Karen Kilimnik
Karen Kilimnik (born 1955) is an American painter and installation artist.
Also recorded as Karen Klimnik · Karen Kililmnik
Karen Kilimnik
- Name
- Karen Kilimnik
- Born
- 1955
- Birthplace
- Philadelphia, Pennsylvania, US
- Field
- Painting, Installation art
- Training
- Temple University, Philadelphia Karen Kilimnik (born 1955) is an American painter and installation artist.
- Nationality
- United States
- Occupation
- painter · photographer · installation artist
- Fields
- painting
- Education
- Temple University
- Languages
- English
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Documentary summary
Karen Kilimnik (born 1955) is an American painter and installation artist.
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Karen Kilimnik (born 1955) is an installation artist, painter and photographer, of American nationality. The installation artist was born in Philadelphia.
Karen Kilimnik was educated at Temple University. Activity centred on painting.
Languages used include English. Works are held at Hessel Museum of Art, Museum of Modern Art and Philadelphia Museum of Art, among others.
Composed from admitted, traceable facts · 01 October 2026
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wikidata · Q513948 · wikipedia · Karen Kilimnik
In this article
Biography
Biography
Karen Kilimnik studied at Temple University. The recorded working language is English. The field of work recorded is painting. Work by Karen Kilimnik is recorded in the collections of Museum of Modern Art, Philadelphia Museum of Art, Seattle Art Museum, Hessel Museum of Art and Whitney Museum of American Art.
Key facts
Key facts
• Name — Karen Kilimnik • Born — 1955 • Birthplace — Philadelphia, Pennsylvania, US • Field — Painting, Installation art • Training — Temple University, Philadelphia Karen Kilimnik (born 1955) is an American painter and installation artist.
Life and work
Life and work
Karen traveled through much of the United States and Canada as a young child. She often spoke of Russell, Manitoba as being an inspiration for her later works. Karen Kilimnik studied at Temple University, Philadelphia. Her installations reflected a young viewpoint of pop culture. An example of this work is her 1989 breakout The Hellfire Club Episode of the Avengers, which is composed of photocopied images, clothing, drawings, and other objects that reverentially embody the glamour, risk, and mod kitsch of the 1960s television show. The work exemplified the “scatter” style of her installations. Kilimnik's paintings, characterised by loose brushwork, bold colors and "thrift shop paint-by-numbers awkwardness", are pastiches of the Old Masters and often incorporate portraits of celebrities. In contrast to the celebrity portraits of Elizabeth Peyton, Kilimnik, "blends together Conceptual and performance art and 1980's appropriation with the current interest in female psychology and identity." Jonathan Jones described her portrait of Hugh Grant (1997) as "a nice example of a relatively new genre of painting, which we might call the iconic portrait, not commissioned by its sitter but based on photographs, magazine cuttings, film clips." Her work is variously described as "sharp and witty...an interesting exercise in conceptual control" and as "wan and whimsical..."
Collections
Collections
Kilimnik has work in the collection of the Museum of Modern Art, the Carnegie Museum of Art and the Whitney Museum of American Art.
Documents and archives
Primary material
Documents and archives
reference work
- “Karen Kilimnik”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q513948: Karen Kilimnik
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.William Hanley. Philadelphia: Kilimnik Installations, Homage to the Blues. Artinfo. May 8, 2007.
- 2.Smith, Roberta. "Art in Review: Karen Kilimnik", The New York Times, February 12, 1999.
- 3.Jonathan Jones, The Guardian, July 1, 2000.
- 4.Holland Cotter, 'Art in Review: Karen Kilimnik', The New York Times, October 13, 2006
- 5.Laura Cummings, "The Kitsch is Back", The Observer, March 4, 2007.
- 6.http://nyc.moma.museum/collection/browse_results.php?criteria=O%3AAD%3AE%3A8034&page_number=1&template_id=1&sort_order=1
- 7.Archived copy.
- 8.All Artists | Whitney Museum of American Art.
Bibliography printed in the source article · 1
- Karen Kilimnik (ed. Lionel Bovier), Zurich: JRP/Ringier (2006).
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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