Junior Walker

• Name — Junior Walker • Birth Name — Autry DeWalt Mixon • Born — 14 June 1931 • Birthplace — Blytheville, Arkansas, U.S. • Died — 23 November 1995 • Place of death — Battle Creek, Michigan • Genre — * R&B • pop • rock • soul • Occupation — Musician • Instrument — Tenor saxophone, vocals • Years Active — 1945–1995 • Label — Motown, Whitfield

Walker was born Autry DeWalt Mixon Jr. on June 14, 1931, in Blytheville, Arkansas, but grew up in South Bend, Indiana. He began playing saxophone while in high school, and his saxophone style was the anchor for the sound of the bands he later played in.

His career started when he developed his own band in the mid-1950s as the Jumping Jacks. His longtime friend and drummer Billy Nicks (1935–2017) formed his own group, the Rhythm Rockers. Periodically, Nicks would sit in on Jumping Jack's shows, and Walker would sit in on the Rhythm Rockers shows. Nicks obtained a permanent gig at a local TV station in South Bend, Indiana, and asked Walker to join him and keyboard player Fred Patton permanently. Nicks asked Willie Woods (1936–1997), a local singer, to perform with the group; Woods would learn how to play guitar. When Nicks was drafted into the United States Army, Walker convinced the band to move from South Bend to Battle Creek, Michigan. While performing in Benton Harbor, Walker found a drummer, Tony Washington, to replace Nicks. Eventually, Fred Patton left the group, and Victor Thomas stepped in. The original name, The Rhythm Rockers, was changed to "The All Stars." Walker's style was inspired by jump blues and early R&B, particularly players like Louis Jordan, Earl Bostic, and Illinois Jacquet. The group was spotted by Johnny Bristol, and in 1961 he recommended them to Harvey Fuqua, who had his own record labels. Once the group started recording on the Harvey label, their name was changed to Jr. Walker & the All Stars. The name was modified again when Fuqua's labels were taken over by Motown's Berry Gordy, and Jr. Walker & the All Stars became members of the Motown family, recording for their Soul imprint in 1964. The members of the band changed after the acquisition of the Harvey label. Tony Washington, the drummer, quit the group, and James Graves joined. Their first and signature hit was "Shotgun", written and composed by Walker and produced by Berry Gordy, which featured the Funk Brothers' James Jamerson on bass and Benny Benjamin on drums. "Shotgun" reached No. 4 on the Billboard Hot 100 and No. 1 on the R&B chart in 1965, and was followed by many other hits, such as "(I'm a) Road Runner", "Shake and Fingerpop" and remakes of two Motown songs "Come See About Me" and "How Sweet It Is (to Be Loved by You)", that had previously been hits for the Supremes and Marvin Gaye respectively. In 1966, Graves left and was replaced by old cohort Billy "Stix" Nicks, and Walker's hits continued apace with tunes such as "I'm a Road Runner" and "Pucker Up Buttercup". In 1969, the group had another hit enter the top 5, "What Does It Take (to Win Your Love)". A Motown quality control meeting rejected this song for single release, but radio station DJs made the track popular, resulting in Motown releasing it as a single, whereupon it reached No. 4 on the Hot 100 and No. 1 on the R&B chart. From that time on, Walker sang more on the records than earlier in their career. He landed several more R&B Top Ten hits over the next few years, with the last coming in 1972. He toured the UK in 1970 with drummer Jerome Teasley (Wilson Pickett), guitarist Phil Wright (brother of Betty "Clean Up Woman" Wright), keyboardist Sonny Holley (The Temptations) and the youthful Liverpool UK bassist Norm Bellis (Apple). The band played two venues on each of the 14 nights. The finale was at The Valbonne in London's West End. They were joined on stage by The Four Tops for an impromptu set. In 1979, Walker went solo, disbanding the All Stars, and was signed to Norman Whitfield's Whitfield Records label, but he was not as successful on his own as he had been with the All Stars in his Motown period. • Illustration — Jr. Walker Walker re-formed the All Stars in the 1980s. On April 11, 1981, Walker was the musical guest on the season finale of Saturday Night Live. Foreigner's 1981 album 4 featured Walker's sax solo on "Urgent". He later recorded his own version of the song for the 1983 All Stars's album Blow the House Down. Walker's version was also featured in the 1985 Madonna film Desperately Seeking Susan. In 1983, Walker was re-signed with Motown. In the same year, he appeared as a part of the Motown 25 television special which aired on May 16, 1983. In 1988, Walker played opposite Sam Moore as one-half of the fictional soul duo The Swanky Modes in the comedy Tapeheads. Several songs were recorded for the soundtrack, including "Bet Your Bottom Dollar" and "Ordinary Man", produced by ex-Blondie member Nigel Harrison.

Walker died of cancer at the age of 64 in Battle Creek, Michigan, on November 23, 1995. He is buried in Oak Hill Cemetery in Battle Creek under a marker inscribed with both his birth name of Autry DeWalt Mixon Jr. and his stage name.

• Year — Album — Chart positions • US — US R&B • 1965 — Shotgun * Released on May 31, 1965 * Label: Soul 701 — 108 — 1 • 1966 — Soul Session * Released on 18 July 1966 * Label: Soul 702 — 130 — 7 • Road Runner * Released on July 18, 1966 * Label: Soul 703 — 64 — 6 • 1969 — Home Cookin' * Released on January 6, 1969 * Label: Soul 710 — 172 — 26 • Gotta Hold on to This Feeling * Reissued in 1970 as 'What Does It Take to Win Your Love' * Released in UK as 'These Eyes' (Tamla Motown STML 11140) * Released on November 21, 1969 * Label: Soul 721 — 92 — 12 • 1970 — A Gassssssssss! * Released on September 8, 1970 * Label: Soul 726 — 110 — 28 • 1971 — Rainbow Funk * Released on July 12, 1971 * Label: Soul 732 — 91 — 12 • Moody Jr. * Released on December 7, 1971 * Label: Soul 733 — 142 — 22 • 1973 — Peace and Understanding Is Hard to Find * Label: Soul 738 — — — 47 • 1974 — Jr. Walker & the All Stars * Cancelled in the US * Released in UK & Europe * Label: Tamla Motown STML 11274 — — — — • 1976 — Hot Shot * Label: Soul S6-745 — — — 45 • Sax Appeal * Label: Soul S6-747 — — — — • 1977 — Whopper Bopper Show Stopper * Label: Soul S6-748 — — — — • 1978 — Smooth * Label: Soul S6-750 — — — — • 1979 — Back Street Boogie * Label: Whitfield WHK 3331 — — — 72 • 1983 — Blow the House Down * Label: Motown 6053ML — — — — • "—" denotes releases that did not chart or were not released in that territory.

• Year — Album — Chart positions • US — US R&B • 1967 — "Live!" * Released in September 1967 * Label: Soul 705 — 119 — 22 • 1970 — Live * Released in April 1970 * Label: Soul 725 — — — 22 • "—" denotes releases that did not chart.

• Year — Album — Chart positions • US — US R&B • 1969 — Greatest Hits * Released in June 1969 * Label: Soul 718 — 43 — 19 • 1973 — Greatest Hits, Vol. 2 (UK-only) * Label: Tamla Motown STML 11224 — — — — • 1974 — Anthology * Released on July 22, 1974 * Label: Motown M7-786 — — — — • 1982 — Greatest Hits (UK-only) * Released in March 1982 * Label: Tamla Motown STMS5054 — — — — • "—" denotes releases that did not chart.

• Year — Title (A-side / B-side) (Both sides from same album except where indicated) — Peak chart positions — Album • US — US R&B — UK • 1962 — "Twist Lackawanna" b/w "Willie's Blues" (Non-album track) — — — — — — — Road Runner • "Cleo's Mood" b/w "Brainwasher" (from Soul Session) — — — — — — — Shotgun • 1963 — "Good Rockin'" b/w "Brainwasher Pt. 2" (Non-album track) — — — — — — — Soul Session • 1964 — "Satan's Blues" b/w "Monkey Jump" (from Shotgun) — — — — — — • 1965 — "Shotgun" b/w "Hot Cha" — 4 — 1 — — — Shotgun • "Do the Boomerang" b/w "Tune Up" — 36 — 10 — — • "Shake and Fingerpop" / — 29 — 7 — — • "Cleo's Back" — 43 — 7 — — • 1966 — "(I'm a) Road Runner" b/w "Shoot Your Shot" — 20 — 4 — 12 • "Cleo's Mood" b/w "Baby You Know You Ain't Right" (from Road Runner) — 50 — 14 — — • "How Sweet It Is (To Be Loved by You)" b/w "Nothing But Soul" — 18 — 3 — 22 — Road Runner • "Money (That's What I Want), Pt.1" b/w "Money (That's What I Want), Pt. 2" — 52 — 35 — — • 1967 — "Pucker Up Buttercup" b/w "Anyway You Wanta" — 31 — 11 — — • "Shoot Your Shot" b/w "Ain't That the Truth" — 44 — 33 — — — Shotgun • "Come See About Me" b/w "Sweet Soul" — 24 — 8 — — — Home Cookin • 1968 — "Hip City, Pt. 2" b/w "Hip City, Pt. 1" — 31 — 7 — — • "Home Cookin'" b/w "Mutiny" — 42 — 19 — — • 1969 — "What Does It Take (to Win Your Love)" b/w "Brainwasher (Part 1)" (from Soul Session) — 4 — 1 — 13 • "These Eyes" b/w "I've Got to Find a Way to Win Maria Back" — 16 — 3 — — — What Does It Take to Win Your Love • 1970 — "Gotta Hold On to This Feeling" b/w "Clinging to the Thought That She's Coming Back" — 21 — 2 — — • "Do You See My Love (For You Growing)" b/w "Groove and Move" — 32 — 3 — — — A Gasssss • "Holly Holy" / — 75 — 33 — — • "Carry Your Own Load" — 117 — 50 — — • 1971 — "Take Me Girl, I'm Ready" b/w "Right On Brothers and Sisters" — 50 — 18 — 16 — Rainbow Funk • "Way Back Home" b/w "Way Back Home" (Instrumental) — 52 — 24 — 35 • 1972 — "Walk in the Night" b/w "I Don't Want to Do Wrong" — 46 — 10 — 16 — Moody Jr. • "Groove Thang" b/w "Me and My Family" — — — — — — • 1973 — "Gimme That Beat (Part 1)" b/w "Gimme That Beat (Part 2)" — 101 — 50 — — — Peace & Understanding Is Hard to Find • "I Don't Need No Reason" b/w "Country Boy" — — — — — — • "Peace and Understanding (Is Hard to Find)" b/w "Soul Clappin'" — — — — — — • 1974 — "Dancin' Like They Do on Soul Train" b/w "I Ain't That Easy to Lose" — — — — — — — Jr. Walker & the All Stars • 1976 — "I'm So Glad" b/w "Soul Clappin'" (from Peace & Understanding Is Hard to Find) — — — — — — — Hot Shot • "You Ain't No Ordinary Woman" b/w "Hot Shot" — — — — — — • 1977 — "Hard Love" b/w "Whopper Bopper Show Stopper" (from Whopper Bopper Show Stopper) — — — — — — — Smooth • 1979 — "Wishing on a Star" b/w "Back Street Boogie" — — — 89 — — — Back Street Boogie • "Back Street Boogie" b/w "Don't Let Me Go Astray" — — — — — — • 1983 — "Blow the House Down" b/w "Ball Baby" — — — — — — — Blow the House Down • "—" denotes releases that did not chart or were not released in that territory.

He also worked under the name Junior Walker. The authorities additionally record the headings Autry DeWalt Mixon Jr., Jr. Walker and Jr. Walker & the All Stars. His recorded language was English.