John Rahn
John Rahn, born on February 26, 1944, in New York City, is a music theorist, composer, bassoonist, and Professor of Music at the University of Washington School of Music, Seattle. A former student of Milton Babbitt and Benjamin Boretz, he was editor of Perspectives of New Music from 1983 to 1993 and since 2001 has been co-editor with Benjamin Boretz and Robert Morris.
John Rahn
- Born
- 1944 · New York City.
- Nationality
- United States
- Occupation
- composer · musicologist · music educator · music theorist · university teacher
- Education
- Princeton University · Juilliard School · Pomona College
- Languages
- English
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John Rahn, born on February 26, 1944, in New York City, is a music theorist, composer, bassoonist, and Professor of Music at the University of Washington School of Music, Seattle. A former student of Milton Babbitt and Benjamin Boretz, he was editor of Perspectives of New Music from 1983 to 1993 and since 2001 has been co-editor with Benjamin Boretz and Robert Morris.
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Forte number and prime form
John Rahn studied at Princeton University, Juilliard School and Pomona College. Craig Weston and Christian Asplund are recorded as having studied under John Rahn. The recorded working language is English. Employment is recorded with University of Washington. Positions recorded include emeritus.
There are three methods of computing Forte number and prime form. Allen Forte published the first in his 1973 book The Structure of Atonal Music, citing a 1961 article by Milton Babbitt. The second was introduced in Rahn's Basic Atonal Theory and used in Joseph N. Straus's Introduction to Post-Tonal Theory, where it was declared that the two algorithms only differed in five cases: 5-20, 6-Z29, 6-31, 7-20, and 8-26. and both list the prime forms of a set as the most left-packed possible version of the set. Forte packs from the left and Rahn packs from the right ("making the small numbers smaller" versus making "the larger numbers smaller"). Programmers tend to prefer Rahn's method, because the Rahn prime is easily computed by comparing sets in binary, whereas Forte's prime requires a more complex algorithm.
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These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Nelson, Paul (2004). "Two Algorithms for Computing the Prime Form", ComposerTools.com.
- 2.Tsao, Ming (2007). Abstract Musical Intervals: Group Theory for Composition and Analysis, p.99, n.32. . Algorithms given in Morris, Robert (1991). Class Notes for Atonal Music Theory, p.103. Frog Peak Music.
Bibliography printed in the source article · 5
- Forte, Allen. 1973.
- Rahn, John. 1980.
- Rahn, John (2000). Music Inside Out: Going Too Far in Musical Essays. intro. and comment. by Benjamin Boretz. Amsterdam: G+B Arts International. p. 177. . OCLC 154331400.
- Rahn, John (1989). "New Research Paradigms", Music Theory Spectrum, xi/1, 84-94.
- Straus, Joseph N. 1990.
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1- Princeton UniversityOrganisation
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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