Jim Avignon
Kaethe17 · CC BY-SA 4.0
- Born
- 1966 · Munich.
- Nationality
- Germany
- Occupation
- painter · new media artist · multimedia artist · musician · graffiti artist · collagist · illustrator
- Movements
- pop art
- Languages
- German
Reference Check
Propose documentary evidence for Jim Avignon. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q1689026 · wikipedia · Jim Avignon
In this article
Biography
The recorded working language is German. Places of work recorded in the authority are Berlin.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1."Nana ET Matvey" , Website of the artist duo, Retrieved 16 August 2015.
- 2.Maman bekam unerwarteten Nachwuchs. Hamburger Abendblatt, 11 May 2012, p. 17
- 3.Spinnenbrut: Enfants Terribles. DIE WELT, 11 May 2012, p. 29, Retrieved 21 June 2015.
- 4.Enfants Terribles , ArtFacts.Net - the international gallery guide for modern, contemporary and emerging art. Retrieved 23 August 2015.
- 5.Stipendiaten der Bösenberg-Stiftung, Künstlerhaus Meinersen, Retrieved 21 June 2015.
- 6.Website of Kunstverein Barsinghausen, Retrieved 8 June 2014.
- 7.im Schlossgarten in Cuxhaven, Website of the Künstlerhaus im Schlossgarten in Cuxhaven, Retrieved 2 October 2016.
- 8."Enfants terribles" überraschen mit interaktiven Videoinstallationen , Calenberger Online News. Retrieved 21. June 2015
- 9.Die Nanas haben Gesellschaft , Hannoversche Allgemeine, 2 August 2014. Retrieved 21 June 2015.
- 10.Enfants Terribles—Motion Pictures and Video Sculptures, Webseite Galerie Hengevoss-Dürkop, 21 October 2014. Retrieved 17 August 2015.
- 11.Galerie Ubik Space , Retrieved 21 June 2015.
- 12."Artfacts.net - Enfants Terribles , Exhibition "Popdada". Retrieved 27 September 2016
- 13.Altonale-Auftakt: Kulturnacht im Altonaer Museum. Hamburger Abendblatt 22. Mai 2012, Retrieved 21 June 2015.
- 14.Galerie Hengevoss-Dürkop Website of the gallery, Retrieved 21 June 2015.
- 15.Kribbel-Krabbel Exhibition views Retrieved 26 September 2016.
- 16.Wir sind soweit Exhibition views. Retrieved 26 September 2016.
- 17.Museet på Koldinghus Website archiv. Retrieved 26 September 2016.
- 18.eigenarten Interkulturelles Festival Hamburg: Thank you for this .
- 19.ENFANTS TERRIBLES - Jessica Nupen.
Bibliography printed in the source article · 5
- Hengevoss-Dürkop, Kerstin. Enfants Terribles – Footwork. Gallery Hengevoss-Dürkop. 2015. 978-3-00-049805-3.
- Holtiegel, Friedrich. Enfants Terribles. Kinder der Louise B. Kunstverein Barsinghausen e.V. 2014. 978-3-945527-00-9.
- Bräuning, Till. Enfants Terribles. Bräuning Contemporary. 2012. 978-3-00-039981-7.
- Hengevoss-Dürkop, Kerstin. '3 Years Enfants Terribles'. Künstlerhaus Meinersen. 2015. 978-3-00-049034-7.
- Stoeber, Michael. Enfants Terribles - Über das Werk von/On the Oeuvre of Enfants Terribles. 2014. 978-3-00-047552-8.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Illustration
5,224 published records in this field, each with its sources named.
- Jesús Helguera RamosIllustrator
- Jet BoekeIllustrator
- Jill BarklemIllustrator
- Jill MurphyIllustrator
- Jim BentonIllustrator
- Jim BurkeIllustrator
- Jim BurnsIllustrator
- Jim ChuchuIllustrator
Best supported in this field
For owners
Own a work by Jim Avignon?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.