Heroes for Hope

Stan Lee, co-creator of the X-Men, wrote the new team of X-Men for the first time for Heroes for Hope. It also saw a rare Alan Moore Marvel Comics credit outside his early Marvel UK work. Hope featured some memorable artist/writer and penciler/inker pairings, including Stan Lee and John Buscema; Stephen King and Bernie Wrightson; Moore and Richard Corben; Harlan Ellison, Frank Miller, and Bill Sienkiewicz; Mike Baron and Steve Rude, Howard Chaykin inked by Walt Simonson; and John Byrne and Terry Austin reuniting on the X-Men. Speakeasy magazine reported in April 1986 that Heroes for Hope raised $150,000 for the American Friends Service Committee.

• Title — Heroes for Hope: Starring the X-Men • 1shot — Y • Superhero — y • Publisher — Marvel Comics • Date — 1985 • Main Char Team — X-Men • Artists — John Bolton Richard Corben Gray Morrow • Letterers — Diana Albers Ken Bruzenak L. Lois Buhalis Janice Chiang John Costanza Phil Hugh Felix Michael Higgins John Morelli Jim Novak Tom Orzechowski Rick Parker Joe Rosen John Workman Ron Zalme • Colorists — John Bolton Daina Graziunas Ann Nocenti Glynis Oliver George Roussos Christie Scheele Petra Scotese Marie Severin Bob Sharen Michelle Wrightson Leslie Zahler • Editors — Chris Claremont Ann Nocenti • Creators — Jim Starlin Bernie Wrightson • Subcat — X-Men • Sort — Heroes for Hope

Heroes for Hope came about in response to the devastating 1983–85 famine in Ethiopia. The concept was inspired by the benefit comics Marvel Comics had done to help employees with health problems and by contemporaneous musical fund-raisers like Band Aid's "Do They Know It's Christmas?" and USA for Africa's "We Are the World". Then-Marvel Comics editor-in-chief Jim Shooter described the genesis of the project this way: Starlin and Wrightson spent two days telephoning to recruit the artists, prioritizing top names in the comics field and people who had never drawn the X-Men before. Though Claremont recruited most of the writers who worked on Heroes for Hope, Stephen King was recruited by Wrightson. In addition to the contributors donating their work for the project, so did logo designer Janet Jackson and Marvel's production staff, while Curtis Circulation Company and all the direct market distributors and comics specialty shops donated their profits. Ann Nocenti (the editor of both the regular X-Men series and Heroes for Hope), Claremont, Wrightson, and Starlin brainstormed story ideas together, and then Claremont spent several weeks constructing a plot from these ideas. Shooter then made some suggestions to give the story what he called "greater focus". The George R. R. Martin/Herb Trimpe segment of the comic was planned to pair Trimpe with one of his favorite inkers, John Severin, but the segment was ultimately inked by Sal Buscema instead. Though Heroes for Hope was produced to address the East African famine, Shooter pointed out that the story is only peripherally related to the famine: "The theme of the story is more about what one person, or a few people, can do to help the world. I think it will certainly inspire people to realize that one person or a few people can make a difference. I think if a person reads this book, he might be motivated to do something else for the benefit of East African relief programs or some other charitable work."

Marvel originally planned for the proceeds from the comic to go to Oxfam for its work in Africa. After previewing the book, the organization refused to accept the donation. The Oxfam representative found the comic "racist, sexist, and reprehensible," particularly taking issue with the presentation of women in the comic, especially X-Men heroine Storm, who is of African heritage. The representative apparently also believed the comic's logo had been stolen from the singer Janet Jackson (the Jackson family were major supporters of Oxfam) and refused to believe Marvel when they explained that their Janet Jackson was a different person. The proceeds were instead given to the American Friends Service Committee, with the first check being in excess of $500,000.

Rachel Summers pokes her head out of the X-Mansion to grab the mail, only to see that the mansion has somehow been transported to the middle of a barren desert. After retrieving the comatose mail carrier, Wolverine senses that all is not right, and claws him in the face. The mail carrier and desert both vanish. The X-Men go back to business as usual, but a series of psychic assaults is launched on each member of the team, as they are subjected to their greatest subconscious fears. First, Colossus is mocked by steely apparitions of his teammates. This is more than he can bear, and he curls up in a fetal position. Kitty Pryde goes to grab something from the refrigerator and a skeletal being in a cloak turns her into an emaciated hag. Nightcrawler finds Kitty, which leads to his own experience, focusing on Christian imagery and moral dilemmas. Kurt is offered the chance to sacrifice himself so that one other person might breath the air and eat the food he would. He declines, and thinks himself a coward. Magneto is offered a glimpse of a world where his dream of mutant supremacy has been realized, and is attacked by the risen corpses of the slain humans. Rachel is swept back to her past, where she is confronted by a horde of Hounds, reminding her of her part in that dystopian future. Wolverine confronts the tension between his human and animal sides. Storm is confronted by a carnival ringmaster, who traps her in a house of mirrors. She is shown various images of her possible self. Ororo gets drawn into the crazy carnival games, and realizes that it is wrong to waste food. Having fended off the psychic attacker by feeding cream pies to starving people, Storm returns to her teammates for discussion of what has transpired. Courtesy of Rachel's powers, the X-Men track the psychic presence that has been harassing them to the continent of Africa. They fly the Blackbird to the source, where they are met with horrible scenes of deprivation. A fleet of C-130 Hercules transport aircraft arrives, full of supplies, which the X-Men help distribute. That night, Rogue becomes so frustrated that she has not had her turn of psychic punishment yet that she decides to hunt down the entity herself. She sneaks around the campsite stealing her teammates' powers. Using the psychic powers of Rachel Summers, the Rogue hybrid traces the presence of the X-Men's harasser to a desert hideaway. Upon entering the crypt, Rogue is attacked by the avatar of the psychic being. Storm appears to give aid. The "entity" is revealed to be a primeval god-force that feeds on human despair. One by one, the X-Men awake from their comas and join in the battle. The X-Men defeat the entity and return to their campsite, where they resume the enormous task of feeding the starving refugees. They realize their battle with the entity was a metaphor for the fight against famine, and indeed any human struggle. Kitty expresses fear that the entity survived the battle and is ready to strike again, but Wolverine comforts her with words of hope.

Heroes for Hope featured a story by Chris Claremont, Ann Nocenti, Bernie Wrightson, Jim Starlin, and Jim Shooter. The editors were Nocenti and Claremont; the assistant editors were Pat Blevins and Terry Kavanagh. The front cover was made by Arthur Adams and the back cover by Starlin. The logo design is by Janet Jackson. • Page — Writer — Penciler — Inker — Letterer — Colorist • 1-2 — Stan Lee — John Romita Jr. — Al Gordon — Tom Orzechowski — Daina Graziunas • 3-4 — Stan Lee — John Buscema — Klaus Janson — Tom Orzechowski — Marie Severin • 5 — Ed Bryant — Brent Anderson — Joe Sinnott — Phil Felix — Bob Sharen • 6-8 — Louise Simonson — John Byrne — Terry Austin — Mike Higgins — Petra Scotese • 9 — Ed Bryant — Brent Anderson — Dan Green — Phil Felix — Bob Sharen • 10-12 — Stephen King — Bernie Wrightson — Jeff Jones — Tom Orzechowski — Christie Scheele • 13-14 — Bill Mantlo — Charlie Vess — Jon J Muth — Janice Chiang — Christie Scheele • 15 — Ed Bryant — Brent Anderson — Tom Palmer — Phil Felix — Bob Sharen • 16-18 — Alan Moore — Richard Corben — Richard Corben — Jim Novak — Michele Wrightson • 19-21 — Ann Nocenti — Mike Kaluta — Al Milgrom — Lois Buhalis — Glynis Oliver • 22-24 — Harlan Ellison — Frank Miller — Bill Sienkiewicz — John Workman — Christie Scheele • 25-26 — Chris Claremont — Brian Bolland — Craig Russell — Lois Buhalis — Glynis Oliver • 27-28 — Jo Duffy — John Bolton — John Bolton — Ron Zalme — John Bolton • 29-30 — Mike Baron — Steve Rude — Carl Potts — Diana Albers — Marie Severin • 31-32 — Dennis O'Neil — Bret Blevins — Al Williamson — Janice Chiang — Daina Graziunas • 33-35 — George Martin — Herb Trimpe — Sal Buscema — John Costanza — Glynis Oliver • 36-37 — Bruce Jones — Gray Morrow — Gray Morrow — Joe Rosen — Ann Nocenti • 38-39 — Steve Englehart — Paul Gulacy — Bob Layton — Ron Zalme — George Roussos • 40-41 — Jim Shooter — Alan Weiss — Joe Rubinstein — John Morelli — Christie Scheele • 42-44 — Mike Grell — Jackson Guice — Steve Leialoha — Rick Parker — George Roussos • 45-48 — Archie Goodwin — Howard Chaykin — Walt Simonson — Ken Bruzenak — Leslie Zahler