Jean-Simon Berthélemy

Jean-Simon Berthélemy studied at École royale des élèves protégés. training under Noël Hallé is recorded. The recorded working language is French. Subjects and genres recorded for the work are history. Places of work recorded in the authority are Paris and Rome. Employment is recorded with Abbey Saint-Jean de Laon, Hôtel de Saint-Florentin and Palace of Fontainebleau. Positions recorded include academician. Work by Jean-Simon Berthélemy is recorded in the collections of Musée de l'Histoire de France, Beaux-Arts de Paris, Musée des Beaux-Arts de Tours, Detroit Institute of Arts and Portland Art Museum. Distinctions recorded are Prix de Rome.

• Illustration — Denis Diderot's bust and young man • Illustration — Reclining Bacchante Playing the Cymbals Berthélemy was born in Laon, Aisne, the son of a sculptor, Jean-Joseph Berthélemy,. He trained in the atelier of Noël Hallé, a professor at the Académie royale de peinture et de sculpture and made his first reputation in the 1760s; after reaching second place in 1763, he won the Prix de Rome of the Académie in 1767. An early commission was for a suite of decorative paintings under the direction of the architect Jean-Gabriel Legendre for the Hôtel de l'Intendance de Champagne at Châlons-sur-Marne, of which the artist only completed six overdoors, much in the manner of François Boucher, and delegated the rest of the commission to a fellow pupil at the Académie. Berthélemy's master Hallé provided cartoons for the royal tapestry manufacture of the Gobelins, where he was appointed superintendent in 1770; Berthélemy was called upon to provide cartoons for the weavers as well. His Death of Etienne Marcel (1783, on display in the École de Chirurgie) of which the oil sketch survives, was woven in the series Histoire de France.

Berthélemy was an esteemed painter in his day, chosen to join the entourage accompanying Napoleon's campaign in Italy, where he was among the experts assigned the task of selecting works of art to be transferred to Paris under terms of the Treaty of Tolentino, February 1797. He died in Paris. When two monographs on Berthélemy were published in 1979, Philip Conisbee, reviewing them in The Burlington Magazine, observed drily: "Two monographs on Berthélemy is overkill for a painter who could have been dispatched with a single substantial article. The French academic system of art education in the eighteenth century, backed up by the stimulus of church and state patronage, was so efficient and rigorous that even an average talent could be sufficiently conditioned to produce a handful of decent history-paintings, which are sometimes minor masterpieces." • Illustration — Gladiator • Illustration — Alexander Cuts the Gordian Knot (École des Beaux-Arts, Paris) • Illustration — The burgers of Calais • Illustration — Jupiter and Antiope • Illustration — Attributed to Jean Simon Berthélemy, Erigone (1753–1811), Oil on canvas, 27 5/16 x 20 3/16 in. (69.3 x 51.3 cm), Clark Art Institute

Jean-Simon Berthélemy was recorded at birth as Jean-Simon Le Bouteux. The authorities additionally record the headings Jean Simon Berthélemy, Jean Simon Barthelemy, Jean Simon Berthelemy, Jean-Simon Berthelemy and M. His recorded language was French. Other recorded relations include Simon Pfaff de Pfaffenhoffen.

He was employed by Abbey Saint-Jean de Laon, Hôtel de Saint-Florentin, Palace of Fontainebleau, Luxembourg Palace and Louvre Palace. Recorded position is academician. He belonged to Commission des Sciences et des Arts. He worked at Paris and Rome.