Jacques Doucet

Doucet was born in Paris in 1853 to a prosperous family whose lingerie and linens business, Doucet Lingerie, had flourished in the Rue de la Paix since 1816. In 1871, Doucet opened a salon selling ladies' apparel. An enthusiastic collector of eighteenth-century furniture, objets d'art, paintings, and sculptures, many of his gowns were strongly influenced by this opulent era. Beginning in 1912, the fashions of Jacques Doucet were illustrated in the fashion magazine La Gazette du Bon Ton with six other leading Paris designers of the day – Louise Chéruit, Georges Doeuillet, Jeanne Paquin, Paul Poiret, Redfern & Sons, and the House of Charles Worth. His most original designs were those he created for actresses at the time. Cécile Sorel, Rejane and Sarah Bernhardt (for whom he designed her famous white costume in L'Aiglon) all often wore his outfits, both on and off the stage. For the aforementioned actresses he reserved a particular style, one which consisted of frills, sinuous curving lines and lace ruffles that reflected the colors of faded flowers. Doucet was a designer of taste and discrimination who valued dignity and luxury above novelty and practicality, and gradually faded from popularity during the 1920s. • Illustration — A collection of dresses from 1923 Several years after World War I, in 1927, Cubists Joseph Csaky, Jacques Lipchitz, Louis Marcoussis, Henri Laurens, the sculptor Gustave Miklos, and others collaborated in the decoration of a studio house, rue Saint-James, Neuilly-sur-Seine. The hôtel particulier, owned by Doucet was designed by the architect Paul Ruaud. Laurens designed the fountain, Csaky designed Doucet's staircase, Lipchitz made the fireplace mantel and Marcoussis created a Cubist rug.

Jacques Doucet is recorded with the occupation patron of the arts. Recorded with the occupation fashion designer. Recorded with the occupation grand couturier. Recorded with the occupation book collector. Recorded as grand couturier, art collector, patron of the arts and fashion designer.