Juan Martín Cabezalero
Illustration — Saint Jerome • Illustration — The Crucifixion Juan Martín Cabezalero (August 1645, in Almadén – 24 June 1673, in Madrid) was a Spanish Baroque painter.
Also recorded as Juan de Cabezalero · Juan Cabezalero · Juan cavezalero · Juan Martin Cabezalero
Juan Martín Cabezalero

Juan Martín Cabezalero · Web Gallery of Art: Image Info about artwork wga QS:P11807,"c/cabezale/assumpti" · Public domain
- Born
- 1633 · Almadén.
- Died
- 1673 · Madrid.
- Nationality
- Spain
- Occupation
- painter
- Languages
- Spanish
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Illustration — Saint Jerome • Illustration — The Crucifixion Juan Martín Cabezalero (August 1645, in Almadén – 24 June 1673, in Madrid) was a Spanish Baroque painter.
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Life and works
Life and works
Earlier accounts place his birth in 1633, but baptismal documents indicate that it was 1645. At some point, his family moved to Madrid, where he trained with Juan Carreño de Miranda. His first signed work dates from 1666; a depiction of Saint Jerome, now at the Meadows Museum in Dallas, which shows the influence of Anthony van Dyck. In 1667, he received a commission to create four large canvases on the Passion of Christ for the chapel of the Christ of Sorrows of the Third Order of Saint Francis, for which he would be paid 1,550 reales each. They were completed the following year and constitute the only full set of works he is known to have produced. They show the influence of Flemish art. Six smaller works in the sacristy were attributed to him by the art historian, Antonio Palomino, but this has been questioned. He also executed three canvases in collaboration with José Jiménez Donoso. It is likely that he also painted some frescoes, although none have survived. An oil painting of the Pentecost is preserved at the Abbey of Santo Domingo de Silos, along with The Communion of Saint Teresa. The last documents relating to his life are an appraisal of his art collection and a will, which he was unable to sign himself. His estate passed to his mother, Isabel, who survived him by ten years and, per his wishes, he was interred at St Sebastian's Church, Madrid. The cause of death is unknown.
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Almadén.
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Madrid.
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reference work
- “Juan Martín Cabezalero”, English Wikipedia, consulted as further reading
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- Wikidata, structured authority record Q8480623: Juan Martín Cabezalero
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Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Gil Bautista (2018), p. 59. La partida de bautismo, localizada por Gil Bautista, retrasa considerablemente el que se venía creyendo año del nacimiento (de hecho su ficha del Museo del Prado refiere su año de nacimiento en 1634) del pintor, deducido de la información proporcionada por Palomino, p. 327, quien lo decía muerto en 1673, «en lo mejor de su edad, pues no llegaba a los cuarenta años», cuando en realidad murió con veintiocho años.
- 2.Así lo indicaba él mismo en la tasación de las pinturas de Juana de Garay, fechada en abril de 1666, en la que se decía «pintor, vezino desta Villa, que biue frente del Conbento de San Jil, en cassa de Juan Carreño, pintor»: Agulló (1981), p. 132.
- 3.Pérez Sánchez (1992), p. 319.
- 4.Pérez Sánchez (1991), p. 248.
- 5.Pérez Sánchez (1991), p. 249. Para el lienzo de Tiziano: «Ecce Homo», Kunsthistorisches Museum, Viena.
- 6.Pérez Sánchez (1991), pp. 249-250.
- 7.Palomino, p. 327.
- 8.Tormo, p. 60. De los cuatro grandes localizados en la iglesia, dos bajo la bóveda y los otros dos en el presbiterio, dice Tormo que son obras de gran interés, «que se creyó excepcional, al punto de llevárselos Napoleón al Louvre», p. 59. En cuanto a los lienzos de la sacristía, a diferencia de Tormo, Pérez Sánchez (1991), p. 255, aun admitiendo los «crueles repintes», sostuvo que no debería descartarse la antigua atribución de Palomino y observó en ellos rasgos característicos de Cabezalero que podrían salir a la luz tras una profunda limpieza.
- 9.Pérez Sánchez (1991), p. 255.
- 10.Gil Bautista (2018), p. 269.
- 11.Agulló (1981), p. 132.
- 12.Agulló (1981), p. 133.
- 13.Fernández García (1995), p. 139.
- 14.«La comunión de santa Teresa», Ceres, Red digital de colecciones de museos de España.
- 15.Urrea (1995), p. 104.
- 16.Pérez Sánchez (1991), p. 254.
- 17.Pérez Sánchez (1986), p. 289.
- 18.Citado en Pérez Sánchez (1986), p. 288.
- 19.Pérez Sánchez (1986), pp. 288-289.
- 20.Pérez Sánchez (1991), p. 252.
- 21.Pérez Sánchez (1991), pp. 252-254.
- 22.Pérez Sánchez (2005), pp. 39-40.
- 23.Pérez Sánchez (1991), p. 256.
- 24.Poleró, Catálogo de los cuadros del Excmo. Sr. D. Enrique Pérez de Guzmán, Marqués de Santa Marta, Madrid, 1875, pp. 143-144; digitalizado en Biblioteca Digital Hispánica, Biblioteca Nacional de España.
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