Hostages

• Title — Hostages • Composer — Alberto Jose González • Developer — Infogrames • Publisher — Infogrames Superior Software • Designer — Philippe Agripnidis • Genre — Tactical shooter • Modes — Single-player • Platforms — Acorn Electron, Archimedes, Amiga, Apple IIGS, Amstrad CPC, Atari ST, Commodore 64, MS-DOS, MSX, NES, ZX Spectrum

Hostages is split into two or three (depending on platform) distinct sections with different gameplay styles. In the first section, the player controls GIGN snipers Delta, Echo, and Mike (names vary between versions, such as "Mike", "Steve", and "Jumbo" in the NES version) as they attempt to reach designated vantage points in buildings across the street from the embassy to cover the main assault; however, the terrorists have set up searchlights and are scanning the street for movement. The player controls one operative at a time in a side-scroller segment where they must reach one of the vantage points while avoiding the searchlights. To do so, the player must time their movements, take cover behind fences or in buildings, or roll, crawl, and dive to avoid the searchlights. If an operative is spotted by a searchlight, the terrorists will shoot at them; the player must roll, dive, or enter cover to avoid getting hit. Once an operative enters a building containing a vantage point, the player takes control of the next operative at the starting area. The section ends when all three operatives have reached a vantage point. In the second section (linked to the first section in some versions), the player controls Delta, Echo, and Mike from the vantage points as they besiege the embassy with their sniper rifles while the entry team, Hotel, Tango, and Bravo (names again vary between versions, such as "Ron", "Dick", and "Kemco" in the NES version), deploy to the embassy's roof via helicopter and rappel down the sides to enter through the windows. Similar to a shooting gallery game, the player views the side of the embassy (which side depends on the sniper's vantage point) through a scope and must secure the operative's descent by observing the windows, shooting them to break them open, and shooting terrorists whose silhouettes are visible in the windows. Once the player deems their side clear, they can assume control of the rappelling operative as they lower themselves down the side of the embassy. The operative can choose which floor and window to enter on, and the section ends when the operative enters the embassy. In the third section, the rappelling operative, armed with a submachine gun, enters the embassy on the selected floor and must search the building for hostages while defeating the terrorists. Here, gameplay is performed through two perspectives: a first-person perspective in hallways and a third-person perspective in rooms. The player must search each room, assisted by a map of the floor (which marks the locations of other entities on the floor in some ports), to locate the hostages while shooting the terrorists. Here, the entry team can be supported by the snipers outside, provided they can view into the rooms. When a hostage is recovered, they will follow the operative; some ports require the player to secure the hostage in a designated safe room. The section, as well as the game itself, ends when all terrorists are defeated and all hostages are secured. Once the game is completed, the player's speed, accuracy, hostages rescued, and operative safety are evaluated. The end result is displayed in a newspaper excerpt that details the player's actions and whether the operation was a success: if the player completed the mission perfectly without casualties, the news report will be a glowing commendation, while if the player lost several hostages and operatives, the report will be critical.