Henry Jamyn Brooks
Henry Jamyn Brooks (1839–1925) was a British painter, particularly known for his pictures of meetings and events, in which many individuals are personally identifiable. He painted royalty, and portraits of civic leaders and military people, and was also a photographer.
Also recorded as Henry Jermyn Brook · Jermyn Brooks · Henry Jermyn Brooks
Henry Jamyn Brooks

Henry Jamyn Brooks · Wellcome Collection, London · Wellcome Collection · Public Domain Mark
- Name
- Henry Jamyn Brooks
- Born
- 1839
- Birthplace
- England
- Died
- 1925
- Place of death
- Essex, England
- Occupation
- * Painter
- Nationality
- United Kingdom of Great Britain and Ireland
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Henry Jamyn Brooks (1839–1925) was a British painter, particularly known for his pictures of meetings and events, in which many individuals are personally identifiable. He painted royalty, and portraits of civic leaders and military people, and was also a photographer.
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Henry Jamyn Brooks (1839–1925) was a painter and photographer, of British nationality. The painter was born in Birmingham and died in Shalford. Works are held at Guildhall Art Gallery, Hunterian Museum and National Portrait Gallery, among others.
Composed from admitted, traceable facts · 26 September 2026
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In this article
Key facts
Key facts
• Name — Henry Jamyn Brooks • Born — 1839 • Birthplace — England • Died — 1925 • Place of death — Essex, England • Occupation — * Painter • Photographer
Personal life
Personal life
Brooks was born in 1839. His son, Sidney Malcolm Wellbye Brooks (born 1874, Abingdon), was a member of the Anglican missionary organisation, the Society for the Propagation of the Gospel in Foreign Parts and was reported murdered in China, during the Boxer Rebellion, on 30 December 1899. Brooks died in Essex in 1925.
Career
Career
• Illustration — Private View of the Old Masters Exhibition, Royal Academy, 1888, 1889 • Illustration — The First Meeting of the London County Council in the County Hall Spring Gardens, 1889, oil on canvas, 194 x 368 cm, City of London Corporation collection • Illustration — Alderman Nathaniel Chapple, Mayor of Torrington (1871, 1879 & 1889), oil on canvas, 90.4 x 69.4 cm, Great Torrington Almshouse, Town Lands and Poors Charities collection Among the organisations whose meetings Brooks painted were: The Corporation of Abingdon (1877–1878), Reading Borough Council (1878), the first meeting of London County Council, in the County Hall Spring Gardens (1889) and the Royal College of Surgeons' Court of Examiners (1894). In 1886, his business address was 7 Trafalgar Studios, Manresa Road, King's Road in south-west London. His painting Private View of the Old Masters Exhibition, Royal Academy, 1888 features sixty-six people. There are a number of notable contemporary artists in the work, including Sir John Everett Millais, William Holman Hunt, George Richmond, William Powell Frith, Sir Lawrence Alma-Tadema, Frank Holl, Sir Edward Poynter, Sir Philip Burne-Jones, and Sir William Quiller Orchardson. Other notable people are critic John Ruskin (who was not present at the event), banker Alfred de Rothschild, and prime minister William Ewart Gladstone. It also includes a self-portrait. In 1914, he recalled the circumstances in which the work was conceived: He donated the painting to the National Portrait Gallery in 1919. On 28 February 1899 he attended Windsor Castle to present to Queen Victoria his paintings of her reception of the chairmen and conveners of county councils and the mayors and provosts of the United Kingdom. The reception had been held at Buckingham Palace in 1897, as part of Victoria's Diamond Jubilee celebrations. He also painted Victoria, near the end of her reign, in a work called Queen Victoria's Last Ceremony, in which she was shown receiving Lord Roberts and his staff on their return from Africa. The painting was exhibited at Graves' Galleries, Pall Mall, in London in June 1901, following her death. The admission charged was one shilling. 29 January 1902 issue of The Tatler reported that Brooks was working on a 9 x picture of the attendees at a first-night of Stephen Phillips' play Ulysses at Her Majesty's Theatre, London, which was to include some 300 portraits, including the Royal Family, nobility, politicians, and many other members of high society. He reportedly sent each of the people to be depicted a postcard on which they were requested to supply details such as hair colour, height and what they were wearing at the event. His work is in a number of collections, including the National Portrait Gallery, the Royal Institution, the Royal Air Force Museum, the City of London Corporation's Guildhall Art Gallery, Reading Museum, the Hunterian Museum, and Brasenose College, Oxford.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Birmingham.
Birth place
Shalford.
Death place
Primary material
Documents and archives
reference work
- “Henry Jamyn Brooks”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q15623545: Henry Jamyn Brooks
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.22 January 2014.
- 2.News from China. The Sydney Morning Herald. 7. 28 June 1900.
- 3.England & Wales, Death Index, 1916–2007. General Register Office. England and Wales Civil Registration Indexes. London, England: General Register Office.
- 4.The Corporation of Abingdon (1877–1878). Art UK.
- 5.The Council Chamber, Reading, Berkshire. Art UK.
- 6.The First Meeting of the London County Council in the County Hall Spring Gardens, 1889. Art UK.
- 7.Michael Jeffrey Aminoff; Larry R. Faulkner. The American Board of Psychiatry and Neurology: Looking Back and Moving Ahead. American Psychiatric Pub; 2012. . p. 331.
- 8.Pitt Rivers Museum. S&SWM PR papers L201 – L400. 2013.
- 9.Private View of the Old Masters Exhibition, Royal Academy, 1888. Your Paintings.
- 10.National Portrait Gallery, London. NPG 1833; Handwritten account, (1914), of the painting by Henry Jamyn Brooks.
- 11.National Portrait Gallery, London. NPG 1833; Private View of the Old Masters Exhibition, Royal Academy, 1888.
- 12.Court Circular. The Times. 10. 1 March 1899.
- 13.Queen Victoria's Diamond Jubilee.
- 14.Court Circular. The Times. 5. 15 May 1901.
- 15.Art Exhibitions, &c. The Times. 2. 15 June 1901.
- 16.Who's Who in a First-night Audience at Her Majesty's. The Tatler. 216. 29 January 1902.
- 17.National Portrait Gallery, London. Henry Jamyn Brooks.
- 18.Royal Institution. Image collections.
- 19.Portrait of a Young Royal Flying Corps Officer. Art UK.
- 20.The Viva. Art UK.
- 21.The Head of the River. Art UK.
Bibliography printed in the source article · 13
- Bénézit, Emmanuel. Bénézit Dictionary of Artists: English Edition. Originally published in French, in 1911. Paris: Gründ, 2006.
- "Catalog of Recent Acquisitions." Sanders of Oxford. p. 31.
- Complete illustrated catalogue, 1856–1979. 1981. .
- James S. Dearden. John Ruskin: A Life in Pictures. Continuum; 1999. . p. 240.
- Ursula DeYoung. A Vision of Modern Science: John Tyndall and the Role of the Scientist in Victorian Culture. Palgrave Macmillan; 15 February 2011. . p. 201.
- Charlotte Gere. Artistic Circles: Design & Decoration in the Aesthetic Movement. Harry N. Abrams; 1 June 2010. . p. 47.
- Horace A. Laffaye. Polo in Britain: A History. McFarland; 1 January 2012. . p. 146.
- Franny Moyle. Desperate Romantics. John Murray; 8 November 2012. . p. PT185.
- Rethinking Pitt-Rivers. The Pitt Rivers Museum, University of Oxford.
- Royal College of Surgeons of England. Catalogue of portraits and busts in the Royal College of Surgeons of England with short biographical notices. London: Taylor and Francis, 1892. p. 49.
- James Faure Walker. Painting the Digital River: How an Artist Learned to Love the Computer. Prentice Hall Professional; January 2006. . p. 43, 53, 302.
- Witt Checklist of Painters ca. 1200–1976, London: Witt Library, Courtauld Institute of Art.
- Witt Library authority files, Courtauld Institute of Art [local database]. London, 19??-.
References
Citations
References
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reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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