Ján Cikker

Ján Cikker studied at Prague Conservatory and Academy of Performing Arts in Bratislava. Pavol Šimai is recorded as having studied under Ján Cikker. Subjects and genres recorded for the work are opera. Places of work recorded in the authority are Bratislava. Employment is recorded with Konzervatórium v Bratislave and Academy of Performing Arts in Bratislava. Distinctions recorded are Národní umělec, Herder Prize, Ľudovít Štúr Order 1st class and Ján Levoslav Bella Prize.

Cikker was born in former Austria-Hungary, today Slovakia, in Banská Bystrica. His first music teachers were his mother, Mária Psotková, and Viliam Figuš-Bystrý. After he graduated from high school, he studied at the Prague Conservatory from 1930 to 1935, where he attended courses of composition of Jaroslav Křička, of conducting and organ. He then studied at the Master's School of the Prague Conservatory from 1935 to 1936, where he was a student of Vítězslav Novák. Later on, he moved to Vienna, where he studied with Felix Weingartner from 1936-1937. From 1939 to 1949, he taught at the Bratislava Conservatory. At the same time he was a repertory advisor of the opera of the Slovak National Theatre from 1945 to 1948. He was forced to leave this post after the communist takeover of Czechoslovakia in 1948. Finally, he worked as professor for composition at the Bratislava Academy of Music and Dramatic Arts (VŠMÚ), where he was the teacher of many Slovak composers. He died in Bratislava, where a museum in his name has opened.

His pronounced style is characterized by a typical richness of contrasting moods and characters (dance, expressive, lyrical pronunciation), and by the emphasis on humane and ethical conduct. His first creative works were nearly always instrumental, but from the 1950s onward he increasingly devoted himself to composing operas.

cycle of symphonic poems O živote – Leto, Vojak a matka, Ráno (About life – Summer, Soldier and Mother, Morning; 1941-1946) operas: Juro Jánošík (1950-1953, libretto by Štefan Hoza), Beg Bajazid (1955-1956, libretto by Štefan Hoza), Mister Scrooge (1958-1959, alternative name Tiene /Shadows/, after Charles Dickens' A Christmas Carol), Vzkriesenie (1960; Resurrection, after Tolstoy's novel), Hra o láske a smrti (Play of Love and Death, after Romain Rolland), Coriolanus (1970–72; after Shakespeare's play), Obliehanie Bystrice (1969-1971; The Siege of Bystrica after Kálmán Mikszáth), Zo života hmyzu (1983–86; after Karel Čapek's and Josef Čapek's play Pictures from the Insects' Life), Antigona (1987–89, unfinished; after Sophocles' play) chamber and orchestral pieces: String quartet no. 1 op. 13 (1935) String quartet no. 2 op. 14 (1936) Spring Symphony (1937) Symfonietta Op.16 (1937, dedicated to his teacher Jaroslav Křička) Concertino for piano and orchestra Op.20 (1942) Slovenská suita (1943; Slovak suite) Spomienky (1947; Memories) Meditácie na Schützovu tému (1964; Meditations on a theme by Schütz) Štúdie k činohre (1944; Studies for a theatre play, referred sometimes as “Fyzici”) choral works Óda na radosť (1982, Ode to Joy; oratorio for speaker, soloists, choir and orchestra on words by Milan Rúfus. Written for the bicentennial of the Gewandhausorchester Leipzig). piano music: Sonatina op. 12, no. 1 (1933), Tatra brooks (1954), Piano Variations on a Slovak Folksong (1973) song cycle: O mamičke (1940; About Dear Mum) adaptations of folk songs theatre and film music (Varúj!) music for folk dance groups, e.g. for SĽUK (Slovak Folk Art Collective), Lúčnica and VÚS.