Jean-Pierre Franque
Illustration — The Conversion of Saint Paul Jean-Pierre Franque, born Francou (11 August 1774, Buis-les-Baronnies – 28 March 1860, Quintigny) was a French painter of portraits, historical events and mythological scenes.
Also recorded as Jean Pierre Franque · Pierre Franque · Franque
Jean-Pierre Franque

Jean-Pierre Franque · Web Gallery of Art: Image Info about artwork wga QS:P11807,"/f/franque/allegory" · Public domain
- Born
- 1774 · Buis-les-Baronnies.
- Nationality
- France
- Occupation
- painter
- Fields
- history
- Known for
- Battle of Lens, August 20 and 1648
- Languages
- French
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Illustration — The Conversion of Saint Paul Jean-Pierre Franque, born Francou (11 August 1774, Buis-les-Baronnies – 28 March 1860, Quintigny) was a French painter of portraits, historical events and mythological scenes.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Jean-Pierre Franque. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q739712 · wikipedia · Jean-Pierre Franque
In this article
Biography
Biography
The recorded working language is French. Subjects and genres recorded for the work are history. Places of work recorded in the authority are Paris. Works named in the authority record are Battle of Lens, August 20, 1648. Work by Jean-Pierre Franque is recorded in the collections of Musée de l'Histoire de France, Musée des Beaux-Arts de Quimper, Château de Compiègne, Dreux museum of Art and History and Palace of Versailles.
• Illustration — Jean, Comte de Gassion, from Personalities... Born to a humble family, he and his twin brother Joseph began as shepherds. Their artistic talents were noticed and encouraged by a local noblewoman so, in 1786, at the age of twelve, they were sent to Grenoble for their first lessons. Later, they went to Paris together. There, in 1792, the National Convention awarded them financial assistance to continue their studies. In 1794, they became students of Jacques-Louis David. Jean-Pierre worked as his assistant and lived at the studio. Both brothers came under the influence of the Secte de Barbus, led by Pierre-Maurice Quays. The group's meetings, held in Jean-Pierre's room, led David to dismiss him. In 1802, he married the painter Lucile Messageot, another member of the group and the mother of his daughter, born in 1799 out of wedlock. The marriage lasted only a year before she died of tuberculosis. Quays also died in 1803, so he set out to pursue a career on his own. He and Joseph had their debuts at the Salon of 1806. That same year, he created some decorations for the Élysée Palace. His most successful exhibit at the Salon came in 1812, with a depiction of the Second Battle of Zurich, commissioned by Marshal André Masséna. • Illustration — Allegory of France Before the Return of Napoleon from Egypt, 1810, now in the Louvre In the years that followed, he painted a series of works on mythological and biblical subjects, including a Conversion of Saint Paul (1819), which was reproduced at the Gobelins Manufactory. The latter part of his life was devoted almost entirely to portraiture, notably a series called Personalities from the reign of Louis XIII and Louis XIV, currently at the Palace of Versailles. His last exhibit at the Salon was in 1853.

Portrait of Louise Adélaïde de Bourbon (1757–1824)
Attributed to Jean-Pierre Franque / After Richard Cosway · Joconde database: entry 06380000707

Jean Bart (1650-1702), chef d'escadre
Jean-Pierre Franque
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Buis-les-Baronnies.
Birth place
Quintigny.
Death place
Primary material
Documents and archives
reference work
- “Jean-Pierre Franque”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q739712: Jean-Pierre Franque
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Nouveau Larousse illustré - Dictionnaire universel encyclopédique, Vol.4, .
- 2.Saskia Hanselaar, "La critique face aux Méditateurs ou la peur de la déchéance de l’école française autour de 1800 : une entité sectaire au Louvre", in Sociétés & représentations #40, 2105 Online
Bibliography printed in the source article · 2
- Sébastien Allard. Le Louvre à l'époque romantique. Les décors du palais (1815-1835). Fage éditions. 128, 130, 140. 2006. 978-2-84975-081-0.
- Albert Boime. A Social History of Modern Art, Art in an Age of Bonapartism (1800-1815). University of Chicago Press. 2. 70–71. 1993. 978-0-226-06336-2.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Paintings
18,623 published records in this field, each with its sources named.
- Jean-Michel AtlanArtist
- Jean-Michel PicartArtist
- Jean-Paul AlauxArtist
- Jean-Paul AubéArtist
- Jean-Pierre GrangerArtist
- Jean-Pierre LaurensArtist
- Jean-Pierre Saint-OursArtist
- Jean-Rene JeromeArtist
Best supported in this field
For owners
Own a work by Jean-Pierre Franque?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.