Johan Ludvig Heiberg

Johan Ludvig Heiberg studied at University of Copenhagen. The recorded working language is Danish. The field of work recorded is poetry, drama and history of literature. Places of work recorded in the authority are Copenhagen. Employment is recorded with Kiel University. Distinctions recorded are Professor, etatsråd, Knight of the Order of the Dannebrog and Decoration of the Cross of Honour of the Dannebrog.

In 1800 his father was exiled and settled in Paris, where he was employed in the French foreign office, retiring in 1817 with a pension. His political and satirical writings continued to exercise great influence over his fellow countrymen. Johan Ludvig Heiberg was taken by K.L. Rahbek and his wife into their house, Bakkehuset. He was educated at the University of Copenhagen, and his first publication, entitled The Theatre for Marionettes (1814), included two romantic dramas. This was followed by Christmas Jokes and New Years Tricks (1816), The Initiation of Psyche (1817), and The Prophecy of Tycho Brahe, a satire on the eccentricities of the Romantic writers, especially on the sentimentality of Ingemann. These works attracted attention at a time when Baggesen, Oehlenschläger and Ingemann possessed the popular ear, and were understood at once to be the opening of a great career. In 1817 Heiberg took his degree, and in 1819 went abroad with a grant from government. He proceeded to Paris, and spent the next three years there with his father. In 1822 he published his drama Nina and was made professor of the Danish language at the University of Kiel, where he delivered a course of lectures, comparing the Scandinavian mythology as found in the Edda with the poems of Oehlenschläger. These lectures were published in German in 1827. In 1825 Heiberg came back to Copenhagen for the purpose of introducing the vaudeville on the Danish stage. He composed a great number of these vaudevilles, of which the best known are King Solomon and George the Hatmaker (1825); April Fools (1826); A Story in Rosenborg Garden (1827); Kjøge Huskors (1831); The Danes in Paris (1833); No (1836); and Yes (1839). He took his models from the French theatre, but showed extraordinary skill in blending the words and the music; but the subjects and the humour were essentially Danish and even topical. • Illustration — Plaque on their home in Christianshavn. Meanwhile he was producing dramatic work of a more serious kind; in 1828 he brought out the national drama of Elves' Hill (Elverhøi); in 1830 The Inseparables; in 1835 the fairy comedy of The Elves, a dramatic version of Tieck's Elfin; and in 1838 Fata Morgana. In 1841 Heiberg published a volume of New Poems containing A Soul after Death, a comedy which is perhaps his masterpiece, The Newly Wedded Pair, and other pieces. He edited from 1827 to 1830 the famous weekly, the Flyvende Post (The Flying Post), and subsequently the Interimsblade (1834–1837) and the Intelligensblade (1842–1843). In his journalism he carried on his warfare against the excessive pretensions of the Romanticists, and produced much valuable and penetrating criticism of art and literature. In 1831 he married the great actress Johanne Luise Pätges (1812–1890), the author of some popular vaudevilles. Heiberg's scathing satires, however, made him very unpopular; and this antagonism reached its height when, in 1845, he published his malicious little drama of The Nut Crackers. Nevertheless he became in 1849 director of the Royal Theatre in Copenhagen. He filled the post for seven years, working with great zeal and conscientiousness, but was forced by intrigues from without to resign it in 1856. Heiberg died at Bonderup Manor, near Ringsted, on 25 August 1860.

Indexed under History and Theory of Mathematics, Historical Astronomy and Related Studies, Biblical Studies and Interpretation, Classical Philosophy and Thought, Social and Educational Sciences. Recorded as mathematician, poet, writer, literary critic and university teacher. Associated with Migräne Klinik Königstein.