Jehan Vaillant
Jehan Vaillant (also spelled Johannes Vayllant) was a French composer and music theorist. He is named immediately after Guillaume de Machaut by the Règles de la seconde rhétorique, which describes him as a "master … who had a school of music in Paris". Besides five (possibly six) pieces of music surviving to his name, he was also the author of a treatise on tuning.
Also recorded as Johannes Vayllant · Jean Vaillant
Jehan Vaillant
- Born
- 1400
- Died
- 1500
- Nationality
- Kingdom of France
- Occupation
- composer · poet · musicologist
- Languages
- Middle French
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Jehan Vaillant (also spelled Johannes Vayllant) was a French composer and music theorist. He is named immediately after Guillaume de Machaut by the Règles de la seconde rhétorique, which describes him as a "master … who had a school of music in Paris". Besides five (possibly six) pieces of music surviving to his name, he was also the author of a treatise on tuning.
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Jehan Vaillant (1400–1500) was a composer, musicologist and poet and a national of the Kingdom of France. Languages used include Middle French.
Composed from admitted, traceable facts · 27 September 2026
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wikidata · Q6176450 · wikipedia · Jehan Vaillant
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Life and career
Life and career
Vaillant's works are conserved in the Chantilly Manuscript, which is also the main source for the works of the Papal singers Matheus de Sancto Johanne, Johannes Symonis Hasprois and Johannes Haucourt. This connexion with the Papal group suggests to certain modern scholars that Vaillant may be the same person who entered the Papal chapel at Avignon as capellanus Johannes Valentis or Valhant on 26 November 1352, during the pontificate of Clement VI. This Vaillant died, still in Papal service, in 1361, probably of bubonic plague. The discovery by Israel Adler, the historian of Hebrew music theory, of an anonymous Hebrew treatise by a Parisian student of Vaillant's shows, in Adler's estimation, that the latter was lecturing the former late into the fourteenth century. A more likely identification of the composer would then be with one of several men with the same name who served John, Duke of Berry (r. 1360–1416), during the latter decades of the century. Léopold Delisle made yet a third suggestion: that the composer is the "Poitevin Jean Vaillant" who made an abrégé du roman de Brut—an abridged version of the Roman de Brut—in 1391.
Music
Music
Vaillant may have been "a younger contemporary of Machaut", but if, as the Chantilly Manuscript records, one of his rondeaux was copied in Paris in 1369, then he was "rhythmically in advance of Machaut’s style". This rondeau has two texts, Dame doucement and Doulz amis, while another has three, Tres doulz amis, Ma dame and Cent mille fois. Two of his rondeaux are monotextual: Pour ce que je ne say, which is isorhythmic and pedagogical, and Quiconques veut, a polymetric piece that is actually anonymous but sometimes ascribed to Vaillant. Of his works, only the ballade Onques Jacob is "fully in the style of Machaut". Vaillant's Par maintes foys, a virelai with imitation bird-calls, was probably one of the most popular works of the time, certainly one of the most copied, surviving in nine sources, including versions with two voices, an added cantus, a Latin contrafactum and one with a German contrafactum by Oswald von Wolkenstein.
Works
Works
List of compositions by Vaillant • Title — Parts — Genre — Apel — Greene • Dame doucement/Doulz amis — 3 — Rondeau — 225 • Onques Jacob — 3 — Ballade — 220 • Par maintes foys — 3 — Virelai — 222 • Pour ce que je ne say — 2 — Rondeau — 227 • Tres doulz amis/Ma dame/Cent mille fois — 3 — Rondeau — 229 • colspan=6 No other works by Vaillant survive Uncertain authenticity • Title — Parts — Genre — Greene • Quiconques veut — 3 — Rondeau
Editions
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Primary material
Documents and archives
reference work
- “Jehan Vaillant”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q6176450: Jehan Vaillant
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Quoted in : maistre … lequel tenoit à Paris escolle de musique.
Bibliography printed in the source article · 5
- Günther, Ursula. Vaillant, Jehan. Grove Music Online. Oxford University Press. 2001. 978-1-56159-263-0.
- Reaney, Gilbert. The Manuscript Chantilly, Musée Condé 1047. Musica Disciplina. 8. 59–113. 1954. 20531876.
- Ursula Günther. "Johannes Vaillant". Speculum musicae artis: Festgabe für Heinrich Husmann. H. Becker and R. Gerlach, eds. (Munich, 1970), 171–85
- Fernand Leclercq. "Questions à propos d'un fragment récemment découvert d’une chanson du XIVe siècle: une autre version de ‘Par maintes fois ai owi’ de Johannes Vaillant". Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts (Wolfenbüttel, 1980), 197–228.
- Christopher Page. "Fourteenth-century Instruments and Tunings: A Treatise by Jean Vaillant? (Berkeley, MS 744)". Galpin Society Journal, 33 (1980), 17–35.
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