Jozef Israëls
Jozef Israëls (27 January 1824 – 12 August 1911) was a Dutch painter. He was a leading member of the group of landscape painters referred to as the Hague School and was, during his lifetime, "the most respected Dutch artist of the second half of the nineteenth century."
Also recorded as Josef Israëls · Jozef Israïls · Jozef Israels · Yosef Yiśraʼel's
Jozef Israëls

Jozef Israëls · The Cleveland Museum of Art · Gift of Mr. and Mrs. J. H. Wade · CC0
- Name
- Jozef Israëls
- Born
- 27 January 1824
- Birthplace
- Groningen, Netherlands
- Died
- 12 August 1911
- Place of death
- Scheveningen, Netherlands
- Education
- Royal Academy for Fine Arts
- Nationality
- Kingdom of the Netherlands.
- Fields
- portrait and landscape painting.
- Movements
- Hague School.
- Known for
- Alone in the World, Children of the Sea, Passing Mother's Grave and Peasant's meal in Delden.
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wikidata · Q528460 · wikipedia · Jozef Israëls
In this article
Key facts
Key facts
• Name — Jozef Israëls • Born — 27 January 1824 • Birthplace — Groningen, Netherlands • Died — 12 August 1911 • Place of death — Scheveningen, Netherlands • Patrons — Jan Adam Kruseman François-Édouard Picot • Education — Royal Academy for Fine Arts • Children — 2, including Isaac Israëls
Early life
Early life
He was born in Groningen to Jewish parents. His father, Hartog Abraham Israëls, was a money changer and intended for Jozef to be a businessman. His mother, Mathilda Salomon née Polack, hoped he would become a rabbi. When he was eleven years old, he attended Minerva Academy in Groningen and began to study painting. He subsequently continued his studies in Amsterdam, studying at the Royal Academy for Fine Arts, which later became the State Academy for Fine Arts. He was a pupil of Jan Kruseman and attended the drawing class at the academy. From September 1845 until May 1847 he was in Paris, working in the history painter François-Édouard Picot's studio and taking classes at the Ecole des Beaux-Arts under James Pradier, Horace Vernet, and Paul Delaroche. He returned to Amsterdam in September 1845, where he resumed his studies at the Academy until May 1847. Israëls remained in Amsterdam until 1870, when he moved to The Hague and became a leading member of the Hague School of landscape painters.
Sensibility
Sensibility
• Illustration — Israëls on the beach at Scheveningen (1911) Israëls has often been compared to Jean-François Millet. As artists, even more than as painters in the strict sense of the word, they both saw in the life of the poor and humble a motive for expressing with peculiar intensity their wide human sympathy; but Millet was the poet of placid rural life, while in almost all Israëls' pictures there is some piercing note of woe. Edmond Duranty said that they were painted with gloom and suffering. • Illustration — Young Navigators, Aberdeen Archives, Gallery & Museums Collection He began with historical and dramatic subjects in the romantic style of the day. After an illness, he went to recuperate his strength at the fishing town of Zandvoort near Haarlem, and there he was struck by the daily tragedy of life. Henceforth, he was possessed by a new vein of artistic expression, sincerely realistic, full of emotion and pity. Among his more important subsequent works are The Zandvoort Fisherman (in the Amsterdam Gallery), The Silent House (which gained a gold medal at the Brussels Salon, 1858), and Village Poor (a prize at Manchester). In 1862, he achieved great success in London with his The Shipwrecked Mariner, purchased by a Mr Young, and The Cradle, two pictures that the Athenaeum magazine described as the most touching pictures of the exhibition. A portrait of Jozef Israëls was painted by the Scottish painter George Paul Chalmers. In 1886, he was made an Officer in the Order of Leopold.
Later work
Later work
His later works include The Widower (in the Mesdag collection), When we grow Old, Peasant Family at the Table and Alone in the World (Van Gogh Museum / Amsterdam Gallery), An Interior (Dordrecht Gallery), A Frugal Meal (Glasgow Museum), Toilers of the Sea, Speechless Dialogue, Between the Fields and the Seashore, The Bric-a-brac Seller (which gained medals of honor at the Paris Exhibition of 1900). • Illustration — Passing Mother's Grave, 1856 • Illustration — We Grow Old, 1878 • Illustration — Alone in the World, 1881 • Illustration — A Jewish Wedding, 1903 David Singing before Saul, one of his later works, seems to hint at a return on the part of the venerable artist to the Rembrandtesque note of his youth. As a watercolour painter and etcher he produced a vast number of works, which, like his oil paintings, are full of deep feeling. They are generally treated in broad masses of light and shade, which give prominence to the principal subject without any neglect of detail. Israëls probably influenced many other painters; one of them was the Scottish painter Robert McGregor (1847–1922).
Personal life
Personal life
He married Aleida née Schaap and together the couple had two children: a daughter, Mathilde Anna Israëls, and a son, Isaac Lazarus Israëls, born in 1865, who also became a fine art painter. On August 12, 1911 Jozef Israëls died in Scheveningen, The Hague.

Portrait of Mrs. Israëls, 1875, by Jozef Israëls
Jozef Israëls · The Cleveland Museum of Art · Bequest of John Bonebrake

Stumbling Old Man, by Jozef Israëls
Jozef Israëls · The Cleveland Museum of Art · Gift of Leonard C. Hanna Jr.
Life and career
Dated record
Life and career
Explore 1824–1912
The full dated record · 3 entries
1824
Jozef Israëls was born on 27 January 1824.
1911
Jozef Israëls died on 12 August 1911.
1912
Pictures by Josef Israels is dated 1912.
Primary material
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reference work
- “Jozef Israëls”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q528460: Jozef Israëls
General reference · Wikidata
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Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Jozef Israëls, revision 1365905072 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Wetering, Ernst van de: Rembrandt; The Painter at Work, page 133. University of California Press, 2000.
- 2.Jozef Israëls at the Netherlands Institute for Art History
- 3.Dieuwertje Dekkers and Anna Wagner. "Israëls." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 24 February 2016.
- 4.Handelsblad (Het) 11 March 1886
- 5.Israels in Van Gogh Museum
- 6.In his native land, Israëls was late in life viewed as the "reincarnation of Rembrandt. In 1893, the painter and art critic Jan Veth wrote: Rembrandt's great pathos seems to be resurrected in Jozef Israëls". Wetering, pages 133-4.
- 7.Green, David B. This Day in Jewish History, 1911 - A Man Who Painted Bitter Life as He Saw It Dies. Haaretz. 12 August 2015.
Bibliography printed in the source article · 6
- Jan Veth, Mannen of Betekenis: Jozef Israëls
- Chesneau, Peintres français et étrangers
- Philippe Zilcken, Peintres hollandais modernes (1893)
- Dumas, Illustrated Biographies of Modern Artists (1882–1884)
- J. de Meester, in Max Roose's Dutch Painters of the Nineteenth Century (1898)
- Jozef Israëls, Spain: the Story of a Journey (1900).
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Associated with
1- Hague SchoolMovement
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Prints
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- Jozef PeetersEngraver
- József Rippl-RónaiEngraver
- Juan Bernabé PalominoEngraver
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