Echo. It was created in collaboration with artist Vladan Joler and won the Beazley Design of the Year Award in 2019. It is in the permanent collection of the Museum of Modern Art in New York and the Victoria and Albert Museum in London. In collaboration with artist and photographer Trevor Paglen, Training Humans is composed of images used to train AI systems which were exhibited at the Fondazione Prada in Milan in 2019. This was intended to show that AI systems are subject to algorithmic bias, can reflect existing systems of power, and may reinforce inequality. The exhibition was criticized for making use of facial images without informed consent. Calculating Empires: A Genealogy of Technology and Power since 1500 is a large-scale visualization that maps the co-evolution of technological and societal systems, created in collaboration with artist Vladan Joler. In 2024 this work won the European Commission's Grand Prize in Artistic Exploration and was exhibited at the Jeu de Paume in Paris in 2025. In May 2025, Calculating Empires received the Silver Lion at the Venice Biennale of Architecture 2025.