Hugues Sambin

9 works under this name are catalogued by Wikidata Query Service, The Metropolitan Museum of Art and The Cleveland Museum of Art. Their recorded dates run from 1500 to 1565.

Hôtel du Bouteiller. Maison Milsan. Parliament of Besançon. Parliament of Dijon. Armoire, dated 1565, held by Department of Decorative Arts of the Louvre, inventory OA 6968. Capital in the Composite Order and Various Architectural Details, dated ca. 1554–60, etching, held by The Metropolitan Museum of Art, inventory 2012.577. Two Terms, Two Cornices and a Pillar, dated 1554, etching, held by The Metropolitan Museum of Art, inventory 1983.1137. Cabinet, dated 19th century, walnut, held by The Metropolitan Museum of Art, inventory 14.40.790. Dressoir, dated mid 1500s, walnut, held by The Cleveland Museum of Art, inventory 1942.606.

Work associated with this heading is recorded in 3 named public collections.

Department of Decorative Arts of the Louvre: 1 recorded object, read from the institution's own published catalogue. The Metropolitan Museum of Art: 8 recorded objects, read from the institution's own published catalogue. The Cleveland Museum of Art: 2 recorded objects, read from the institution's own published catalogue.

4 scholarly publications naming this subject were located in the registry of record.

Sambin, Hugues, Benezit Dictionary of Artists, 2011. Sambin, Hugues, Oxford Art Online, 2003. Sambin, Bénigne, Benezit Dictionary of Artists, 2011. <i>Le mobilier du Moyen Age et de la Renaissance en France</i>. Jacques Thirion<i>Hugues Sambin: Un créateur au XVIe siècle (vers 1520-1601)</i>. Alain Erlande-Brandenburg, Studies in the Decorative Arts, 2002.

2 digitised items associated with this heading are catalogued by Internet Archive.

Two Terms, Two Cornices and a Pillar (1554) — Internet Archive. Dressoir (1500) — Internet Archive.

Bibliographic registers publish measured figures for this heading: 7 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 6 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 6 means 6 genuinely separate publishers of record. 13 further registers were consulted and returned nothing for this heading.