Jimmy Blanton
James Blanton (October 5, 1918 – July 30, 1942) was an American jazz double bassist. Blanton is credited with being the originator of more complex pizzicato and arco bass solos in a jazz context than previous bassists. Nicknamed "Jimmie", Blanton's nickname is usually misspelled as "Jimmy", including by Duke Ellington.
Also recorded as James Blanton
Jimmy Blanton
- Born
- 1918. · Chattanooga.
- Died
- 1942. · Los Angeles.
- Nationality
- United States.
- Occupation
- double-bassist and musician.
- Fields
- jazz.
- Education
- Tennessee State University.
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Documentary summary
James Blanton (October 5, 1918 – July 30, 1942) was an American jazz double bassist. Blanton is credited with being the originator of more complex pizzicato and arco bass solos in a jazz context than previous bassists. Nicknamed "Jimmie", Blanton's nickname is usually misspelled as "Jimmy", including by Duke Ellington.
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Jimmy Blanton (1918–1942) was a double-bassist, jazz musician and musician, of American nationality. The double-bassist was born in Chattanooga and died in Los Angeles. Jimmy Blanton was educated at Tennessee State University. The work spans jazz.
Composed from admitted, traceable facts · 26 September 2026
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Authority files
gnd · 16016138-1 · wikidata · Q939947 · wikipedia · Jimmy Blanton
In this article
Early life
Early life
Blanton was born in Chattanooga, Tennessee. His mother, Gertrude, was a well-known music teacher in Chattanooga, and he spent much of his youth playing in bands led by her. He originally learned to play the violin, but took up the bass while at Tennessee State University, performing with the Tennessee State Collegians from 1936 to 1937, and during the vacations with Fate Marable.
Later life and career
Later life and career
Blanton left university in 1938 to play full-time in St. Louis with the Jeter-Pillars Orchestra. Blanton joined Duke Ellington's band in October 1939 when the Ellington Orchestra came to St. Louis for a residence, and the band became enamored with Blanton's playing at local late-night jam sessions. Ellington offered Blanton the job the same night he met him. On November 22 of that year, Blanton and Ellington recorded two tracks – "Blues" and "Plucked Again" – which were the first commercially recorded piano–bass duets. Further duet recordings were made in 1940, and Blanton was also featured in orchestra tracks. In May 1940, the band recorded hits such as "Jack the Bear" and "Ko-Ko", which featured Blanton's chops. He was soon the talk of the town everywhere the Ellington Orchestra went. Extremely dedicated to his craft, he was always practicing. He formed relationships with bass players of local symphonies when on the road, and he developed an especially close friendship with tenor saxophonist Ben Webster, who had also recently joined the Ellington Orchestra. Ellington put Blanton front-and-center on the bandstand nightly, unheard of for a bassist at the time. Such was his importance to Ellington's band at the time, together with tenor saxophonist Webster, that it became known informally as the Blanton–Webster band. Blanton also played in the "small group" sessions led by Barney Bigard, Rex Stewart, Johnny Hodges, and Cootie Williams in 1940–41. "Blanton also took part in a few of the informal jam sessions at Minton's Playhouse in New York that contributed to the genesis of the bop style." It has been said that electric guitarist Charlie Christian was also present for some of those sessions, and that the two were friends. During the Summer of 1941, while the Ellington band was performing the landmark musical Jump for Joy, Blanton began to show symptoms of tuberculosis. His condition progressively worsened in late 1941, and in November, he was forced to leave the band and seek full-time medical care. Blanton died on July 30, 1942, at a sanatorium in Duarte, California, aged 23.
Life and career
Dated record
Life and career
The full dated record · 1 entries
1942
Jimmy Blanton died at Los Angeles.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Chattanooga.
Birth place
Los Angeles.
Death place
Playing style and influence
When with the Jeter-Pillars Orchestra, Blanton added classical music pizzicato and arco techniques to jazz bass, making it into more of a solo instrument. While with Ellington, Blanton revolutionized the way the double bass was used in jazz. His virtuosity placed him in a different class from his predecessors, making him the first master of the jazz bass and demonstrating its potential as a solo instrument. "He possessed great dexterity and range, roundness of tone, accurate intonation, and above all an unprecedented sense of swing." He added "many non-harmonic passing notes in his accompaniment lines, giving them a contrapuntal flavour and stimulating soloists to their own harmonic explorations." His originality was developed by others into the foundations of the bebop rhythm section.
Discography
Never No Lament: The Blanton–Webster Band (Bluebird, 2003) Things Ain't What They Used To Be (RCA Victor, 1966) Duke Ellington and Jimmy Blanton (His Master's Voice, 7EG 8189) – recorded in Chicago, October 1, 1940
Primary material
Documents and archives
scholarly publication
- Blanton, Jimmy (1918-1942), bass player, American National Biography Online, 2000
Scholarly · Crossref registry · 2000
- Blanton, Jimmy (jazz), Oxford Music Online, 2003
Scholarly · Crossref registry · 2003
reference work
- Wikidata, structured authority record Q939947: Jimmy Blanton
Reputable secondary · Wikidata
- “Jimmy Blanton”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority file
- Gemeinsame Normdatei 16016138-1, Duke Ellington and Jimmy Blanton.
Unverified · Deutsche Nationalbibliothek
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Carr, Ian; Fairweather, Digby; Priestley, Brian (1995) Jazz: The Rough Guide. London: Rough Guides.
- 2.Celenza, Anna Harwell "The 1940s: the Blanton-Webster band, Carnegie Hall, and the challenge of the postwar era". In: Green, Edward (ed.) (2014) The Cambridge Companion to Duke Ellington. Cambridge University Press.
- 3.Robinson, J. Bradford "Blanton, Jimmy". Grove Music Online. Oxford Music Online. Oxford University Press. Retrieved August 14, 2017. (Subscription required.)
- 4.Spencer, Frederick J. (2002) Jazz and Death. University Press of Mississippi.
- 5.Gioia, Ted. The History of Jazz. Oxford University Press. 173. 2011.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Verifiedscholarly publication
Blanton, Jimmy (jazz), Oxford Music Online, 2003Crossref registry
Verifiedauthority file
Gemeinsame Normdatei 16016138-1, Duke Ellington and Jimmy Blanton.Deutsche Nationalbibliothek
Partially resolvedreference work
Partially resolvedreference work
Partially resolved
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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