Herbert Gerdes
- Born
- 1884 · Blexen.
- Died
- 1957 · Esslingen am Neckar.
- Occupation
- director
- Languages
- German
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Herbert Gerdes, cineasta, mercante, “Schmalfilmer” e regista, nacque il 1º aprile 1884 a Blexen e morì il 17 ottobre 1957 a Esslingen am Neckar.
Vita
Entrambi gli eventi sono registrati dalla Deutsche Nationalbibliothek.
Attività
Secondo la Deutsche Nationalbibliothek, l'attività di Herbert Gerdes si colloca a Berlino, a Cracovia e a Oldenburg (Oldenburg).
Istituzioni citate
Deutsche Nationalbibliothek
Non indicato dalle fonti citate: nazionalità
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wikidata · Q5734199 · wikipedia · Herbert Gerdes
In this article
Biography
Biography
The recorded working language is German.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Blexen.
Birth place
Esslingen am Neckar.
Death place
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Michaela Rethmeier: Die Funktion und Bedeutung Fritz Hipplers für das Filmschaffen im „Dritten Reich“, p. 25 (dissertation, University of Münster, 2006)
- 2.Original title: Seele des Lichtspiels – ein Bekenntnis zum Film, by Dr Walter Julius Bloem (1898–1945), Verlag Grethlein, Leipzig, 1922.
- 3.Adolf Hitler, Mein Kampf, p. 526 (Translation by James Vincent Murphy).
- 4.Original title: "Im Banne des Films. Die Weltherrschaft des Kinos", by Dr. Hans Buchner (1896–1971), Boepple publishing house, Munich, 1927.
- 5.Geschichte des deutschen Films, edited by Wolfgang Jacobsen, Anton Kaes, Berlin, Stuttgart, Weimar, 1993, p. 73.
- 6.Alles Leben Ist Kampf, cine-holocaust.de; accessed 7 April 2018.
- 7.Erbkrank, cine-holocaust.de; accessed 7 April 2018.
- 8.Hans Traub, Der Film als politisches Machtmittel, Munich, 1932, p. 29. Original German text: "Ohne Zweifel ist der Film als Sprache ein vortreffliches Mittel der Propaganda. Die Beeinflussung fordert von jeher solche Spracharten, die in der einfachen Erzählung einprägsame und bewegte Handlung gestalten. … Aus dem weiten Gebiet der Sprache aber, die unmittelbar durch technische und wirtschaftliche Vorgänge an den Empfänger herangetragen wird, ist die wirksamste Art das Laufbild. Es verlangt eine ständige Aufmerksamkeit; es ist voller Überraschungen im Wechsel von Handlung, Zeit und Raum; es ist unausdenkbar reich im Rhythmus der Gefühlssteigerung und der Gefühlsverdrängung."
- 9.Klaus Kreimeier: Die Ufa-Story. Geschichte eines Filmkonzerns. S. Fischer Verlag, 2002. , pp. 309–310, Original, Goebbels: "Scham- und Geschmacklosigkeiten".
- 10.Cinzia Romani, Tainted Goddesses: Female Film Stars of the Third Reich p. 13;
- 11.Michaela Rethmeier: Die Funktion und Bedeutung Fritz Hipplers für das Filmschaffen im „Dritten Reich“, p. 194 (dissertation, University of Münster, 2006)
- 12.Same source, p. 224. Original in German: "nicht das bloße Erdichten, sondern das zweckmäßige Erdichten einen schöpferischen Geist beweise."
- 13.Emil Jannings: "Über den Film", „Nationalsozialistische Monatshefte“, Volume 147, June 1942, pp. 342–343.
- 14.Cinzia Romani, Tainted Goddesses: Female Film Stars of the Third Reich p. 9;
- 15.Source: filmportal.de
- 16.Senses of Cinema. The Skladanowsky Brothers: The Devil Knows.
- 17.Red Carpet: Hollywood, China, and the Battle for Global Supremacy. Erich Schwartzel. 2022. .
- 18.Episode 1: "The Golden Door" (Beginnings–1938) The U.S. and the…. The U.S. and the Holocaust Ken Burns PBS. 1:41:25.
- 19.Hitler in Hollywood. The New Yorker. 2013-09-09.
- 20.The U.S. and the Holocaust "Yearning to Breathe Free" (1938–1942) Episode 2.
- 21.Ursula Saekel: Der US-Film in der Weimarer Republik – ein Medium der "Amerikanisierung"?: Deutsche Filmwirtschaft, Kulturpolitik und mediale Globalisierung im Fokus transatlantischer Interessen. Verlag Schoeningh Ferdinand, 2011, , pp. 169, 255, 258
- 22.Cinzia Romani, Tainted Goddesses: Female Film Stars of the Third Reich p. 2
- 23.Cinzia Romani, Tainted Goddesses: Female Film Stars of the Third Reich pp. 2–3
- 24.Cinzia Romani, Tainted Goddesses: Female Film Stars of the Third Reich p. 86
- 25.Fritz Hippler: Betrachtungen zum Filmschaffen, 1942, pp. 23–24, 29. Original in German, Hippler: "über Wesen und Unwesen des Startums ist genug gesagt und geschrieben worden, aber Startum hin Startum her: es ist nicht zu leugnen, daß die Menschen der ganzen Welt ein Hauptmotiv ihres Filmbesuches in dem Wunsch sehen, ihnen bekannten und beliebten Gesichtern wiederzubegegnen"; "europäisches Format"; "deutschen Schönheitsideal".
- 26.Klee, Kulturlexikon, S. 227.
Bibliography printed in the source article · 8
- Albrecht, Gerd (1969). Nationalsozialistische Filmpolitik. Munich: Hanser.
- Leiser, Erwin. Nazi Cinema. Macmillan Publishers. 1974. 0025702300.
- Kelson, John. Catalogue of Forbidden German Feature and Short Film Productions held in Zonal Film Archives of Film Section, Information Services Division, Control Commission for Germany, (BE). Greenwood Publishing Group. 1996. 0948911190.
- Routledge. Made in Europe: The Production of Popular Culture in the Twentieth Century. 2014. 978-1138794443.
- Niven, Bill. Hitler and Film: The Führer's Hidden Passion. Yale University Press. 2018. 9780300200362.
- Orlow, Dietrich. The History of the Nazi Party: 1919–1933. University of Pittsburgh Press. 1969.
- Waldman, Harry. Nazi Films In America, 1933–1942. McFarland & Company. 2008. 9780786438617.
- Welch, David. Propaganda and the German Cinema: 1933–1945. I.B. Tauris. 1983. 9781860645204.
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