Jodie Mack
Jodie Mack (born January 16, 1983) is an English-born American experimental filmmaker and animator. Mack's works have screened at the Viennale, the New York Film Festival, the Toronto International Film Festival, and the Locarno Festival.
Jodie Mack

hinnk · CC BY-SA 3.0
- Name
- Jodie Mack
- Born
- 16 January 1983
- Birthplace
- London, England
- Education
- University of Florida School of the Art Institute of Chicago
- Occupation
- Filmmaker, animator
- Fields
- visual arts · experimental film
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Jodie Mack (born January 16, 1983) is an English-born American experimental filmmaker and animator. Mack's works have screened at the Viennale, the New York Film Festival, the Toronto International Film Festival, and the Locarno Festival.
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Authority files
wikidata · Q49841458 · wikipedia · Jodie Mack
In this article
Key facts
Key facts
• Name — Jodie Mack • Born — 16 January 1983 • Birthplace — London, England • Education — University of Florida School of the Art Institute of Chicago • Occupation — Filmmaker, animator • Website — http: www.jodiemack.com
Early life and education
Early life and education
Mack spent her early years in England. She moved to the USA and earned her BA in Film and Media Studies From the University of Florida, graduating Summa cum laude in 2004. She went on to earn her MFA from the School of the Art Institute of Chicago in Film/Video/New Media in 2007.
Career
Career
Mack began work at the television department at Columbia College Chicago. From 2008 to 2010 she was an adjunct professor at the College of Digital Media at DePaul University in Chicago. In 2009, Mack also became and adjunct professor of moving image at the University of Illinois at Chicago. Since 2010 she has been an associate professor of film and media studies at Dartmouth College. She has also worked as a curator and administrator with Dartmouth's EYEWASH: Experimental Films and Videos, Florida Experimental Film and Video Festival, Portland Documentary and Experimental Film Festival, Eye and Ear Clinic, Chicago Underground Film Festival and The Nightingale. She was a 2017–2018 Radcliffe-Harvard Film Study Center Fellow/David and Roberta Logie Fellow. Mack primarily produces her films using a 16 millimeter Bolex camera. Mack stated in an interview that "[She] chose to work in film because the material renders color and texture in a way that resonates with a lot of [her] work”. Many of Jodie Mack's films are stop motion animations that feature everyday fabrics and textiles or recycled materials like magazine clippings or newspaper scraps.
Festivals and presentations
Festivals and presentations
Macks' films have appeared at the following festivals: Images Festival, Ann Arbor Film Festival, International Film Festival Rotterdam, Edinburgh International Film Festival, Views From the Avant Garde at the New York Film Festival. Her work has also appeared at: Anthology Film Archives, Los Angeles Filmforum, and the Northwest Film Forum.
Work
Work
• Yard work is hard work (2008) • Dusty stacks of Mom (2013) is a documentary/musical performance on her mother's failing rock and roll merchandise business. The film was performed at Rotterdam, RIDM and True/False. • New fancy foils • Undertone overture • The Grand Bizarre (2020) • Wasteland No. 3: Moons, sons (2021) • Ultraviolet (2024) at Light Matter Film Festival, Alfred, New York.

Jodie Mack at a Q A for The Grand Bizarre at TIFF Bell Lightbox in Toronto, Ontario, Canada
hinnk
Primary material
Documents and archives
reference work
- “Jodie Mack”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
- Wikidata, structured authority record Q49841458: Jodie Mack
Reputable secondary · Wikidata
scholarly publication
- Twenty-First Century Flicker: Jodie Mack, Benedict Drew and Sebastian Buerkner, Experimental Film and Artists’ Moving Image, 2018
Scholarly · Crossref registry · 2018
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Nicholas Rapold. A Dash of Whimsy, With Leftover Stars. nytimes.com. 2014-07-09.
- 2.NYFF55 Projections Lineup of Daring and Experimental Works Announced. Film Society of Lincoln Center. 17 August 2017.
- 3.Coldiron, Phil. The Festival Beneath the Festival: Selections from Toronto International Film Festival 2017. The Brooklyn Rail. 5 October 2017.
- 4.Locarno 2017. Lineup. Mubi. 12 July 2017.
- 5.Lecture "Let Your Light Shine" by filmmaker Jodie Mack. cccb.org. 2016-10-25.
- 6.Bryan VanCampen. Let Your Light Shine: Jodie Mack at Cornell Friday. ithaca.com. 2014-10-23.
- 7.Rizov, Vadim. Jodie Mack Filmmaker Magazine. Filmmaker Magazine.
- 8.Rapold, Nicholas. A Dash of Whimsy, With Leftover Stars. The New York Times. 9 July 2014.
- 9.Mack, Jodie. Faculty Directory. dartmouth.edu. 2 April 2013.
- 10.Jodie Mack. cccb.org. 2016-08-23.
- 11.Jodie Mack. Radcliffe Institute for Advanced Study at Harvard University. 2017-04-10.
- 12.Experimental Animation and Abstraction with Jodie Mack Art School.
- 13.Želiko Luketić. Glistening otherworldliness of abstract daydreaming. Oris. Arhitekst. 206. 2020.
- 14.Daniel Kasman. Anti-Animator: A Conversation with Jodie Mack. mubi.com. 2014-05-02.
- 15.Yard Work Is Hard Work. chicagoreader.com. 2008-08-14.
- 16.Phil Coldiron. Flicker Flicker Flicker Blam Pow Pow: Five Films by Jodie Mack. cinema-scope.com.
- 17.Cath Clarke. The Grand Bizarre review – trippy travelogue to who knows where. theguardian.com. 2020-04-08.
- 18.JODIE MACK: WASTELAND NO. 3: MOONS, SONS (2021). pioneerworks.org.
- 19.Light Matter 2024, Experimental Film East Coast Festival, Announces Lineup for Fourth Edition. filmmakermagazine.com. 2024-10-28.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Twenty-First Century Flicker: Jodie Mack, Benedict Drew and Sebastian Buerkner, Experimental Film and Artists’ Moving Image, 2018Crossref registry
Verifiedreference work
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 21 August 2026.
Elsewhere in Film memorabilia
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