Herman Chittison
![Hermann Chittison, October 1946. Photography by William P. Gottlieb "Mildred Bailey, among others, considers Chittison the finest accompanist extant. Right now, he's not working with any vocalists. Mostly, he's playing with his trio on the "Endorsed By Dorsey" show over Mutual. (That's the program directed by Si[y] Oliver.")](https://upload.wikimedia.org/wikipedia/commons/thumb/d/dd/Herman_Chittison%2C_October_1946_%28Gottlieb%29.jpg/1280px-Herman_Chittison%2C_October_1946_%28Gottlieb%29.jpg)
William P. Gottlieb · This image is available from the United States Library of Congress 's Prints and Photographs division under the digital ID gottlieb.01241. This tag does not indicate the copyright status of the attac · Public domain
- Born
- 1908 · Flemingsburg.
- Died
- 1967 · Cleveland.
- Nationality
- United States
- Occupation
- pianist · musician
- Fields
- jazz
- Education
- Walden University
In this article
Key facts
• Name — Herman Chittison • Background — non_vocal_instrumentalist • Born — 1908 10 15 • Birthplace — Flemingsburg, Kentucky, U.S. • Died — 1967 3 8 • Place of death — Cleveland, Ohio, U.S. • Genre — Jazz • Occupation — Musician • Instrument — Piano Herman "Ivory" Chittison (October 15, 1908 – March 8, 1967) was an American jazz pianist.
Biography
Born in Flemingsburg, Kentucky, he began his career in 1928 as a member of Zack Whyte's territory band in Ohio. Chittison moved to New York in the early 1930s and found work as an accompanist to Ethel Waters, Adelaide Hall, and Clarence Williams. He also visited Boston for the first time with a traveling show headlined by comic actor Stepin Fetchit. In late 1933, he toured Europe with the Willie Lewis Orchestra; the following year, he recorded with Louis Armstrong in Paris. He and trumpeter Bill Coleman led the Harlem Rhythm Makers. Chittison and Coleman left Lewis' group in 1938 and formed a band that worked extensively in Cairo, Egypt, and traveled as far east as India. After the Italian invasion of Egypt in 1940, Chittison's escape was facilitated by Stepin Fetchit, to whom he was then indebted; the documentary filmmaker and jazz aficionado Jean Bach, who was invited backstage by Fetchit after one of his performances at the Cotton Club, recounted: "[Fetchit] had this fabulous jazz pianist, Herman Chittison, playing in his dressing room between shows... Step helped Chittison get back to America, in return of which he became a slave of Step's... About that time, there was a radio program called, 'Flashgun Casey, Crime Photographer'... you'd always hear this tinkling piano in the background. It was Chittison... probably trying to earn enough money to escape the clutches of Stepin Fetchit." In 1950 Chittison recorded his first album for Columbia Records, called Keyboard Capers. The following year, the label released an album that Chittison cut with guitarist Everett Barksdale and bassist Abie Baker as the Herman Chittison Trio. In October 1959, Chittison arrived in Boston and was employed as the resident pianist at the Red Garter bar in the Lenox Hotel. He then moved to the Mayfair Lounge in Bay Village. His stay in Boston lasted two years in total. He also had a reoccurring role as the piano player in the Blue Note Bar on the radio series, Casey, Crime Photographer. Chittison died in Cleveland in March 1967, at the age of 58.
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Flemingsburg.
Birth place
Cleveland.
Death place
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Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Herman Chittison, revision 1358457898 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 21 August 2026.
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