Istanbul Archaeology Museums

The origins of the museum can be traced back to the nearby Hagia Irene Church. After the conquest of Istanbul, the church's location close to the barracks of the Janissaries saw it transformed into a de facto 'inner arsenal' for storing their weapons (Turkish: İç Cebehane). By 1726, during the reign of Sultan Ahmed III, it functioned as a full-fledged armory known as Dar-ül Esliha (Turkish: House of Weapons). By the 19th century, the church was also being used to store the varied artifacts amassed by the Ottoman Empire. The Ottoman Sultan Abdülaziz (r. 1861–1876) was impressed by the archaeological museums in Paris (30 June – 10 July 1867), London (12–23 July 1867) and Vienna (28–30 July 1867) which he visited in the summer of 1867, and ordered a similar archaeological museum to be established in Istanbul. It was then, in 1869, that the church and the works in it were inaugurated by decree under the name of Imperial Museum (Ottoman Turkish: Müze-i Hümayun or Turkish: İmparatorluk Müzesi). As such, the Istanbul Archaeological Museum is often considered the "first museum of Turkey".

Due to space constraints, the museum and its collection was transferred to the Tiled Kiosk (Turkish: Çinili Köşk) between 1875 and 1891. Commissioned by Sultan Mehmed II in 1472 as a pleasure palace, it is the oldest non-religious Ottoman structure in Istanbul and retains a visible Persian influence in its style and architecture It was first opened to the public in 1953 as the Fatih Museum, to showcase Turkish and Islamic art, and was later incorporated into the Istanbul Archaeological Museum. Appointed to the role in 1881, the first curator and founder of the museum was Osman Hamdi Bey, Painter, Archeologist and son of İbrahim Edhem Pasha, an Ottoman Grand Vizier. An accomplished artist, in 2019 his painting Girl Reading the Quran sold for 6.3 million British pounds, making it the most expensive Turkish painting at that time. Throughout the 19th century, the existing importance given by the European states to historical artifacts gradually began to be understood by the Ottoman Empire as well. Thereunto arose the issue of establishing a method of regulating these cultural assets. Up to that point in time, 'historical artifacts' in the Ottoman Empire were subject to the common principles of fiqh. The absence of specific regulations for preserving historical artifacts in effect created a legal void surrounding aspects such as the definition of historical artifacts, along with where and how they would be preserved. This changed in 1869, when the first set of laws were enacted that outlined the regulation of antiquities. Modern conservation experts refer to this as the first 'protection law' issued by the Ottoman State, focusing on permissions to carry out excavations and related artifact management. According to this law, the owner of land on which an excavation was conducted could claim possession of the finds discovered. While it was illegal to take such relics abroad, they could be bought and sold within domestic borders and the state held the principal right to buy them. With this imperial decree for protecting cultural goods now being enforced, provincial governors throughout the Ottoman Empire would send in found artefacts to the capital city, thus further growing the collection. With subsequent major finds being discovered shortly thereafter, e.g. excavation of the necropolis of King Sidon in modern-day Lebanon, it soon became clear that a purpose-built building large enough to house the growing museum collection was required. The construction of the main building was started by Hamdi Bey in 1881, with its official opening held on June 13, 1891. The architect was Alexander Vallaury who also designed the Pera Palace Hotel in Istanbul. The facade of the building was inspired by the Alexander Sarcophagus and Sarcophagus of the Mourning Women, both housed inside the museum. The inscription in Ottoman Turkish on the pediments of the gates at the entrance of the museum says Asar-ı Atika Müzesi" (English: Museum of Antiquities). The tughra on the inscription belongs to Sultan Abdulhamid II. The building is considered by many as the preeminent example of neoclassical style architecture in Istanbul. Upon its 100th anniversary in 1991, the museum received the European Council Museum Award, particularly for the renovations made to the lower floor halls in the main building and the new displays in the other buildings. The Museum of the Ancient Orient was commissioned by Osman Hamdi Bey in 1883 as a fine arts school. Then it was reorganised as a museum, which opened in 1935. Collections are relating to Anatolian history, including the Early Bronze Age, Assyrian Colony Period, Hittite, Neo-Hittite, Urartian, Aramean, as well as Mesopotamian, Egyptian, Syrian, Iran, Palestinian and Ancient Arabian cultures. The Egyptian collection comprises approximately 1,200 items, featuring artifacts representing various forms of Egyptian art. Most of them had come from Dra Abu al Nagar excavations near Karnak excavated by Gautier in 1891. Other items were gifts from the Khedives of Egypt and Ottoman officers. Mesopotamian artifacts are 10,000 pieces that came from Assur, Nippur, Lagash, Girsu, Uruk, Shurupak, Sippar, Nineveh excavations. Palestinian objects are from Tell Gezer, Tell Zakarijah, Tell el-Hesi, Tell Taannek, Tell Sandahanna, Megiddo and Jericho excavations in Ottoman times. Several Susa vases were purchased from French excavators.