Joe Feddersen

Joe Feddersen studied at University of Wisconsin–Madison, University of Washington and University of Washington School of Art + Art History + Design. Employment is recorded with Evergreen State College. Work by Joe Feddersen is recorded in the collections of Smithsonian American Art Museum, Missoula Art Museum, Forge Project, Whitney Museum of American Art and National Museum of the American Indian.

• Name — Joe Feddersen • Birth Name — Joe Feddersen • Born — 1953 • Birthplace — Omak, Washington • Known for — Mixed-media, painting, photography, sculpture, basketry, glass • Training — University of Washington (BFA) University of Wisconsin–Madison (MFA)

Joe Feddersen was born in Washington state to a German American father and an Okanagan/Sinixt mother. He was first exposed to printmaking at Wenatchee Valley College under the direction of artist Robert Graves. Feddersen earned his Bachelor of Fine Arts in printmaking from the University of Washington in 1983 where he studied under artists Michael Spafford and Glen Alps. In 1989 he obtained his Masters of Fine Arts from the University of Wisconsin–Madison. Following his Masters he became an art instructor at The Evergreen State College.

When not creating art or teaching, Feddersen also serves as a writer, curator, consultant and active member of the Colville Confederated Tribal Arts & Humanities Board. He received, in 2001, an Eiteljorg Fellowship for Native American Fine Art award. In 2009 he left his teaching position at Evergreen State College and returned to Omak, Washington, his hometown. While occasionally teaching at Evergreen, he has been focusing on exploring the medium glass and has become involved with Pilchuck Glass School and the Museum of Glass. Feddersen's niece, Ryan Feddersen, is also an artist.

My prints and mixed media work explore personal perceptions of my surroundings...Earlier prints become the departure for new work. They incorporate printing techniques and the addition of staples, pins, mirrors, oil pastels and acrylics o achieve a rich surface quality white retaining luminosity of previous layers. - 1987 • Illustration — Horses and Deer (2020) at the Renwick Gallery in Washington, DC in 2022 Feddersen's early creations involved photography and collage self-portraits in the early 1980s, reflecting on the individual and the environment surrounding self. However, his first major work was "Rainscape"; a series of lithographs that were exhibited at the Heard Museum's 3rd Biennial Native American Fine Art Invitational. Through "Rainscape" Feddersen incorporated blended colors to form a rain-like landscape, reminiscent of the Pacific Northwest environment. This series launched Feddersen into the major contemporary art world; artists such as Jaune Quick-To-See Smith compared his use of color to Mark Rothko and Seattle Times art critic Deloris Tarzan Ament reflected on the woodblock works of Hiroshige when reviewing the works.

In the early 1990s Feddersen created a series of monoprints based on blanket designs of the Plains Indians and Pendleton Woolen Mills. Heavy in geometry and layers and blended colors, the series were described by art scholar W. Jackson Rushing III as "watery veils of color", which brought out further comparisons to Rothko. With the series "Plateau Geometrics" Feddersen continued to create prints during the latter half of the 1990s. All of the prints in the series are one of a kind (instead of an edition) and incorporate techniques such as etching, drypoint, aquatint, blind embossing and linocuts. The prints feature a pattern of geometric forms over a gridded layout; some are flat while others have a highly textured appearance. According to the artist the works represent his homesickness and memories of living on the reservation. At the time of creation he was living and working in Seattle, on the opposite side of the Cascade Mountains that serve to separate Colville country from Seattle. The geometric patterns represent designs seen in Colville basketry and cornhusk bags, while the complete series expresses Feddersen's desire to reflect on his communities traditional culture and his modern art background.

2023 • "Sharing Honors and Burdens: Renwick Invitational 2023", Renwick Gallery Smithsonian Institution. May 26, 2023 - March 31, 2024. 2010 • Across Cultures: Fifty Objects from the Macy Collection, Northern Arizona University • Infinity of Nations, National Museum of the American Indian, New York. • Joe Feddersen: Vital Signs, Hallie Ford Museum of Art 2008 • Joe Feddersen: Vital Signs, Missoula Art Museum 2006 • Made at the Museum: Northwest Selections, Museum of Glass 2005 • Art Objects, Portland International Airport • Changing Hands 2: Art Without Reservation, Museum of Arts and Design • Land Mark, Northwest Museum of Arts and Culture 2003 • Continuum, National Museum of the American Indian 2002 • Lasting Impressions, Cornell University 2001 • After the Storm, Eiteljorg Museum of American Indians and Western Art 1991 • Our Land/Ourselves, University at Albany, SUNY 1987 • 3rd Biennial Native American Fine Art Invitational, Heard Museum 1986 • New Directions/Northwest, Portland Art Museum 1984 • No Beads, No Trinkets, Palais des Nations Feddersen's work has also shown in numerous private galleries as well as other public institutions such as the Whatcom Museum of History and Art, Simon Fraser University, Wheelwright Museum of the American Indian, Shoreline Community College, among others.

Joe Feddersen is recorded as photographer, painter, graphic artist, printmaker and glass artist.