Jean-Baptiste Nattier

The authorities additionally record the headings Nattier L'Aine Nattier, Jean Baptiste Nattier, Jean-Baptiste, l'aine Nattier, Carlo Nattier and J.B. Nattier. His recorded language was French.

He was the child of Marc Nattier and Marie Courtois.

Work by Jean-Baptiste Nattier is held by Nationalmuseum, Philadelphia Museum of Art, National Museum of Fine Arts of Algiers and Hermitage Museum.

What the record establishes about Jean-Baptiste Nattier.

Marie de' Medici handing over the captaincy of the ship of the French state to her son; representing the coming of age of King Louis XIII. Engraving by A. Trouvain, 170-, after J.B. Nattier after P.P. Rubens. is dated [between 1700 and 1709] and held by Wellcome Collection. The proxy marriage of King Henry IV and Marie de' Medici: Grand Duke Ferdinand of Tuscany stands in for the bridegroom. Engraving by A. Trouvain, 170-, after J.B. Nattier after Sir P.P. Rubens. is dated [between 1700 and 1709] and held by Wellcome Collection. Venus appears to Aeneas while he is being treated after being wounded in battle. Engraving by L. Desplaces after J.B. Nattier, 17--. is dated [between 1700 and 1799] and held by Wellcome Collection. Marie de Medici dressed in warlike form as Minerva, goddess of arts. Engraving by J.B. Massé, 1708, after J.M. Nattier after P.P. Rubens. is dated 1708 and held by Wellcome Collection. Allegorical Scene with Children Quarreling is dated n.d. and held by The Art Institute of Chicago (inventory 1927.4488). Madame Marsollier and Her Daughter is dated 1749 and held by The Metropolitan Museum of Art (inventory 45.172).

Romulus being taken up to Olympus by Mars. is catalogued and held by Museum of John Paul II Collection. Joseph and Potiphar's Wife is dated 1711 and held by Hermitage Museum (inventory ГЭ-1268). drawings in the National Gallery of Art records 1 object associated with this heading. The Metropolitan Museum of Art records 1407 objects associated with this heading. Museum of John Paul II Collection records 1 object associated with this heading. The Art Institute of Chicago records 1 object associated with this heading.

Wellcome Collection records 5 objects associated with this heading. Jean-Baptiste Nattier is recorded with the citizenship of France. Jean-Baptiste Nattier is recorded as painter.

What Jean-Baptiste Nattier produced.

The Metropolitan Museum of Art catalogues 3 works under this heading. The Art Institute of Chicago catalogues 1 work under this heading. Wikidata Query Service catalogues 4 works under this heading. Wellcome Collection catalogues 5 works under this heading.

The identifiers under which Jean-Baptiste Nattier may be traced in institutional catalogues.

Jean-Baptiste Nattier is established in the international name authorities as Wikidata Q3164313.

11 works under this name are catalogued by Wikidata Query Service, The Metropolitan Museum of Art, The Art Institute of Chicago and Wellcome Collection. Their recorded dates run from 1700 to 1749.

Joseph and Potiphar's Wife, dated 1711, held by Hermitage Museum, inventory ГЭ-1268. A Triton Blowing a Conch Shell, dated 1724, held by Q214867, inventory 2000.9.19. The Death of Adonis. Romulus being taken up to Olympus by Mars., held by Museum of John Paul II Collection. Madame Marsollier and Her Daughter, dated 1749, oil on canvas, held by The Metropolitan Museum of Art, inventory 45.172. Allegorical Scene with Children Quarreling, dated n.d., red chalk on buff laid paper (oval), perimeter mounted on board, held by The Art Institute of Chicago, inventory 1927.4488. The proxy marriage of King Henry IV and Marie de' Medici: Grand Duke Ferdinand of Tuscany stands in for the bridegroom. Engraving by A. Trouvain, 170-, after J.B. Nattier after Sir P.P. Rubens., dated [between 1700 and 1709], held by Wellcome Collection. Venus appears to Aeneas while he is being treated after being wounded in battle. Engraving by L. Desplaces after J.B. Nattier, 17--., dated [between 1700 and 1799], held by Wellcome Collection. A woman personifying the city of Lyons, carried in a chariot drawn by lions, passes before King Henri IV and Marie de' Medici who are in the guise of Jupiter and Juno; representing the meeting of Henri IV and Marie de' Medici in Lyons after their marriage by proxy. Engraving by G. Duchange, 170-, after J.B. Nattier after Sir P.P. Rubens., dated [between 1700 and 1709], held by Wellcome Collection. Marie de' Medici handing over the captaincy of the ship of the French state to her son; representing the coming of age of King Louis XIII. Engraving by A. Trouvain, 170-, after J.B. Nattier after P.P. Rubens., dated [between 1700 and 1709], held by Wellcome Collection. Marie de Medici dressed in warlike form as Minerva, goddess of arts. Engraving by J.B. Massé, 1708, after J.M. Nattier after P.P. Rubens., dated 1708, held by Wellcome Collection.

Work associated with this heading is recorded in 7 named public collections.

Hermitage Museum: 1 recorded object, read from the institution's own published catalogue. Q214867: 1 recorded object, read from the institution's own published catalogue. drawings in the National Gallery of Art: 1 recorded object, read from the institution's own published catalogue. Museum of John Paul II Collection: 1 recorded object, read from the institution's own published catalogue. The Metropolitan Museum of Art: 1407 recorded objects, read from the institution's own published catalogue. The Art Institute of Chicago: 1 recorded object, read from the institution's own published catalogue. Wellcome Collection: 5 recorded objects, read from the institution's own published catalogue.

4 scholarly publications naming this subject were located in the registry of record.

Nattier, Jean-Baptiste, Benezit Dictionary of Artists, 2011. Nattier, Jean-Baptiste, Oxford Art Online, 2003. Nattier, Jean Marc, Benezit Dictionary of Artists, 2011. Nattier, Jean-Marc, Oxford Art Online, 2003.

Bibliographic registers publish measured figures for this heading: 5 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 6 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 6 means 6 genuinely separate publishers of record. 13 further registers were consulted and returned nothing for this heading.

the recorded working language is French.

Places of work recorded in the authority are Paris.

Work by Jean-Baptiste Nattier is recorded in the collections of Nationalmuseum, Philadelphia Museum of Art, National Museum of Fine Arts of Algiers, Hermitage Museum and Museum of John Paul II Collection.