José Padilha
José Bastos Padilha Neto (Brazilian Portuguese: [ʒuˈzɛ paˈdʒiʎɐ]; born 1 August 1967) is a Brazilian film director, producer and screenwriter. He is best known for directing the Brazilian critical and financial successes Elite Squad and Elite Squad: The Enemy Within and the 2014 remake of RoboCop. He has won the Golden Bear at the Berlin International Film Festival for Elite Squad in 2008.
Also recorded as Jose Padilha
José Padilha

Carmem Levy · CC BY-SA 3.0
- Born
- 1967. · Rio de Janeiro.
- Nationality
- Brazil.
- Occupation
- screenwriter, film producer, television producer, manufacturer and director.
- Education
- University of Oxford.
- Honours
- Brazilian Cinema Grand Prize for Best Director.
- Languages
- Portuguese, English and Brazilian Portuguese.
VALÉORINE Encyclopedia
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Documentary summary
José Bastos Padilha Neto (Brazilian Portuguese: [ʒuˈzɛ paˈdʒiʎɐ]; born 1 August 1967) is a Brazilian film director, producer and screenwriter. He is best known for directing the Brazilian critical and financial successes Elite Squad and Elite Squad: The Enemy Within and the 2014 remake of RoboCop. He has won the Golden Bear at the Berlin International Film Festival for Elite Squad in 2008.
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wikipedia incomplete · checked 25 September 2026
- Identity
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Authority files
wikidata · Q1332810 · wikipedia · José Padilha
In this article
Early life
Early life
He is also the producer of the Netflix original series Narcos, starring frequent collaborator Wagner Moura, and directed the first two episodes in the series.
Padilha was born in Rio de Janeiro. Before making films, he studied business, politics, and economics in Rio de Janeiro. He attended Oxford University and studied literature and international politics. In 1997, Padilha co-founded the production company Zazen Produções with Marcos Prado, whom he met at Oxford. In the years to come, Zazen Produções would become hugely instrumental in his film making affairs.
Career
Career
Padilha emerged onto the Brazilian movie scene with his first feature film Bus 174 (2002). The film was a documentary feature produced by his production company; it detailed the story of a bus hijacking in his hometown. Employing his interest in politics, Padilha used the film to show how social engineered poverty in Rio de Janeiro had an effect on crime. The movie was a success, earning $217,201 at the box office, but caused controversy for some who believed that Padilha was sympathizing with a criminal, and portraying the police as incompetent and corrupt. The film received a lot of attention in several film festivals, including Vancouver, Sundance, and San Francisco. In 2007, Padilha directed Elite Squad, his first semi-fictional film. The film was a commercial and critical success, seen by more than 11 million people in Brazil, coming in at number 1 in 2007. In 2008, Padilha won the Golden Bear at the Berlin Film Festival for Elite Squad, bringing him international attention. The budget was just over 6 million dollars and included funding from the Weinstein Company, and several others. This film sparked discussions regarding police brutality in Brazil, as well as their alleged involvement with gang related activities. Due to the success of Elite Squad, a 2010 sequel was released: Elite Squad: The Enemy Within. It still holds the record highest domestic grossing film and all-time largest box office ticket sales in Brazil. This film was selected as Brazil's official Academy Awards' entry in 2012 for Best Foreign Film, but it did not make the final shortlist. The films form part of a planned trilogy, examining the influence of media, police and politicians on society. After Elite Squad, Padilha made two more documentary films. The first documentary was Garapa, which follows a family of three fighting to stave off hunger in Brazil. The documentary film Secrets of the Tribe premièred at the 2010 Sundance Film Festival to critical acclaim. This film explores certain allegations first brought to light in Patrick Tierney's book Darkness in El Dorado (2000), that anthropologists studying the Yanomami Indians in the 1960s and 1970s engaged in bizarre and inappropriate interactions with the tribe, including sexual and medical violations. After the huge success of both Elite Squad films, Padilha was offered several films by Sony Pictures Entertainment. He declined them all before deciding to film a reboot of the 1987 sci-fi classic, RoboCop. Padilha said, "I went to into Sony and they were offering me a lot of movies, but none of them were Robocop. I didn't want to make any of those movies they were talking about. And there was a Robocop poster in the room. Eventually I said to them, do you own Robocop? And they go like, 'Yeah'…and I said, you know, I want to do it…" On March 2, 2011, it was announced that Padilha would direct the rebooted RoboCop film. The film was released on February 12, 2014. Padilha continued with his political narrative by using the film to illustrate the dangers and moral hazards of automated violence.The film grossed over $240 million worldwide and was met with a mixed reception by critics.

Jose Padilha at the 2013 San Diego Comic Con International in San Diego, California.
Gage Skidmore

64th Annual Peabody Awards Luncheon Waldorf=Astoria Hotel New York, NY USA May 16, 2005
Peabody Awards · KD9C6448
Primary material
Documents and archives
scholarly publication
- City of Control: José Padilha and the Policing of Rio de Janeiro in Ônibus 174 (Bus 174), and Tropa de Elite (Elite Squad), Architecture and Control, 2017
Scholarly · Crossref registry · 2017
- Exploding Buses: José Padilha and the Hijacking of Media, New Argentine and Brazilian Cinema, 2013
Scholarly · Crossref registry · 2013
reference work
- Wikidata, structured authority record Q1332810: José Padilha
Reputable secondary · Wikimedia Foundation
- “José Padilha”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority file
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Padilha, cenas da vida real no sertão.
- 2.José Padilha. IMDb.
- 3.Marcelo Cajueiro. Jose Padilha – Variety. Variety.com. 2008-01-16.
- 4.Tauris, I.B. ‘Revisiting the "realism" of the cosmetics of hunger: Cidade de Deus and Ônibus 174’.
- 5.Bus 174 (Ônibus 174) (2003). Rotten Tomatoes.
- 6.Elite Squad (2007). IMDb.
- 7.Indiewire. DISPATCH FROM BRAZIL | Golden Bear Upset: A Look at the Controversy Behind "Tropa de Elite". IndieWire. 2008-02-26.
- 8.Hollywood Reporter. 'Elite Squad 2' Is Brazil's Highest-Grossing Domestic Film. 2010-12-08.
- 9.9 Foreign Language Films Vie for Oscar. oscars.org. January 18, 2012.
- 10.Wilkinson, Amber (2008-08-07). Jose Padhila on Elite Squad. EyeForFilm.co.uk.
- 11.Garapa. IMDb.
- 12.Secrets of the Tribe. sundance.bside.com (2010).
- 13.Slashfilm.com. Interview: 'RoboCop' Director José Padilha Fights for Smarter Stories in Hollywood – /Film. 2014-02-14.
- 14.RoboCop (2014). Rotten Tomatoes.
- 15.Carr, Mary. Zayn cracks skulls and gets the girl in new 'Let Me' music video. Entertainment Weekly. 12 April 2018.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Verifiedscholarly publication
Exploding Buses: José Padilha and the Hijacking of Media, New Argentine and Brazilian Cinema, 2013Crossref registry
Verifiedauthority file
Partially resolvedreference work
Wikidata, structured authority record Q1332810: José PadilhaWikimedia Foundation
Partially resolvedreference work
Partially resolved
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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