Julie Moos
Julie Moos (born 1966) is a Canadian photographer and art writer. Moos' work was included in the 2002 Whitney Biennial at the Whitney Museum of American Art in New York and curated by Lawrence Rinder. Moos's work has been shown at the Birmingham (Alabama) Museum of Art, the Honolulu Museum of Art Spalding House (formerly known as The Contemporary Museum, Honolulu), the Mint Museum of Art, Norton Museum of Art, the Renaissance Society of Chicago and elsewhere.
Julie Moos
- Born
- 1966 · Ottawa.
- Nationality
- Canada · United States
- Occupation
- photographer
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Julie Moos (born 1966) is a Canadian photographer and art writer. Moos' work was included in the 2002 Whitney Biennial at the Whitney Museum of American Art in New York and curated by Lawrence Rinder. Moos's work has been shown at the Birmingham (Alabama) Museum of Art, the Honolulu Museum of Art Spalding House (formerly known as The Contemporary Museum, Honolulu), the Mint Museum of Art, Norton Museum of Art, the Renaissance Society of Chicago and elsewhere.
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Julie Moos (born 1966) is a Canadian and American photographer. The photographer was born in Ottawa. Works by Julie Moos are held at Art Institute of Chicago, The Nelson-Atkins Museum of Art and Whitney Museum of American Art.
Composed from admitted, traceable facts · 28 September 2026
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In this article
Monsanto
Monsanto
Moos's approach to photography explores worlds of opposites.
In a series titled "Monsanto", Moos photographs American farmers who cultivate their crops using Genetically Modified Organisms (GMO's) manufactured by the Monsanto Company. The series was created during her residence at the St. Louis Forum for Contemporary Art located near Monsanto's headquarters. Moos chose to represent her subjects in an objective manner despite the highly controversial topic of biogenetic engineering. Her portraits offered a straightforward, unbiased presentation of the farmer's work, the land, and the corporation supporting them. While the series included photos that followed her previous work's pattern by pairing two people in one photo, "Monsanto" veered slightly by adding heighted focus to the surrounding landscape and the presence of the unseen corporation. This series is based on James Agee's article "Let Us Now Praise Famous Men", published as a book with photographs by Walker Evans.
Friends and Enemies
Friends and Enemies
The series features couples who fall into one of two categories: best friends or worst enemies. Moos places the two subjects against non-descript backgrounds providing no extra evidence and allowing the viewer conclude the relationship between the couple.
Personal life
Personal life
Julie Moos is the wife of contemporary art curator David Moos.
Life and career
Dated record
Life and career
The full dated record · 1 entries
1966
Julie Moos was born on 1 January 1966.
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reference work
- “Julie Moos”, English Wikipedia, consulted as further reading
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authority record
- Wikidata, structured authority record Q6308399: Julie Moos
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Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Bryce, Robert. Pipe Dreams: Greed, Ego, and the Death of Enron. PublicAffairs. 306–. 2004-01-07. 978-1-58648-201-5.
- 2.McNatt, Glenn. Buy Complete Document: Abstract Full Text Page Print Stretching THE BOUNDARIES OF ART; Whitney Biennial discards notions about what artists should be doing. Baltimore Sun. 8E. April 14, 2002.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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