Jay Leyda

Jay Leyda studied at Gerasimov Institute of Cinematography. The recorded working language is English. Employment is recorded with New York University. Work by Jay Leyda is recorded in the collections of Art Institute of Chicago and Photography Collection. Distinctions recorded are Guggenheim Fellowship.

• Name — Jay Leyda • Born — February 12, 1910 • Birthplace — Detroit, Michigan, United States • Died — 15 February 1988 • Place of death — New York City, United States • Occupation — Filmmaker, Biographer • Spouse — Si-Lan Chen

Leyda was born on February 12, 1910, in Detroit, Michigan. He was a member of the Workers Film and Photo League in the early 1930s. He traveled to the Soviet Union in 1933 to study film making at State Film Institute, Moscow, with Sergei Eisenstein, who had a troubled relationship with Stalin and the Soviet film bureaucracy. He participated in the filming of Eisenstein's lost film Bezhin Meadow (1935–37). When he returned to the United States in 1936 to become an assistant film curator at the Museum of Modern Art, he brought the only complete print of Eisenstein's Battleship Potemkin. In the 1940s he translated Eisenstein's writings. Leyda's wife, Si-Lan Chen, a ballet dancer of international reputation, was the daughter of Eugene Chen, a colleague of the Chinese revolutionary Sun Yat-sen. In late 1943, during World War II, Leyda joined the U.S. Army Tank Corps at Fort Knox. He was honorably discharged in 1944 after contracting pneumonia. Although he did not have a Ph.D., Leyda became fascinated with Herman Melville and became an important figure in the Melville revival. These scholars moved beyond the acceptance of Melville's first-person accounts in his works as reliably autobiographical. To provide concrete evidence, Leyda searched libraries, family papers, local archives and newspapers across New England and New York to gather The Melville Log (1951) to document Melville's day-to-day activities and transactions. Leyda was invited in 1959 to work at the Film Archive of China in Beijing, where he stayed until 1964. His account of Chinese film history, Dianying, was the first full-length treatment to appear in English. Although he could use the basic (and now outdated) Chinese scholarship only in summary translations, Leyda's knowledge of film gave him still useful insights into individual films and techniques. He was awarded the Eastman Kodak Gold Medal Award in 1984. He taught at Yale University (1969–1972), York University (1972–73) and New York University from 1973 until his death in New York on February 15, 1988, of heart failure. He was professor and dissertation advisor to noted film historian, Charles H. Harpole (creator of the ten volume History of American Cinema, dedicated to Leyda); leading film theorist, Tom Gunning; and scholar-practitioner Charles Musser. In 1981 he was a member of the jury at the 12th Moscow International Film Festival. He co-curated (with Charles Musser) Before Hollywood: Turn of the Century American Film (1987) for the American Federation of Arts, a six-part touring program of American films with an accompanying catalog, which the New York Times called "A fascinating look at the cinema that flourished between 1895 and 1915 in America, before movies could be mentioned in family newspapers."

• Illustration — A Bronx Morning (1931) • A Bronx Morning (1931) (11 minutes, black and white, silent), in the collection of the Museum of Modern Art. • People of the Cumberland (1937) (21 minutes, black and white, sound), co-directed by Sidney Meyers, also in the collection of the Museum of Modern Art. The film was a Frontier Film Group production. Also working on the film were Elia Kazan, Ralph Steiner, Erskine Caldwell, Alex North, Earl Robinson and Helen van Dongen.

Jay Leyda is recorded with the occupation literary historian. Recorded with the occupation film theorist. Recorded with the occupation translator. Recorded with the occupation director. Recorded as film historian, director, film theorist, literary historian and translator.