Jacob Hochbrucker
Jacob Hochbrucker (also spelled Jakob Hochprugger; 1673 – 28 May 1763) was an eighteenth-century harp maker and musician credited with the invention of the single-action pedal harp popularized in Europe between 1729 and 1750 by his descendants, and particularly by the Dauphine, Marie Antoinette, who performed on it after her arrival in Paris in 1770.
Jacob Hochbrucker
- Name
- Jacob Hochbrucker
- Born
- 1673
- Birthplace
- Mindelheim, Bavaria, Germany
- Died
- 28 May 1763
- Occupation
- * Musician
- Nationality
- France
- Languages
- French
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wikidata · Q1264112 · wikipedia · Jacob Hochbrucker
In this article
Key facts
Key facts
• Name — Jacob Hochbrucker • Born — 1673 • Birthplace — Mindelheim, Bavaria, Germany • Died — 28 May 1763 • Occupation — * Musician • harp maker
Life and work
Life and work
Hochbrucker was probably born in Mindelheim. From 1699, he lived and worked in Donauwörth, where he also built lutes and violas. Around 1720, Hochbrucker invented the pedal mechanism to play the harp, adding to the instrument five (later increased to seven) pedals and connecting them to the hooks for the C, D, F, G, and B strings, thus allowing the player to alter the strings sound of a semitone and greatly extend the range of the instrument. This ingenious chromatic system later became the subject matter of studies and extended considerations. In the second half of the 18th century, the Hochbrucker mechanism was largely popularized by the efforts of his nephews, Christian and Celestine Hochbrucker, and mainly by his son Simon, who toured around Europe playing in Vienna in 1729, Leipzig and Brussels in 1734, Paris in 1740, and north Germany. At the beginning of the 19th century, in Paris, Sébastien Érard constructed the "harpe à double mouvement", patented in 1810, finally changing that which Hochbrucker had successfully developed.
Life and career
Dated record
Life and career
The full dated record · 1 entries
1783
Jacob Hochbrucker died at Donauwörth.
Places
Named by the record
Places
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Mindelheim.
Birth place
Donauwörth.
Death place
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Jacob Hochbrucker, revision 1372949315 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Erich Tremmel: "Hochbrucker (Familie)", in: Die Musik in Geschichte und Gegenwart (MGG), biographical part, vol. 9 (Kassel: Bärenreiter, 2003), cc. 78–79.
- 2.Jackson, Roland John. Performance practice: a dictionary-guide for musicians. Routledge. 180. 2005. 0-415-94139-3.
- 3.Tremmel (2003), see above.
- 4.Sadie, Julie Anne. Companion to Baroque Music. University of California Press. 241. 1998. 0-520-21414-5.
- 5.Heidi, Tims. Felix Godefroid's role in the development of modern harp virtuosity as exemplified by selected solo compositions. The University of Arizona. 28. 2007. 978-0-549-23193-6.
Bibliography printed in the source article · 1
- Rensch, Roslyn. The Harp: Its History, Technique and Repertoire. Duckbacks. 1969. 978-0-7156-0467-0.
References
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Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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