Howard da Silva
Howard da Silva (born Howard Silverblatt; May 4, 1909 – February 16, 1986) was an American actor, singer, and theatre director. He was cast in dozens of productions on the New York stage, appeared in more than two dozen television programs, and acted in more than 50 feature films. Adept at both drama and musicals on the stage, he originated the role of Jud Fry in the original 1943 run of the Rodgers and Hammerstein musical Oklahoma!, and also portrayed the prosecuting attorney in the 1957 stage production of Compulsion.
Also recorded as Howard Da Silva
Howard da Silva

Trailer screenshot (Paramount Pictures) · trailer · Public domain
- Name
- Howard da Silva
- Birth Name
- Howard Silverblatt
- Born
- 4 May 1909
- Birthplace
- Cleveland, Ohio, U.S.
- Died
- 16 February 1986
- Place of death
- Ossining, New York, U.S.
- Occupation
- * Actor
- Full name
- Howard Silverblatt.
- Nationality
- United States
- Teachers
- Harold Clurman · Lee Strasberg · Cheryl Crawford
- Honours
- Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie
- Languages
- English
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Howard da Silva (born Howard Silverblatt; May 4, 1909 – February 16, 1986) was an American actor, singer, and theatre director. He was cast in dozens of productions on the New York stage, appeared in more than two dozen television programs, and acted in more than 50 feature films. Adept at both drama and musicals on the stage, he originated the role of Jud Fry in the original 1943 run of the Rodgers and Hammerstein musical Oklahoma!, and also portrayed the prosecuting attorney in the 1957 stage production of Compulsion.
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In this article
Biography
Biography
Da Silva was nominated for a 1960 Tony Award as Best Featured Actor in a Musical for his work in Fiorello!, a musical about New York City mayor LaGuardia. In 1961, da Silva directed Purlie Victorious, by Ossie Davis. Many of his early feature films were of the noir genre in which he often played villains, such as Eddie Harwood in The Blue Dahlia and the sadistic Captain Francis Thompson in Two Years Before the Mast (both 1946). Da Silva's performances as historic figures are among some of his most notable work: he was Lincoln's brawling friend Jack Armstrong in both play (1939) and film (1940) versions of Abe Lincoln in Illinois written by Robert Sherwood; Benjamin Franklin in the 1969–1972 stage musical 1776 and a reprisal of the role for the 1972 film version of the production; Soviet leader Nikita Khrushchev in The Missiles of October (1974); Franklin D. Roosevelt in The Private Files of J. Edgar Hoover (1977); and Louis B. Mayer in Mommie Dearest (1981). Da Silva's American television character work included the defense attorney representing the robot in The Outer Limits episode "I, Robot" (1964), and district attorney Anthony Cleese in For the People (1965). In the 1970s, da Silva appeared in 26 episodes of the radio series the CBS Radio Mystery Theater. For his performance as Eddie in the Great Performances production of Verna: USO Girl (1978), the actor received a Primetime Emmy Award for Outstanding Performance by a Supporting Actor in a Comedy or Drama Special.
Training under Harold Clurman, Lee Strasberg and Cheryl Crawford is recorded. The recorded working language is English. Employment is recorded with Federal Theatre Project. Distinctions recorded are Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie.

Cast photograph of Howard Da Silva, playing the role of Larry Foreman in the Federal Theatre Project production of The Cradle Will Rock at Maxine Elliott's Theatre and other venues
Federal Theatre Project · Library of Congress, image 23 of 25
Key facts
Key facts
• Name — Howard da Silva • Birth Name — Howard Silverblatt • Born — 4 May 1909 • Birthplace — Cleveland, Ohio, U.S. • Died — 16 February 1986 • Place of death — Ossining, New York, U.S. • Occupation — * Actor • singer • Years Active — 1930–1984 • Children — 5
Early life
Early life
Da Silva was born in Cleveland, Ohio, the son of Bertha (née Sen) and Benjamin Silverblatt, a dress cutter. His parents were both immigrants, Yiddish-speaking Jews born in the Russian Empire. His mother was a women's-rights activist. Before beginning his acting career on the stage, he was employed as a steelworker. Da Silva was a graduate of the Carnegie Institute of Technology. He studied acting with Eva Le Gallienne beginning in 1928 at the Civic Repertory Theatre. He changed his surname for acting purposes, adopting the Portuguese Da Silva (his name is sometimes misspelled Howard De Silva).
Career
Career
• Illustration — Marc Blitzstein, Howard Da Silva and Olive Stanton in the Mercury Theatre production of The Cradle Will Rock (1938) Da Silva appeared in a number of Broadway musicals, including the role of Larry Foreman in the legendary first production of Marc Blitzstein's musical The Cradle Will Rock (1938). Later, he costarred in the original 1943 stage production of Rodgers and Hammerstein's Oklahoma!, playing the role of the psychopathic Jud Fry. He was the easygoing Ben Marino who opposed Tammany Hall in the Pulitzer winning musical Fiorello!. • Illustration — Da Silva and other cast members of 1776 with Richard Nixon following a performance of the Tony Award-winning musical in the East Room of the White House (1971) In 1969, da Silva originated the role of Benjamin Franklin in the musical 1776. Four days before the show opened on Broadway, he suffered a minor heart attack but refused to seek medical assistance because he wanted to make sure critics saw his performance. After the four official critic performances were over, the cast left to go to the cast party and da Silva went to the hospital and immediately took a leave of absence from the production. While da Silva recuperated, his understudy, Rex Everhart, took over the role and performed on the cast recording. Da Silva was able to reprise his role in the 1972 film version and appeared on that soundtrack album. Da Silva did summer stock at the Pine Brook Country Club, located in the countryside of Nichols, Connecticut, with the Group Theatre (New York) formed by Harold Clurman, Cheryl Crawford and Lee Strasberg in the 1930s and early 1940s. Da Silva appeared in over 60 motion pictures. Some of his memorable roles include a leading mutineer in The Sea Wolf (1941), Ray Milland's bartender in The Lost Weekend (1945), and the half-blind criminal "Chicamaw 'One-Eye' Mobley" in They Live by Night (1949). He also released an album on Monitor Records (MP 595) of political songs and ballads entitled Politics and Poker. Da Silva returned to the stage, and he was nominated for the 1960 Tony Award for Best Featured Actor in a Musical for his role as "Ben Marino" in Fiorello! (1959). After being blacklisted, da Silva and Nelson left Los Angeles for New York to perform in The World of Sholom Aleichem. Da Silva was nominated for the British BAFTA Film Award for Best Foreign Actor for his performance as Dr. Swinford in David and Lisa (1962). Da Silva portrayed Soviet Premier Khrushchev in the television docudrama The Missiles of October (1974). He won the Emmy Award for Outstanding Performance by a Supporting Actor in a Comedy or Drama Special for his role as Eddie in Verna: U.S.O. Girl (1978) with Sissy Spacek. Da Silva's TV guest appearances, after the era in which blacklisting was strongest, include such programs as The Outer Limits, Ben Casey, The Man from U.N.C.L.E., The Fugitive, Gentle Ben, Mannix, Love, American Style, Kung Fu, and Archie Bunker's Place. Da Silva also played President Franklin D. Roosevelt in The Private Files of J. Edgar Hoover (1977), Hollywood mogul Louis B. Mayer in Mommie Dearest (1981), and American statesman Benjamin Franklin in both 1776 (1972) and a documentary depicting the life of Ben Franklin shown at Franklin's house in Philadelphia, as well as in a television commercial for Consolidated Edison. He appeared in two different film adaptations of F. Scott Fitzgerald's 1925 novel, The Great Gatsby. In the 1949 production with Alan Ladd as Gatsby, da Silva played garage owner George Wilson; in the 1974 film with Robert Redford, da Silva was Meyer Wolfsheim, the flamboyant gambler with the interesting cufflinks. In his final appearance on screen, da Silva played a New York photographer fascinated with the reclusive Greta Garbo in the film Garbo Talks (1984), directed by Sidney Lumet. He also did voice acting in 26 episodes of the popular 1974–82 radio thriller series CBS Radio Mystery Theater (between July 1974 and February 1977). In 1978, he recorded linking narration for episodes of the British television program Doctor Who broadcast in the United States.
Blacklisting
Blacklisting
Da Silva became one of hundreds of artists blacklisted in the entertainment industry during the House Committee on Unamerican Activities investigation into alleged Communist influence in the industry. Following his March 1951 testimony, in which he repeatedly invoked his Fifth Amendment rights, his lead performance in the completed feature film Slaughter Trail was re-shot with actor Brian Donlevy. Da Silva continued to find work on the New York stage, but did not work in feature films again until 1961 when he appeared in David and Lisa (a BAFTA-nominated performance). He was eventually cleared of any charges in 1960, but not before his career in television had also stalled, with no work between 1951 and 1959 when he appeared in The Play of the Week. The brief respite was followed by another television career void until his appearance in a 1963 episode of The Defenders. That was the beginning of the end of da Silva's blacklist, and the show's producer Herb Brodkin paired da Silva with William Shatner when he created the television series For the People.
Personal life
Personal life
Da Silva's first wife was Evelyn Horowitz. They were married on August 13, 1930, in Manhattan, New York City. His second wife was stage actress Jane Louise Taylor, born in 1913 in New York. They were married in January 1941 in Yuma, Arizona, and had one son. They were divorced on July 28, 1948, in Los Angeles, California. His third wife was actress Marjorie Nelson; they were married on August 19, 1950, in Hollywood, California. Da Silva and Nelson had two daughters and were divorced on May 9, 1961, in Juárez, Mexico. His fourth wife was Nancy Nutter; they were married in May or June 1961 in Greenwich, England.
Death
Death
Da Silva died of lymphoma, aged 76, in Ossining, New York.
Television
Television
• Year — Title — Role — Notes — Ref. Reference(s) • 1950 — Episode: "My Heart's in the Highlands" • 1951 — Episode: "My Heart's in the Highlands" • 1959 — Dupont-Dufour Sr. — Episode: "Thieves Carnival" • 1963 — Peter Cole — Episode: "The Bagman" • East Side/West Side — Wallace Mapes — Episode: "I Believe E Except After C" • Dr. McClendon — Episode: "Disaster Call" • 1964 — Arnold Fermuller — Episode: "The Man Who" • Thurman Cutler — Episode: "I, Robot" • 1965 — For the People — Anthony Celese — 13 episodes • Ben Casey — Ulysses Pagoras — Episode: "The Day They Stole Country General" • Ben Casey — Cantor Nathan Birmbaum — Episode: "A Nightingale Named Nathan" • 1966 — The Man from U.N.C.L.E. — Captain Basil Calhoun — Episode: "The Foreign Legion Affair" • Gonzales — Episode: "To Hang a Dead Man" • Pete Dawes — Episode: "Death is the Door Prize" • 1967 — N.Y.P.D. — Dimitchik — Episode: "Old Gangsters Never Die" • Gentle Ben — Phillip Garrett — Episode: "Battle of Wedlow Woods" • 1968 — Mannix — Aram Karmalis — Episode: "You Can Get Killed Out There" • 1972 — Keep the Faith — Rabbi Mossman — TV film • 1973 — Love, American Style — Doctor Wazanskyi — Episode: "Love and the End of the Line" • Kung Fu — Otto Schultz — Episode: "The Hoots" • 1974 — Smile Jenny, You're Dead — Lt. Humphrey Kenner — TV film • Nikita Khrushchev • 1976 — William M Tweed — Episode: "Stop, Thief!" • 1977 — Insight — Arnstein — Episode: "Arnstein's Miracle" • 1978 — When the Boat Comes In — Himself (host) — US broadcast • Verna: USO Girl — Eddie — TV film • 1980 — Power — Jack Eisenstadt • Conklin • 1983 — Archie Bunker's Place — Abe Rabinowitz — Episode: "The Promotion" • Masquerade — General Breznin — Pilot episode • 1984 — American Playhouse — Critic — Episode: "The Cafeteria"
Doctor Who
Doctor Who
Da Silva provided linking narration for North American broadcasts of Doctor Who, providing continuity announcements for episodes from season 12 through season 15, ostensibly to help North American audiences get acclimatized to the nature of serial storytelling, which was then uncommon on non-soap-operatic television in the United States and Canada. His narration accompanied the earliest runs of Doctor Who as broadcast on American PBS stations and Canadian broadcasters like TVOntario during the 1970s and early 1980s. Typically, after Doctor Who had been run on a station for a while, the linking narration was removed as unnecessary. Nevertheless, the announcements were so familiar a part of some viewers' experience of Doctor Who that they became a standard extra feature on BBC DVD releases of early Tom Baker serials.
Stage credits
Stage credits
• Date — Title — Role(s) — Venue(s) — Other notes — Ref. Reference(s) • Opening — Closing • 04/21/1930 — 05/1930 — Romeo and Juliet — Apothecary — Civic Repertory Theatre, New York • 10/06/1930 — unknown — Scaevola • 10/06/1930 — 11/1930 — Romeo and Juliet — Apothecary • 10/20/1930 — 11/1930 — Siegfried — Mr. Patchkoffer, Schumann • 12/01/1930 — 01/1931 — Alison's House — Hodges • 01/26/1931 — 03/1931 — Guest • 05/11/1931 — 05/31/1931 — Alison's House — Hodges — Ritz Theatre, New York • Oct 26, 1932 — Oct 1932 — Liliom — Wolf Beifeld — Civic Repertory Theatre, New York • Nov 14, 1932 — Nov 1932 — Dear Jane — Dr. Samuel Johnson • Dec 12, 1932 — Dec 1933 — Alice in Wonderland — Cook, White Knight • March 6, 1933 — April 1933 — Stationmaster — New Amsterdam Theatre, New York • Dec 10, 1934 — Mar 1935 — Sailors of Cattaro — Sepp Kriz — Civic Repertory Theatre, New York • Mar 20, 1935 — June 1935 — Black Pitt — Hansy McCulloh • Nov 4, 1937 — June 1938 — Golden Boy — Lewis — Belasco Theatre, New York • Jan 3, 1938 — April 1938 — Larry Foreman — Windsor Theatre, New York • Feb 19, 1938 — May 1938 — Casey Jones — Old Man — Fulton Theatre, New York • Oct 15, 1938 — Dec 1939 — Abe Lincoln in Illinois — Jack Armstrong — Plymouth Theatre, New York • Nov 2, 1939 — Nov 4, 1939 — Summer Night — Speed — St. James Theatre, New York • Jan 22, 1940 — Apr 13, 1940 — Two On An Island — The Sightseeing Guide — Broadhurst Theatre, New York • Jan 22, May 31, 1943 — May 29, 1948 — Oklahoma! — Jud Fry — St. James Theatre, New York • April 9, 1946 — unknown — Shootin' Star — Saloon proprietor, Sheriff — Shubert Theatre, Philadelphia • Dec 26, 1947 — Feb 7, 1948 — Mansfield Theatre, Nerw York — As director • Broadway Theatre, New York • Oct 18, 1950 — Oct 28, 1950 — Burning Bright — Friend Ed — Broadhurst Theatre, New York • Nov 23, 1954 — Jan 2, 1955 — Sandhog — Phoenix Theatre, New York — As producer • Nov 4, 1956 — Nov 25, 1956 — Diary of a Scoundrel — Neel Fedoseitch Mamaev — Phoenix Theatre • Oct 24, 1957 — Feb 22, 1958 — Compulsion — Horn — Ambassador Theatre, New York • Nov 23, 1959 — Oct 28, 1961 — Fiorello! — Ben Marino — Broadhurst Theatre, New York • Broadway Theatre, New York • Sept 28, 1961 — May 13, 1962 — Purlie Victorious — Cort Theatre, New York • Longacre Theatre, New York • Jan 10, 1962 — Mar 10, 1962 — Romulus — Ottaker — Music Box Theatre, New York • Dec 12, 1962 — Dec 15, 1962 — In the Counting House — Max Hartman — Biltmore Theater, New York • Feb 28, 1963 — Jul 10, 1963 — Dear Me, The Sky is Falling — Paul Hirsch — Music Box Theatre, New York • Oct 14, 1963 — Oct 19, 1963 — ANTA Playhouse, New York — As director • Nov 8, 1964 — Jan 7, 1965 — Theatre Four, New York — As director • Nov 10, 1965 — Apr 16, 1966 — Cort Theatre, New York — As writer • Dec 06, 1966 — Dec 31, 1966 — My Sweet Charlie — Longacre Theatre, New York — As director • May 5, 1966 — May 29, 1966 — Galileo Galilei — Goodman Theater, Chicago — As guest director • Jul 06, 1967 — Nov 12, 1967 — Archbishop — Vivian Beaumont Theater, New York • George Abbott Theater, New York • Mar 16, 1969 — Feb 13, 1972 — 1776 — Benjamin Franklin — 46th Street Theatre, New York • St. James Theatre, New York • Majestic Theatre, New York • Feb 11, 1982 — Feb 28, 1982 — Rialto Theatre, New York — Conceived by
CBS Radio Mystery Theater
CBS Radio Mystery Theater
From 1974 to 1977, da Silva was a regular player on CBS Radio Mystery Theater. • Year — Date — Title — Ep. No. • 1974 — July 31 — "The Only Blood" — 125 • Dec 5 — "The Body Snatchers" — 183 • Dec 24 — "A Very Private Miracle" — 191 • 1975 — Jan 14 — "Faith and the Faker" — 205 • Feb 14 — "The Shadow of the Past" — 223 • Mar 20 — "The Doppelganger" — 242 • Apr 18 — "A Challenge for the Dead" — 259 • May 8 — "Taken for Granite" — 270 • June 6 — "The Transformer" — 287 • July 2 — "Come Back with Me" — 301 • Aug 5 — "Hung Jury" — 321 • Aug 19 — "Welcome for a Dead Man" — 329 • Sept 18 — "The Coffin with the Golden Nails" — 346 • Sept 28 — "The Other Self " — 354 • Oct 23 — "The Sealed Room Murder" — 366 • Nov 17 — "The Moonlighter" — 380 • Nov 28 — "The Frammis" — 387 • Dec 15 — "Burn, Witch, Burn" — 396 • 1976 — Jan 19 — "There's No Business Like" — 418 • Feb 19 — "Goodbye, Benjamin Flack" — 434 • Apr 24 — "The Prince of Evil" — 475 • Aug 30 — "The Night Shift" — 511 • Oct 22 — "Somebody Help Me!" — 540 • Dec 14 — "The Smoking Pistol" — 565 • 1977 — Jan 4 — "This Breed Is Doomed" — 577 • Feb 25 — "Legend of Phoenix Hill" — 607
Identity
Identity
Howard da Silva is recorded as actor.
Life and career
Dated record
Life and career
The full dated record · 1 entries
1986
Howard da Silva died at Ossining.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Cleveland.
Birth place
Ossining.
Death place
Film
• Year — Title — Role — Director(s) — Notes — Ref. Reference(s) • 1935 — Once in a Blue Moon — Bit part — Ben Hecht, Charles MacArthur — Uncredited • 1938 — Marie Antoinette — Toulon • 1940 — Abe Lincoln in Illinois — Jack Armstrong • I'm Still Alive — Red Garvey • 1941 — The Dog in the Orchard — Foster — Short film • The Sea Wolf — Harrison • Strange Alibi — Monson • Sergeant York — Lem — Howard Hawks • Bad Men of Missouri — Greg Bilson • Three Sons o' Guns — Radio announcer — Uncredited • Navy Blues — Petty Officer • Nine Lives Are Not Enough — J.B. Murray – City Editor • Blues in the Night — Sam Paryas • At the Stroke of Twelve — Angie the Ox — Short film • Steel Against the Sky — Bugs Little • 1942 — Wild Bill Hickok Rides — Ringo • Bullet Scars — Frank Dillon • Juke Girl — Cully • The Big Shot — Sandor • Ben Santley • Reunion in France — Anton Stregel • Native Land — Jim — Leo Hurwitz, Paul Strand — Documentary • 1943 — Keeper of the Flame — Jason Rickards • Tonight We Raid Calais — Sgt. Block • 1945 — Duffy's Tavern — Tough guy • Nat • 1946 — Eddie Harwood • Two Years Before the Mast — Captain Francis A. Thompson • 1947 — Blaze of Noon — Mike Gafferty • Variety Girl — Himself • Unconquered — Martin Garth • 1948 — They Live by Night — Chickamaw — Nicholas Ray • 1949 — Wilson • Border Incident — Owen Parkson • 1950 — Carl Durham • Wyoming Mail — Cavanaugh • Tripoli — Capt. Demetrios • Three Husbands — Dan McCabe • 1951 — Fourteen Hours — Deputy Police Chief Moskar — Henry Hathaway • M — Inspector Carney — Joseph Losey • 1962 — David and Lisa — Dr. Alan Swinford • 1964 — Prospector • Hamlet — Claudius — Bruce Minnix, Joseph Papp — Taped New York Shakespeare Festival performance • 1966 — Nevada Smith — Warden — Henry Hathaway • 1972 — 1776 — Benjamin Franklin • 1974 — Meyer Wolfsheim • 1975 — I'm a Stranger Here Myself — Narrator • 1976 — Hollywood on Trial — Himself • 1977 — Franklin D. Roosevelt • 1981 — Mommie Dearest — Louis B. Mayer — Frank Perry • 1984 — Garbo Talks — Angelo Dokakis
Awards and nominations
• Institution — Year — Category — Work — Result — Ref. Reference(s) • British Academy Film Awards — 1964 — Best Foreign Actor — David and Lisa • Primetime Emmy Awards — 1978 — Outstanding Supporting Actor in a Comedy or Drama Special — Verna: USO Girl • Tony Awards — 1960 — Best Featured Actor in a Musical — Fiorello!
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 15 August 2026.
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