James S. Levine
James Scott Levine (born 1974) is an American composer and member of Remote Control Productions. He has won seven BMI awards and seven ASCAP awards. His credits include the films Running with Scissors, Delta Farce, and The Weather Man, and the television shows Nip/Tuck, Glee, The Closer, Rizzoli & Isles, and American Horror Story.
Also recorded as James Scott Levine
James S. Levine
- Born
- 1974 · Boston.
- Nationality
- United States
- Occupation
- composer
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Documentary summary
James Scott Levine (born 1974) is an American composer and member of Remote Control Productions. He has won seven BMI awards and seven ASCAP awards. His credits include the films Running with Scissors, Delta Farce, and The Weather Man, and the television shows Nip/Tuck, Glee, The Closer, Rizzoli & Isles, and American Horror Story.
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Documentary evidence
Documentary basis
Authority files
wikidata · Q862127 · wikipedia · James S. Levine
In this article
Early life
Early life
Levine worked across composer and film score composer. This article rests on 100 catalogued compositions, 6 published texts, 2 issued recordings and 23 scholarly references drawn from named institutional registers. Every statement below returns to a source shown in the evidence panel; where the record is silent or divided, the article says so instead of resolving it.
James Levine grew up in Medford, Massachusetts, where he played multiple instruments in various genres. The main instrument he played growing up was the piano, performing at multiple events growing up. At the age of 13 Levine shifted his focus from playing the piano, to learning Jazz, as well as improvisation. Composers that Levine looked up to when he was younger were Mozart, Morricone and James Newton Howard. He is of Jewish heritage. Levine attended Tufts University, where he was originally a pre-med student. However he switched subject areas, and subsequently in college Levine studied Sociology and Musicology, and got his degree in American Studies. He graduated from Tufts in 1996.
Career
Career
Levine came to Hollywood in 1997 to begin his career as a composer, leaving behind money and family. He first started off his career by doing intern work around Los Angeles. James Levine is a composer for shows like American Horror Story, Glee, Nip/Tuck, Royal Pains and The Closer. The music for American Horror Story is one of his most known works, receiving many awards such as the Best Music in a Series, Best music in a non-series, and has been nominated for outstanding sound mixing for television movies and miniseries two years in a row. Due to the success of his music he has continued to create music for the show. His work on Glee has also won him many awards and he has gone on to keep composing for the show until the final season.
Composing
Composing
• Year — Title — Notes • 1990 — The Funtastic World of Hanna-Barbera — Short • 1999 — Chill Factor — Film (Additional music for Hans Zimmer and John Powell) • A Little Inside — Film • 2000 — Die Motorrad-Cops – Hart am Limit — TV series • 2001 — Siren — Film • About Barbers — Short • 2003 — Blue Collar Comedy Tour: The Movie — Documentary • Jimmy Neutron's Nicktoon Blast — Short • The Challenge — TV movie • The In-Laws — Film • 2003–2010 — Nip/Tuck — TV series • 2003 — SpongeBob SquarePants: Battle for Bikini Bottom — Video game (Composed with Robert Crew and Alex Wilkinson) • 2004 — The SpongeBob SquarePants Movie — Video game (Composed with Robert Crew, John O'Kennedy, Barry Fasman and Beth Ertz) • Blue Collar Comedy Tour Rides Again — TV documentary • 2005 — More Sex and the Single Mom — TV movie • Roar: Lions of the Kalahari — Documentary short • Madagascar — Film (Additional music for Hans Zimmer) • The Weather Man — Film (Co-composer with Hans Zimmer) • 2005–2012 — The Closer — TV series • 2006 — 3 lbs — TV series • Running with Scissors — Film • American Storage — Short • Ajax — Short • 2007 — Hidden Palms — TV series • Delta Farce — Film • 2007–2012 — Damages — TV series • 2008 — Otis — Film • 2008–2009 — Raising the Bar — TV series • 2009–2015 — Glee — TV series • 2009–2012 — Royal Pains — TV series • 2009–2010 — NCIS: Los Angeles — TV series • 2009 — SpongeBob's Truth or Square — Video game (Archived music from SpongeBob SquarePants: Battle for Bikini Bottom and The SpongeBob SquarePants Movie) • 2010 — Outlaw — TV series • 2010–2016 — Rizzoli & Isles — TV series • 2011 — Glee: The 3D Concert Movie — Documentary • 2011–2014 — American Horror Story — TV series (40 episodes, composed with Mac Quayle) • 2012–2018 — Major Crimes — TV series • 2012–2013 — The New Normal — TV series • 2013 — Do No Harm — TV series • The Blacklist — TV series (3 episodes, replaced by Dave Porter) • 2014–2018 — The Last Ship — TV series (Composed with James Dooley) • 2019 — Chambers — TV series • Soundtrack — TV series (Composed with Andrew McMahon and Zac Clark) • 2020 — Katy Keene — TV series • 2020–2021 — For Life — TV series (Composed with Dustin O'Halloran) • 2020 — SpongeBob SquarePants: Battle for Bikini Bottom – Rehydrated — Video game (Archived and remastered music from the original Battle for Bikini Bottom) • 2021–2024 — La Brea — TV series • 2025 — Doc — TV series
Life and work
Life and work
Levine was born on 29 August 1974 in Boston. Levine held the nationality of United States. Influenced by: Andrea Morricone, James Newton Howard, Jean-Michel Jarre, Joel Goldsmith, Joseph Williams, Chris Mancini, David Newman, Peter Bernstein, Rolfe Kent, Hans Zimmer and John Powell.
Life and career
Dated record
Life and career
The full dated record · 1 entries
1974
James S. Levine was born on 29 August 1974.
Compositions
Catalogued output
Compositions
The entries below are works composed by the subject, as the institutional registers catalogue them; later performances and commercial recordings of the same music are listed separately. 100 further compositions are catalogued under Levine's name without a date the collections agree on, which is why they are set apart from the dated run rather than placed in it. A selection is set out below and the complete run may be opened beneath it. Everything Will Be OK. Press Is More. It’s Too Late. Enough Is Enough. It’s Not Over.
Crystal Unclear 1
Glass Half Full
Forgive Us Our Sins
Drop It Like It’s Plot
Rogue and a Hard Place
Above the Radar
A Great Ocean Liner
If You Tell
Cover All Exits
Cara and Matt
Errors of Comission
Crystal Unclear 2
The complete catalogue · 36
Crystal Unclear 1
Glass Half Full
Forgive Us Our Sins
Drop It Like It’s Plot
Rogue and a Hard Place
Above the Radar
A Great Ocean Liner
If You Tell
Cover All Exits
Cara and Matt
Errors of Comission
Crystal Unclear 2
Nothing but the Proof
Mad to the Bone
Evidence of Evil
My Soul to Take
Plunder and Fighting
Cries for Help
Beyond the Grief
Here Comes the Bribe
Bite the Bullet
Beacon of Liberty
Out of Ammo
A House Divided
Pacific Standard Crime
First Hand Report
Field of Fire
Espionage and in Charge
Beneath the Surface
One Time Pad
First to Fight
Burden of Proof
If These Walls Could Talk
Sean and Matt
Bleed the Way
Caught on Tape
Films and moving-image works, 2003–2020
Catalogued output
Films and moving-image works, 2003–2020
These entries are catalogued as moving-image works. The 2000s are the densest part of the run, with 5 titles, and that concentration is a fact about what the registers have catalogued rather than a judgement on the work itself. They belong to a run of 24 titles in all, from 2003 to 2020.
9 films carry dates between 2003 and 2020
The run opens with The Challenge and closes with For Life
The Challenge
2003
The Closer
2005
Running with Scissors
2006
Delta Farce
2007
Otis
2008
The 3D Concert Movie
2011
The Last Ship
2014
Billy Boy
2017
For Life
2020
Catalogued output
Writings on music
These are catalogued publications carrying the name — editions and printings, distinct from the works they contain and from writing about the subject. The 2010s are the densest part of the run, with 3 titles, and that concentration is a fact about what the registers have catalogued rather than a judgement on the work itself.
6 editions carry dates between 1986 and 2018
The run opens with Case in Slavic and closes with Old Woman
Annotated Russian Reader & Exercises on Verbs of Motion (B1-B2)
The entries follow Open Library
Case in Slavic
1986
Black Book
1986
Schaum's outline of Russian grammar
1999
Bronka
2014
Three Stories
2017
Catalogued output
Films and moving-image works without a settled date
15 further films are catalogued under Levine's name without a date the collections agree on, which is why they are set apart from the dated run rather than placed in it.
Rizzoli & Isles
American Horror Story
The New Normal
Do No Harm
What About Joan?
American Sports Story
Primary material
Documents and archives
reference work
- “James S. Levine”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q862127: James S. Levine
General reference · Wikidata
Awards
• Year — Association — Category — Nominated work — Result • 2001 — BMI Award — What About Joan? • 2005 — BMI Award — Nip/Tuck • 2008 — BMI Award — The Closer • 2011 — ASCAP Award — Top TV Series — Glee • 2012 — Online Film & Television Association Award — Best Music in a Series — American Horror Story • 2012 — ASCAP Award — Top TV Series — Glee • 2013 — ASCAP Award — Top TV Series — Glee • 2013 — ASCAP Award — Top Television Series — Major Crimes • 2013 — ASCAP Award — Top Television Series — The New Normal • 2013 — ASCAP Award — Top Television Series — Royal Pains • 2013 — ASCAP Award — Most Performed Themes and Underscore • 2013 — Emmy Award — Primetime Emmy Award for Outstanding Music Composition for a Miniseries, Movie, or a Special — American Horror Story: Coven • 2013 — Cinema Audio Society Awards — Outstanding Achievement in Sound Mixing for Television Movies and Mini-Series — American Horror Story: Asylum • 2013 — Online Film & Television Association Award — Best Music in a Non-Series — American Horror Story • 2014 — Cinema Audio Society Awards — Outstanding Achievement in Sound Mixing for Television Movies and Mini-Series — American Horror Story • 2014 — Online Film & Television Association Award — Best Music in a Non-Series — American Horror Story
Authority records
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Jon, Burlingame. Remote Control Prods.: Hans Zimmer's Music Factory as a Breeding Ground. Variety. 7 May 2014.
- 2.Variety, Staff. Creative Arts Emmys 2014 Winners and Nominees. Variety. 14 August 2014.
- 3.2013 ASCAP Expo. Oh, the Horror: Master Session with James S. Levine. 18 April 2013.
- 4.So Many Notes, So Little Time. Tufts Magazine. 40–41. Spring 2016.
- 5.VAULT EXCLUSIVE: Q&A Nathan Barr and FX Composers. 13 June 2014.
- 6.Eric, Rangle. James Levine Reveals the Horrors (and Joys) of Composing. ASCAP. 1 April 2014.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
Elsewhere in Music memorabilia
42,832 published records in this field, each with its sources named.
- James RansonePerson
- James Reese EuropePerson
- James ReynoldsPerson
- James RightonPerson
- James Samuel HarrisPerson
- James ScottPerson
- James Scott SkinnerPerson
- James SenesePerson
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