John of Padua

Until the mid-twentieth century, John of Padua was credited with the design of some of England's most notable 16th-century Renaissance domestic buildings. However, much of his attributed work was executed after records of him had ceased, and today the extent of his input is debated. In 1544, Padua was created by royal patent "Devisor of His Majesty's Buildings", a unique office held by no one else, distinct from that of "Surveyor", which suggests he was involved in military designs. The most notable, but still undocumented of Padua's commissions, was the now demolished Somerset House begun in 1546. As the result of the poor documentation surrounding John of Padua, little is reliably known of his work outside of royal patronage. Today, though as Summerson said, "nearly every classical work of the mid-Tudor period has, at some time, been given to him," (Summerson 1963:347) no standing building is solely and reliably attributed to him; Amongst the many buildings where work has been attributed to him are Charlecote House, Holdenby House, Longleat House, Wollaton Hall. and Caius College, Cambridge. He has also been credited with the design of Montacute House however, this is unlikely and today, the house is more often attributed to the mason, William Arnold, who was responsible for the designs of Cranborne Manor and Wadham College, Oxford, and had worked at Dunster Castle, also in Somerset. Whatever the truth of Padua's input to these buildings, their common architectural factors are their Renaissance elements. The case for John of Padua being the architect of Longleat House is stronger; The 1946 Times obituary of the Marquess of Bath describes John of Padua as the architect of Bath's country home Longleat House, the house it describes as an "Italian palace in an English park". John of Padua's name is also mentioned in an account book for the building of the house dated 1568. The house is, however, also attributed to the architect Robert Smythson, who like Padua often worked in the robust Renaissance style which evolved in England during the 16th century. W. Wilkins thought "John of Padua" was an alias for the patron of Caius College, Cambridge, John Caius (1510-1573), who had studied at Padua, who returned from a Continental tour in 1543, the year "John of Padua" appears in the royal records, and who was capable of producing classicising designs, as in the gates to the college he refounded. It has even been suggested that John of Padua and John Thorpe were one and the same person, which Summerson dismissed. There is currently little conclusive evidence to support other speculations identifying him as various Italian musicians and artisans with similar names. In his first novel, Vivian Grey, Benjamin Disraeli cites John of Padua as one of the architectural influences on Château Desir, the fictional seat of the Marquess of Carabas: "Here too the arabesques, which, at the time of the building of the Château, had been recently introduced into England by Hans Holbein and John of Padua."