Hildegard Jone
Hildegard Jone (1 June 1891 – 28 August 1963) was an Austrian poet and artist. She was also a painter and sculptor, with works infused with Expressionism and Christian imagery. Many of her lyric poems were set to music by her colleague Anton Webern.
Hildegard Jone
- Born
- 1891 · Sarajevo.
- Died
- 1963 · Purkersdorf.
- Nationality
- Austria
- Occupation
- poet · writer · sculptor
- Languages
- German
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wikidata · Q18625650 · wikipedia · Hildegard Jone
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Life and career
Life and career
Hildegard Jone was born Hildegard Huber on 1 June 1891 in Sarajevo of Austria-Hungary. Her parents were the architect Ludwig Huber and Amélie (née the Countess Deym), both of whom encouraged her early interest in the arts. In 1908 Jone and her mother moved to Vienna so the former could attend the Wiener Frauenakademie, a women's art academy. At the Frauenakademie, her instructor was the sculptor Josef Humplik; the two would later marry in 1921. As a visual artist, Jone created paintings and sculptures throughout her life. Her work was often Expressionist and infused with Christian imagery or inspiration. Jone was well acquainted with many other artists and writers of her time, including Peter Altenberg, Adolf Loos, Ludwig von Ficker and Karl Kraus, who became a spiritual mentor. Jone is well known for her collaborations with the composer Anton Webern, who set her music numerous times. Webern's compositions on poems by Jone include the song cycles Drei Gesänge aus 'Viae inviae (1934), Drei Lieder (1934), the orchestral-choral work Das Augenlicht ("The Eyes' Radiance") and both his first (1939) and second (1943) cantatas. Jone died on 28 August 1963 in Purkersdorf, near Vienna. Purkersdorf's local museum includes a room dedicated to Jone and her husband.
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Sarajevo.
Birth place
Purkersdorf.
Death place
Writings
• all in German * • * * * * * *
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The biographical narrative on this page is based on the Wikipedia article Hildegard Jone, revision 1357162857 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Zoderer, Andreas. Hildegard Jone. University of Innsbruck. 2021.
- 2.Paul Sacher Stiftung. Hildegard Jone.
- 3.Library of Congress. Anton Webern's Jone Poems.
- 4.Puffett, Kathryn Bailey. Webern, Anton. 2015.
Bibliography printed in the source article · 6
- Methlagl, Walter. Woge und Kristall: Georg Trakl - Hildegard Jone - Anton von Webern. Das Fenster. Tiroler Kulturzeitschrift. 42. 4130–4134. 1987.
- Nolan, Catherine. Giving Voice to Hildegard Jone as Anton Webern's Artistic Muse. Women and Music: A Journal of Gender and Culture. 28. 61–81. 2024. 1090-7505.
- Universal Edition. Anton von Webern: Briefe an Hildegard Jone und Josef Humplik. 1959. 78984839.
- Theodore Presser Company. Letters to Hildegard Jone and Josef Humplik. 1967. 1284358.
- Reinhardt, Lauriejean. Webern's Literary Encounter with Hildegard Jone. Paul Sacher-Stiftung. 5. January 1992.
- Steig, Gerald. Der Brenner und die Fackel: Ein Beitrag zur Wirkungsgeschichte von Karl Kraus. Otto Müller. 1976. 978-3-7013-0530-8.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 15 September 2026.
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